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Wyszukujesz frazę "reception history" wg kryterium: Temat


Wyświetlanie 1-8 z 8
Tytuł:
OD DZIEJÓW HISTORIOGRAFII DO DZIEJOWOŚCI TEKSTÓW HISTORIOGRAFICZNYCH
From history of historiography to historicity of historiographical texts
Autorzy:
Julkowska, Violetta
Powiązania:
https://bibliotekanauki.pl/articles/909824.pdf
Data publikacji:
2017-05-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
history of historiography
reception
reception aesthetics
horizon of expectations
historical culture
Opis:
The article att empts to defi ne the history of historiography as a subdiscipline of history; it indicates the numerous competences of historians of historiography which are nessesary for undertaking an (auto)refl ection around the history of their discipline, for touching the theoretical and methodological aspects of historiography, and for the study of historicity of historiographical texts. Th e author asks about the current status of the history of historiography and new horizons of research. Regarding the fi eld of changes in the ways of comunication, she sees potential chances for increasing the interest of new recipients in the history of historiography. The author amplifi es the weft of reception, understood as a phenomenon that belongs to the comunication situation occuring between the author of transmission and his recipients. The author refers to the inspiration of the methodological conception of the school of reception aesthetics from Constance (W. Iser, R. Jauss) and the hermeneutics of H-G. Gadamer. Reception is a new concept for presenting the history of historiography as a fi eld of research on the historicity of historical works.
Źródło:
Historia@Teoria; 2017, 1, 3; 53-60
2450-8047
Pojawia się w:
Historia@Teoria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Norwid w Czechach. Dzieje recepcji twórczości
The Czech interpretation of C.K. Norwid’s poetry. The history of the reception
Autorzy:
Kardyni-Pelikánová, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/39782041.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Norwid
reception
ideological reception milieus
history of literature (Máchal, Wollman, Krejčí)
Opis:
The author describes the history of the reception of C.K. Norwid’s works in Bohemia, starting with the first references (J.V. Frič), through a discussion of the attitude of authors of “Slovanský peled” and “Moderni revue” to the poet, the milieu of Catholic writers, to finish with the translations by J. Pilař, ornamentally published in large circulation.
Źródło:
Slavia Occidentalis; 2021-2022, 78/1-79/1; 91-103
0081-0002
Pojawia się w:
Slavia Occidentalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gajusz Waleriusz Maksymus czyli historia moralizująca,jej losy w dawnych epokach oraz polski przekład IV 1-15
Autorzy:
Lewandowski, Ignacy
Powiązania:
https://bibliotekanauki.pl/articles/630855.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
HISTORIOGRAPHY
MORALISING HISTORY
RECEPTION OF THE ANTIQUITY
TRANSLATION
Opis:
Based on Facta et dicta memorabilia by Valerius Maximus, the author discusses a type of moralising history in the ancient times and selected examples of its fates in Antiquity, the Middle Ages, Renaissance and Baroque periods in Europe,Poland in particular. The quoted translations of excerpts from Book IV indicate the need to effect a Polish translation of the text. 
Źródło:
Studia Europaea Gnesnensia; 2014, 9; 197-218
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wokół Przepióreczki. Dyskusje i polemiki
Around “Przepióreczka”. Discussions and polemics
Autorzy:
Warońska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1041993.pdf
Data publikacji:
2016-11-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stefan Żeromski’s dramas
Reduta
the history of drama reception
Przełęcki as a new hero
the ideology of the work
Opis:
The author of the article has recalled Stefan Żeromski’s comedy, its premiere at Juliusz Osterwa and Mieczysław Limanowski’s Reduta and, above all, the discussion which began in the Warsaw press in 1925 and has been continued to this day. The author has identified and discussed some basic threads: the genology of the work, and its theatricality and ideology. Almost all critics of the interwar period got involved in the beginnings of the discussion, regardless of their experience and political orientation. Readers and theatre critics (incidentally, the play Uciekła mi przepióreczka came in literary and theatrical circulation almost at the same time) perceived a call for a new patriotism in the work, which Przełęcki was supposed to spread in the liberated Homeland. The formal shape of the work, too, contributed to calling it a masterpiece, while the quick death of the author transformed the comedy almost in a literary testament.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 205-226
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mapowanie kanonu. Literatura polska w perspektywie światowej
World History of Polish Literature. Interpretations
Autorzy:
Mikołajczak, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/2036507.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
world literature
history of Polish literature
intercultural transfer
canon
translation
reception
Opis:
The article discusses the research proposal presented in Światowa historia literatury polskiej. Interpretacje [World History of Polish Literature. Interpretations], edited by Magdalena Popiel, Tomasz Bilczewski and Stanley Bill. Mikołajczak contrasts the research concept of world literature with the dominant approaches to the world literature in the area of contemporary literary studies and the traditional model of the history of literature. She reflects on the situation of Polish literature in the world, taking into account the ways in which Polish works circulate in other cultural circles, the possibilities and limitations of translation as well as shifts within the canon. She also indicates the opportunities that open up for Polish literature in the global context.
