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Wyszukujesz frazę "reception aesthetics" wg kryterium: Temat

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    Wyświetlanie 1-7 z 7
    Tytuł:
    OD DZIEJÓW HISTORIOGRAFII DO DZIEJOWOŚCI TEKSTÓW HISTORIOGRAFICZNYCH
    From history of historiography to historicity of historiographical texts
    Autorzy:
    Julkowska, Violetta
    Powiązania:
    https://bibliotekanauki.pl/articles/909824.pdf
    Data publikacji:
    2017-05-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    history of historiography
    reception
    reception aesthetics
    horizon of expectations
    historical culture
    Opis:
    The article att empts to defi ne the history of historiography as a subdiscipline of history; it indicates the numerous competences of historians of historiography which are nessesary for undertaking an (auto)refl ection around the history of their discipline, for touching the theoretical and methodological aspects of historiography, and for the study of historicity of historiographical texts. Th e author asks about the current status of the history of historiography and new horizons of research. Regarding the fi eld of changes in the ways of comunication, she sees potential chances for increasing the interest of new recipients in the history of historiography. The author amplifi es the weft of reception, understood as a phenomenon that belongs to the comunication situation occuring between the author of transmission and his recipients. The author refers to the inspiration of the methodological conception of the school of reception aesthetics from Constance (W. Iser, R. Jauss) and the hermeneutics of H-G. Gadamer. Reception is a new concept for presenting the history of historiography as a fi eld of research on the historicity of historical works.
    Źródło:
    Historia@Teoria; 2017, 1, 3; 53-60
    2450-8047
    Pojawia się w:
    Historia@Teoria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    RECEPCJA ESTETYCZNA POEZJI KONKRETNEJ NA LEKCJI JĘZYKA OBCEGO
    Autorzy:
    Meinel, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1047759.pdf
    Data publikacji:
    2019-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    aesthetic reception, concrete poetry, reception aesthetics, reception of the work, autocommunication, text, functions and goals of working with concrete poetry in the lesson
    Opis:
    The subject of the article is the aesthetic reception of concrete poetry and the possibility of its use in foreign language classes. Reception aesthetics concentrates on the reception of the work and not its production. Concrete poetry works on sight and hearing, combines decoding of letters with visual perception and creates special opportunities for aesthetic reception in foreign language classes. The article draws attention to the phenomenon of text communication. The historical background and the first attempts to experiment with concrete poetry are discussed. Works of concrete poetry bring together aesthetics and didactics, which justifies their use in class. The functions and objectives of working with concrete poetry in the lesson are discussed and examples of works included in textbooks and examples of lesson scenarios are given.
    Źródło:
    Scripta Neophilologica Posnaniensia; 2019, 19; 265-279
    1509-4146
    Pojawia się w:
    Scripta Neophilologica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Los mecanismos de la interpretación: la eficacia de la ficción en la reconstrucción de la memoria a propósito de Los girasoles ciegos
    The mechanisms of interpretation: the effectiveness of fiction in the reconstruction of memory about Los girasoles ciegos
    Autorzy:
    de la Paz Cepedello Moreno, María
    Powiązania:
    https://bibliotekanauki.pl/articles/1048734.pdf
    Data publikacji:
    2017-03-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    fiction
    aesthetics of reception
    interpretation
    historical memory
    Los girasoles ciegos
    Opis:
    The aim of this paper is to demonstrate the important role that fiction can play in the reconstruction of historical memory. We start from some concepts proposed by phenomenology, and those wisely used by the literary pragmatics and aesthetics of reception, in order to explain the effect that fiction has on the reader regardless of contents or themes. The choice of Los girasoles ciegos is to illustrate the effectiveness of fictional stories in the reconstruction of historical memory through the use of four stories present suitable formal features. These stories allow the reader to interpret the text as own experience.
    Źródło:
    Studia Romanica Posnaniensia; 2017, 44, 1; 21-36
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wstydliwe pojęcia
    Shamefaced Concepts
    Autorzy:
    Baron-Milian, Marta
    Powiązania:
    https://bibliotekanauki.pl/articles/1365911.pdf
    Data publikacji:
    2017-08-12
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    literary theory
    use
    hermeneutics of suspicion
    affective criticism
    aesthetics of reception
    teoria literatury
    użycie
    hermeneutyka podejrzeń
    krytyka afektywna
    estetyka odbioru
    Opis:
    Tekst stanowi próbę analizy kluczowych założeń projektu teoretycznego Rity Felski, przedstawionego w książce Uses of Literature, przetłumaczonej na język polski jako Literatura w użyciu. Refleksje amerykańskiej badaczki, skoncentrowane wokół zagadnień estetyki odbioru i stanowiące polemikę z kluczową dla współczesnych badań literackich hermeneutyką podejrzeń oraz teorią krytyczną, zostają poddane interpretacji na podstawie czterech pojęć: rozpoznanie, oczarowanie, wiedza i szok. Stanowią one różne formy zaangażowania czytelnika w tekst oraz różne sposoby użycia, zastosowania literatury w akcie powszechnej, niespecjalistycznej lektury. Za jeden z najważniejszych elementów projektu Felski uznana zostaje tu próba przełamania elitarności badań literackich oraz ich wykluczającego względem czytelników nieprofesjonalnych charakteru.
