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    Tytuł:
    Obraz własnego ciała współczesnej młodzieży a kultura popularna. Badania własne
    Self-image Body of Contemporary Youth and Pop Culture. Own research
    Autorzy:
    Gajtkowska, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/645052.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Pop culture
    self-body image
    teenagers
    mass-media
    other people opinions
    the ideal self
    the ought self
    the actual self
    modern youth
    Opis:
    The author presents the outcome of her own research on the in uence of the pop culture on self-body image. In the research, di erent aspects of self-body image are taken into account: being t, healthy and being goodlooking or pretty. The analysis of the scienti c research persuades the reader that mass media are important but not the most important source of information which they use to judge? their bodies. Moreover, it is claimed that the meaning of cocalled pop culture for teenagers’ self-judgment is di erentiated, it is most important for the appearance.
    Źródło:
    Kultura-Społeczeństwo-Edukacja; 2013, 4, 2; 103-118
    2300-0422
    Pojawia się w:
    Kultura-Społeczeństwo-Edukacja
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Fryderyk Chopin’s correspondence from the perspective of body studies. The discovery of corporeality
    Autorzy:
    Sosnowska, Danuta
    Powiązania:
    https://bibliotekanauki.pl/articles/780165.pdf
    Data publikacji:
    2010
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Chopin’s correspondence
    somatic studies
    cultural body
    sickness
    irony
    grotesque
    fragmentary self
    music and image
    Opis:
    The author analyses Fryderyk Chopin’s correspondence within the context of the new humanities field of body studies. The socio-cultural anthropology of the body has been an object of study since the 1980s. It has enabled the extraction of the picture of a cultural body inscribed in Chopin’s correspondence, and it has also shown how his conception of his own soma and of the bodies of other people diverge from the Romantic convention of writing about corporeality. In the age of romanticism, sickness and physical weakness were glorified like a gift and a badge of spiritual aristocracy. A suffering and frail complexion became a value in the salons - a laissezpasser to the world of artistic sensitivity. Chopin never succumbed to that fashion. His record of his corporeal experience is strikingly un-Romantic, as can be seen, for example, when comparing it with the narration of sickness contained in the correspondence of Zygmunt Krasiński. The corporeal experience displayed by the great musician is striking in its modernity. Chopin rejects the Romantic lyricisation of sickness; his utterances are pithy, dominated by sarcasm and even physiological brutality, and the style of his description of corporeality employs grotesqueness, irony and absurdity. Human subjectivity sensed through the body paints a picture of a fragmentary, disharmonious self; people reveal themselves to the eyes of others not as a whole, but as an abbreviation, a representative detail. Visions of mechanised bodies, whose behaviour and actions are hyperbolised by the musician, bring us - especially during the last years of Chopin’s life - into a world where corporeality is a source of strangeness, and even repugnance. In the conclusion of the article, the author denies that Chopin’s music can be directly translated into a moving picture: she states that neither his illness nor any other experiences of his bodily existence can be treated in an illustrative way that purports to “illuminate” his music directly.
    Źródło:
    Interdisciplinary Studies in Musicology; 2010, 9; 265-282
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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