Źródło:
Przestrzenie Teorii; 2021, 35; 395-413
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
How to Be an Unsuccessful Ancient Philosophy Scholar in Uneasy Times: The Case of S. Lisiecki (1872–1960)
Autorzy:
Mróz, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/28408734.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
S. Lisiecki
Plato
history of translations
reception of ancient philosophy in Poland
Opis:
The paper provides a brief outline of the biography and works of Stanisław Lisiecki (1872–1960), a little-known Polish classics scholar, who is remembered only, if at all, as a translator of Plato’s Republic. In his early fifties, having given up his career as a Catholic priest, he started working in the field of classics and managed to publish several minor works on Plato in Polish and Latin. His decision to abandon the clergy was not welcomed by many members of the Polish academia and most of his translations of Plato and Aristotle remained unpublished. His renderings of Plato could not compete with the highly accessible translations made by W. Witwicki, which were becoming increasingly popular at that time. Furthermore, Lisiecki’s translations of Aristotle, despite the pioneering nature of his undertaking, met with strong criticism at various university seminars.
Źródło:
Peitho. Examina Antiqua; 2023, 14, 1; 125-137
2082-7539
Pojawia się w:
Peitho. Examina Antiqua
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Much ado about Chopin. Discussion in the Warsaw press from 1830
Autorzy:
Strzyżewski, Mirosław
Powiązania:
https://bibliotekanauki.pl/articles/780417.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
history o f criticism
history of aesthetics
discourse
critical language
Chopin reception
Warsaw culture prior to the November Rising
Opis:
During his Warsaw period, the music of the young Chopin was enthusiastically and even feverishly received. And it drew considerably interest from the critics. However, attention should be drawn to the crucial cultural factors that largely determined the quality of that critical reflection. Above all, this was a quite specific period in the history of the nation. The language o f criticism gives a fair reflection of moods in the country: growing patriotic emotions, freedom rhetoric and Romantic spirituality. Added to this, Polish music criticism (in contrast to German criticism) had yet to develop distinctive forms of discourse, but was still seeking a suitable language for the description of music. One may even gain the impression that music criticism was maturing together with the young virtuoso and offering a “youthful” discourse strung out between literary metaphor depicting the scale of listeners’ emotions and impressions and specialist description of playing and composition technique. One also notes a growing tension between “amateurs” and “professionals”, leading to polemic and discussion. It was a most interesting period in the history of Polish critical reflection, one which obliges the scholar to maintain a broad humanistic perspective over the many cultural phenomena of that time (philosophical, literary, artistic and political) which helped to forge the spirituality of Polish romanticism.
Źródło:
Interdisciplinary Studies in Musicology; 2010, 9; 19-30
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Uparte trwanie baroku” w recepcji wierszy Stanisława Barańczaka
‘The Stubborn Persistence of the Baroque’ in the receptions of Stanisław Barańczak’s poems
Autorzy:
Lisak-Gębala, Dobrawa
Powiązania:
https://bibliotekanauki.pl/articles/1040901.pdf
Data publikacji:
2019-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Barańczak Stanisław – reception
baroque
Polish 20th-century poetry
Polish 21st-century poetry
metaphysical poetry
Polish literary history
analysis of literary studies discourse
Opis:
The article focuses on the functioning of the term ‘baroque’ in the reception of Stanisław Barańczak’s poems. The author takes into account the context of fashion for returning to the legacy of the baroque which became visible after 1956 in both poetry itself and in the discourse of both literary criticism and literary studies.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2019, 36; 59-76
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-8 z 8

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