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    Wyświetlanie 1-9 z 9
    Tytuł:
    Ansambl aktorski
    Actors’ ensemble
    Autorzy:
    HENDRYKOWSKI, MAREK
    Powiązania:
    https://bibliotekanauki.pl/articles/920958.pdf
    Data publikacji:
    2016-11-03
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    actor
    actress
    acting
    star
    star system
    team
    collective creation
    ensamble
    casting
    cast direction
    art of film
    semiotics
    Opis:
    The article analyses how actors’ ensembles function as an alternative to the star system of actors’ participation in film.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 135-146
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    ,,BIERZESZ CZTERY LUB PIĘĆ NUT, JEDNĄ WYRZUCASZ, JEDNĄ PRZESUWASZ…”, czyli temat główny z Gwiezdnych wojen i Marsz imperialny jako standardy muzyki filmowej oraz ich wpływ na kulturę popularną
    YOU GET FOUR OR FIVE NOTES, YOU TAKE ONE NOTE OUT AND ONE MOVE AROUND…*, “STAR WARS MAIN THEME” AND “IMPERIAL MARCH” AS STANDARDS OF FILM MUSIC AND THEIR INFLUENCE ON POPULAR CULTURE
    Autorzy:
    SKORUPSKI, Patryk
    Powiązania:
    https://bibliotekanauki.pl/articles/909317.pdf
    Data publikacji:
    2019-06-27
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Star Wars
    music
    soundtrack
    popular culture
    orchestra
    movie
    commercial
    Opis:
    Everybody has his own smells, tastes, pictures which are associated to us with particular situations. It is the same with music and melodies. Most of us can hum “Ode to Joy”, “Für Elise” or… “Imperial March” from Star Wars. What is the strongest quality of music from this saga? Dynamism? Simplicity? Or maybe tone of instruments? I will try to find reason.
    Źródło:
    Historia@Teoria; 2018, 1, 7; 119-125
    2450-8047
    Pojawia się w:
    Historia@Teoria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    RECEPCJA ŚREDNIOWIECZNYCH MOTYWÓW W ŚWIECIE GWIEZDNYCH WOJEN
    RECEPTION OF THE MEDIEVAL MOTIFS IN THE WORLD OF STAR WARS
    Autorzy:
    DELIMATA-PROCH, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/909302.pdf
    Data publikacji:
    2019-06-27
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Star Wars
    Middle Ages
    Arthurian legends
    image of hell
    warriors
    Opis:
    The paper makes up an attempt to systematize and occasionally verify the views on the medieval motifs which were to be used while creating the world of Star Wars. The synchronic method applied in various publications lies behind opinions according to which the inspiration here included: Arthurian legends, the medieval concept of minne, visions of hell, the history and tradition of the Knights Templar, as well as the samurai in feudal Japan. These opinions cannot be regarded as entirely grounded. The remarks on the reception of some motifs related to the samurai or the Knights Templar seem justified as well as the plot of courtly love and the medieval image of hell. However, insistent juxtaposing, among others, of the individual stages of the lives of the saga’s main characters with the fortunes of king Arthur is controversial.
    Źródło:
    Historia@Teoria; 2018, 1, 7; 53-75
    2450-8047
    Pojawia się w:
    Historia@Teoria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Motyw obcego w Podróży ósmej Stanisława Lema
    The theme of the alien in The Eighth Voyage by Stanisław Lem
    Autorzy:
    Düring, Michael
    Powiązania:
    https://bibliotekanauki.pl/articles/1041859.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Alien Contact
    estrangement
    self-reflection
    Polish science fiction
    Stanisław Lem
    Star Diaries
    Opis:
    The article contains a reconstruction of the theme of the alien in The Star Diaries  by Stanisław Lem, with special emphasis on The Eighth Voyage. The Author treats this theme as a starting point for existential considerations, and - by reference to the work of Bernard Waldenfels - also for cultural and civilizational considerations.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 28; 155-166
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    TRAVIS DURDEN, MYTHS AND IDOLS. GWIEZDNE WOJNY W ARTYSTYCZNYM ENTOURAGE’U
    TRAVIS DURDEN, MYTHS AND IDOLS. STAR WARS IN THE ARTISTIC ENCOURAGE
    Autorzy:
    BALBUZA, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/909286.pdf
    Data publikacji:
    2019-06-27
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Travis Durden
    Star Wars
    ancient sculpture
    modern sculpture
    3D technology
    reception
    Opis:
    The project Myths and Idols, by the French photographer Travis Durden, came into being in 2015 by means of digital technology. The artist processed photos of nine selected modern sculptures, mostly related to ancient matters, in order to provide them with the attributes or heads belonging to the heroes of the famous Star Wars saga. The sculptures chosen by Durden for his project had been created by European artists (French sculptors and one Italian master) and they are exclusively of an early modern provenance (arising from the Renaissance, Classicism, and Neoclassicism). Not a single work of ancient art is included. However, the classical (ancient) art itself became an object of the Parisian sculptor’s interest in terms of taking early modern art into account as the artists of the latter patterned themselves on ancient samples and picked up ancient subject matters. Likewise, Star Wars in turn constitutes a product of the American pop- culture frequently referring to motifs which had originated in ancient culture. The article discusses all nine photo collages and the whole project is being interpreted. Myths and Idols offers an example of the double reception of ancient culture – the early modern and contemporary ones.