    This text represents an attempt to analyze the main premises of Rita Felski’s theoretical project presented in her book Uses of Literature, translated into Polish as Literatura w użyciu (Literature in Use). The American scholar’s reflections, focused on problems of reception aesthetic and constituting a polemic with the concept, crucial to contemporary literary theory, of the hermeneutics of suspicion and with critical theory, are here interpreted using the four concepts relied on by Felski in the book: recognition enchantment, knowledge and shock. They constitute various forms of readerly engagement with the text and various forms of use, of applications of literature in practices of everyday, non-specialist reading. This article identifies Felski’s attempt to disrupt the elitism of literary studies and their exclusionary stance toward non-professional readers as one of the most important elements in her project as put forth in the book.
    Źródło:
    Forum Poetyki; 2017, 8-9; 174-183
    2451-1404
    Pojawia się w:
    Forum Poetyki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Estetyczne aspekty tworzenia i odbioru sztuki przez osoby z wadami słuchu
    The aesthetic aspects of creation and reception of art by people with hearing impairments
    Autorzy:
    Woźniak-Czech, Ewelina
    Powiązania:
    https://bibliotekanauki.pl/articles/1039401.pdf
    Data publikacji:
    2019-12-06
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    aesthetics
    deafness
    reception of work of art
    sign language
    polysensory perception
    Opis:
    The aim of the article is to analyse the aesthetic aspects of the reception and creation of art by people with hearing impairments. For most people, hearing loss is unimaginable and is often understood only in the context of communication problems. Meanwhile, deaf people perceive their otherness completely differently. Deafness is a total experience, affecting not only the physical aspect, but also changing the perception of reality as a whole. Divergences in the way of perceiving the world, resulting from the exclusion of one of the basic senses, are particularly visible in the field of art, especially in those areas that use sound effects. The large variety of types of deafness does not allow for broad generalizations or building some kind of universal theory of reception. Therefore, from the perspective of deaf people, contact with art is very individual and intimate, which also affects the issue of their artistic creation. The author of the article touches upon the problem of the visuality of sign language and its artistic possibilities. She analyses the perception preferences of people with hearing impairments, exposing the issue of polysensory perception, and presents the most interesting artistic projects created both by the deaf and those that allow to build multidirectional relations between the parallel worlds of the deaf and hearing people.
    Źródło:
    Przestrzenie Teorii; 2019, 31; 271-292
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Od Chopina do ... Noskowskiego”? Zygmunt Noskowskis langer Weg zu Chopin
    Autorzy:
    Keym, Stefan
    Powiązania:
    https://bibliotekanauki.pl/articles/780123.pdf
    Data publikacji:
    2010
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Fryderyk Chopin
    Zygmunt Noskowski
    reception
    aesthetics
    analysis
    variation form
    national music
    programme music
    Opis:
    The aim of this text is to present the process whereby Zygmunt Noskowski grew closer to the music of Chopin, which he initially treated with considerable distance. In the first part of the article, the author analyses verbal testimony of Noskowski’s Chopin reception on the basis of extant columns written by him. Noskowski’s attention first focused on Chopin towards the end of the 1880s, the catalyst being the Chopin anniversaries celebrated in 1894 and 1899, for the purposes of which Noskowski arranged piano compositions by Chopin for orchestra and voice. The picture of Chopin sketched by Noskowski in his press writings contained Classicist components in which his sense of form and his affinities with the work of Bach were underlined; on the other hand, Noskowski stressed in Chopin’s music - as a specifically Polish characteristic - its links with nature. Both these factors influenced the shape of Noskowski’s own music. In the second part of the article, the author shows Chopin’s influence on Noskowski’s compositions, which initially found expression through the intermediary of the dramatic aspects of the Second Symphony of Ignacy Feliks Dobrzyński, and then in episodic links between Noskowski’s symphonic poem Step [The steppe] and Chopin’s Rondo ä la krakowiak, Op. 14. The climactic point of Noskowski’s dialogue with Chopin is defined by his programmatic-patriotic orchestral work Z życia... [narodu] [From the life... [of the nation]], in which Chopin’s Prelude in A major from opus 28 served as the basis for a set of variations; this work, despite a number of inconsistencies, is regarded by the author as an important work, both in its from and in its culturalhistorical significance.
    Źródło:
    Interdisciplinary Studies in Musicology; 2010, 9; 115-138
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Much ado about Chopin. Discussion in the Warsaw press from 1830
    Autorzy:
    Strzyżewski, Mirosław
    Powiązania:
    https://bibliotekanauki.pl/articles/780417.pdf
    Data publikacji:
    2010
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    history o f criticism
    history of aesthetics
    discourse
    critical language
    Chopin reception
    Warsaw culture prior to the November Rising
    Opis:
    During his Warsaw period, the music of the young Chopin was enthusiastically and even feverishly received. And it drew considerably interest from the critics. However, attention should be drawn to the crucial cultural factors that largely determined the quality of that critical reflection. Above all, this was a quite specific period in the history of the nation. The language o f criticism gives a fair reflection of moods in the country: growing patriotic emotions, freedom rhetoric and Romantic spirituality. Added to this, Polish music criticism (in contrast to German criticism) had yet to develop distinctive forms of discourse, but was still seeking a suitable language for the description of music. One may even gain the impression that music criticism was maturing together with the young virtuoso and offering a “youthful” discourse strung out between literary metaphor depicting the scale of listeners’ emotions and impressions and specialist description of playing and composition technique. One also notes a growing tension between “amateurs” and “professionals”, leading to polemic and discussion. It was a most interesting period in the history of Polish critical reflection, one which obliges the scholar to maintain a broad humanistic perspective over the many cultural phenomena of that time (philosophical, literary, artistic and political) which helped to forge the spirituality of Polish romanticism.
    Źródło:
    Interdisciplinary Studies in Musicology; 2010, 9; 19-30
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

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