    Źródło:
    Historia@Teoria; 2018, 1, 7; 19-35
    2450-8047
    Pojawia się w:
    Historia@Teoria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    SPONTANICZNOŚĆ CZY ODGÓRNE STEROWANIE? FUNKCJONOWANIE ZJAWISK SPOŁECZNYCH POWIĄZANYCH Z KULTURĄ MASOWĄ NA PRZYKŁADZIE FANDOMU GWIEZDNYCH WOJEN
    SPONTANEOUS OR TOP-DOWN CONTROL? FUNCTIONING OF SOCIAL PHENOMENA RELATED TO MASS CULTURE ON THE EXAMPLE OF STAR WARS FANDOM
    Autorzy:
    WERNER, Wiktor
    TRZOSS, Adrian
    Powiązania:
    https://bibliotekanauki.pl/articles/909287.pdf
    Data publikacji:
    2019-06-27
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    new media
    social media
    Facebook
    Wookieepedia
    Star Wars
    Lucas
    Disney
    mass culture
    Opis:
    The article is devoted to the issue of the impact of the new media on the mass culture. Authors have explored community portals using modern methods of quantitative and qualitative data analysis. The results show that belief in the more democratic, egalitarian character of the new media compared to the traditional corporate model of the mass-media industry may be a delusion as large mass media corporations have also had a great impact on the functioning of social networking sites.
    Źródło:
    Historia@Teoria; 2018, 1, 7; 37-50
    2450-8047
    Pojawia się w:
    Historia@Teoria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    ,,DLA JEDI CZAS NASTAŁ TAKŻE, BY JEŚĆ”. SCENY UCZTY W SADZE GWIEZDNE WOJNY
    “FOR THE JEDI IT IS TIME TO EAT AS WELL”. EATING SCENES IN STAR WARS SAGA
    Autorzy:
    BARBARZAK, Dawid
    Powiązania:
    https://bibliotekanauki.pl/articles/909308.pdf
    Data publikacji:
    2019-06-27
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Star Wars
    eating scenes
    feast scenes
    food on film
    food symbolism
    anthropology of food
    Opis:
    Feast scenes from the main Star Wars episodes play an important role the creation of the plot and characters. In the paper I divide them into three types. In the first part I discuss the scenes in which a feast or a meal is a pretext for the dialogues revealing the characters’ past (the conversation between Luke and his uncle) or predict their future (little Anakin and Qui-Gon during the dinner; Anakin and Padmé’s conversation predicting their fall). In the second part I present eating scenes through the authors create or underline the characteristic features of the protagonists (comism of Jar Jar Binks and Chewbacca; Jabba’s gluttony; dehumanization of the black characters by the fact that they lack any contact with food) or build their social status (Rey’s scavenger meal; feasts at tha palaces of Jabba and Amidala; Jedi master’s ascetic meal on Dagobah; clones’ canteen). To analyse the scenes I use theories developed by food anthropologists (Mary Douglas, Claude Levi-Strauss, and Katarzyna Łeńska-Bąk) and make references to classical mythology and the Bible. In the last part I raise questions about consumer’s the identity of the character who eats juxtaposing devouring and eating scenes (why are Eworks considered humanoids whereas Wampa and Rancor are considered monsters since they all eat human flesh?).
    Źródło:
    Historia@Teoria; 2018, 1, 7; 95-116
    2450-8047
    Pojawia się w:
    Historia@Teoria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Gatunek na usługach doktryny. Ideologia w polsko-enerdowskiej koprodukcji Milcząca gwiazda
    Genre at service of the doctrine. Ideology in the East-German-Polish co-production The Silent Star
    Autorzy:
    Peplinski, Maciej
    Powiązania:
    https://bibliotekanauki.pl/articles/1047439.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    The Silent Star
    The Astronauts
    Kurt Maetzig
    Stanisław Lem
    GDR
    Polish People’s Republic
    coproduction
    film genre
    science fiction
    socialism
    cosmos
    space program
    space race
    Opis:
    The East German-Polish co-production The Silent Star (1960, Kurt Maetzig) belongs to the group of early postwar Eastern European science fiction films which still remain barely examined by film and genre historians. The article summarizes the existing research on the film and investigates not only the specific formal character of Maetzig’s unprecedented project, but also the numerous ideological and political motivations which stood behind it.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 77-97
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Metafora ciemnej nocy w dziełach Johna Henry’ego Newmana
    The metaphor of dark night in John Henry Newman’s works
    Autorzy:
    Lisowska, Natasza
    Powiązania:
    https://bibliotekanauki.pl/articles/1048137.pdf
    Data publikacji:
    2019-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    John Henry Newman
    „ciemna noc”
    metafora
    homo viator
    „Prowadź; łaskawe Światło”
    świat
    grzech
    eschatologia
    Gwiazda Zaranna
    john henry newman
    dark night
    metaphor
    world
    sin
    eschatology
    morning star (stella matutina)
    „lead kindy light”
    Opis:
    The metaphor of dark night has been deeply rooted by John Henry Newman in the Bible, as evidenced in his sermons. In addition, it results from the inspiration of works of the Fathers of the Church, including St. Gregory of Nazianzus, whose poetry he valued, as well as it was taken over from Anglican theologians, Lancelot Andrewes, Bishop Winchester and Thomas Sherlock, Bishop of London. Apparently, this metaphor resounded in The Pillar of the Cloud, and other works confi rm the interpretation that the dark night depicts whole life of man as a pilgrim. Faith helps him to lean on God who leads him home. Certain similarities with this metaphor also occur in the poetry of Luis Rosales, a 20th-century Spanish poet. The dark night is also the season that fell after original sin, making the world unfriendly to man; henceforth he is subject to ignorance, sin and death. However, a believer can see some positive signs that night, which indicate the truth that the world is moving to the end of its path.
    Źródło:
    Filozofia Chrześcijańska; 2019, 16; 87-101
    1734-4530
    2450-0399
    Pojawia się w:
    Filozofia Chrześcijańska
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-9 z 9

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