Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "reality." wg kryterium: Temat

  Lista filtrów
Wyrównaj
Wyświetlanie 1-15 z 62
Tytuł:
Rzeczywistość rozszerzona w edukacji przełomu dekad: 2019-2021
Augmented Reality in Education at the Turn of 2019-2021
Autorzy:
Topol, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/15828825.pdf
Data publikacji:
2021-10-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
augmented reality
augmented virtuality
mixed reality
virtual reality
education
pedagogy
educational technology
Opis:
The aim of the article is an attempt to analyze the use of Augmented Reality in educational applications over the last few years. The first part is devoted to defining the concept more precisely, because AR may seem ambiguous. The second part of the article introduces selected educational applications of AR in different subjects or teaching/learning, e.g. in science/mathematics, natural science or in language learning. Research projects for applications in various teaching solutions will also be referenced. The third and final part contains a brief review of AR literature in recent years.
Źródło:
Studia Edukacyjne; 2021, 62; 61-75
1233-6688
Pojawia się w:
Studia Edukacyjne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Image spaces. Digital visual media in the context of baroque mural painting in architecture
Autorzy:
Drozdowicz, Piotr P.
Powiązania:
https://bibliotekanauki.pl/articles/1955305.pdf
Data publikacji:
2021-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
space
image
spatial turn
baroque painting
mural painting
illusion
immersion
reality
virtual reality
augmented reality
Opis:
In the art of the 20th century, space became the basic material. Today, digital media and VR and AR technologies are used to cross the visual and space barriers, but always at the expense of experiencing reality. The spatial turn in culture results from the post-avant-garde ideas of art that cuts itself off from ancient art. Using the example of the fresco by Andrea del Pozzo from the Sant’Ignazio church in Rome, we will show analogies between baroque illusionist painting and digital visual media. It turns out that contemporary art arrives at the space issues that have been practiced in architecture and art since antiquity. The space created by painting illusion as a total work of art exhibits many features of contemporary art and the phenomena of VR and AR such as intermediality, immersion, interactivity. Spatial turn arguments can be used to enhance the potential of classic painting language in architecture.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 29, 38; 249-254
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Birth of cyber-supermothers
Autorzy:
Ortynecka, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/438045.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Internet
maternity
cyber-reality
Opis:
The study aims to reveal and to describe a new type of mother - cyber-supermother, which combines household duties with professional responsibilities by taking professional activity in the Internet. The study analyzes new model of maternity combining elements of traditional (motherhood as an instinct, conviction regarding personal care of a child, etc.) and modern model (postulate of self-fulfillment, blurring the boundaries between the private and the public sphere, gender equality, etc.).
Źródło:
Journal of Gender and Power; 2014, 2; 83-98
2391-8187
Pojawia się w:
Journal of Gender and Power
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ON JEST. Metafizyka a język. Parmenides - Wittgenstein - Barańczak
HE IS. Metaphysics and Language. Parmenides - Wittgenstein - Barańczak
Autorzy:
Wiertlewska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/607442.pdf
Data publikacji:
2008
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
metaphysics
language
reality
experience
sense
Opis:
The aim o f this article is to look from an existential point of view at the metaphysical argument from language to reality. The main questions are as follows: does language reflect the structure of reality? or is it rather a tool that enables us to perform certain actions, like the action of proving a thesis? and can we, by investigating the nature of language arrive at truths about extralinguistic reality? Those issues are taken up with respect to insights gained by Parmenides, Wittengenstein and Barańczak, a contemporary Polish poet and translator. For Parmenides language is not an autonomous domain but is conjugated with external reality, so by discovering the rules that govern the attribution of meaning to linguistic utterances we can reach beyond phenomena towards the nature of the world as such. Contradictory statements are then seen to result from the aspectuality of particular accounts, whereas in being conceived in its entirety there is no self-contradiction but only degrees of properties. Parmenidean metaphysics is of interest to us here in connection with his concept of the relationship between a word and its referent, whereby it is possible to infer the essence of the thing picked out by a word from the established rules of its correct usage. Ludwig Wittgenstein is a philosopher whose impact on thinking about the metaphysical consequences of language is not to be overlooked. His position concerning the very possibility of metaphysical claims splits into two standpoints, expressed in his two basic works: Tractatus logico- philosophicus and Philosophical Investigations. Tractatus is Parmenidean in its presupposed isomorphism between the structure of language and the world, as well as in assuming that the substance of the world determines the logical space of all possibilities and that it is eternal and unchangeable. On the other hand, however, we do not have an access to the comprehensive state of things denoted as «the world» in its material mode, and therefore we have no basis for deciding which metaphysical statements are its true formal representations. That is why on the level of logic people can arrive at mutually exclusive metaphysical claims, as shown by Plato in the ending of his Parmenides. In Philosophical Investigations Wittgenstein considers, among others, the role of prototypes in the process o f transmitting/learning the meaning of words whereby the objects of experience can be categorized. He also reflects on language as an act governed by autonomous rules which are accepted by users, a theory which he called language games. What underlies both these issues is the question of an element o f identity between language and extralingustic reality. The answer that this element consists in the logical form of an utterance whereby reality is supposed to be mapped by a sentence becomes problematic in the light o f the discovery o f the ambiguity of an image when it is placed in two different contexts that contain different prototypes of reference for the sign under consideration. In reading a particular notation as a mapping of a specific state of things, one’s knowledge of the rules of notation plays an important role as it enables one to recognize the content that one already knows. The rules that impose interpretation on reality constitute a broadly understood grammar. They are autonomous relative to reality so when we utter a sentence the words obtain their meaning depending on how they are used. This does not translate into a referentially understood meaning, because what turns out to be important is the sense of the word, i.e. the way in which it is used by the speaker. Self-aware poetry seeks sense in links between the word and the world, not just within the domain of language itself. Conscious of grammatical rules, it employs them as a tool in overcoming the autonomy of language. This approach is analyzed on the example of an essay on the essence of poetry titled Tablica z Macondo [The Macondo License Plate] by Stanisław Barańczak. He talks in it about a personalized license plate he would devise for himself in order not to forget the most vital truth that enables him to navigate his life. Such a plate would read in Polish ON JEST [HE IS], where - owing to the specificity of the Polish grammar - the third person masculine singular pronoun can stand for the reader (or more generally “the other”), the world, and God (or transcendence). The intended ambiguity of this pronoun makes us realize that although pronouns are substitutes for the noun phrase in a sentence, they are in fact a sort of mental abbreviations that encapsulate more abundant content than a mere 1:1 correspondence with a single noun. Of the two basic functions of pronouns in interpersonal communication: anaphoric and deictic, the latter proves to be more basic as it introduces new objects into the universe of discourse shared by the participants of a conversation. One cannot speak about the meaning o f the pronoun «he», but about the sense in which it is used, and this sense pertains to extralinguistic reality indicated directly by the speaker. The sentence HE IS does not tell us anything about reality unless reality itself is included into the utterance as one of its constituent elements. The triple encounter (the other, the world, transcendence) spelled out by Barańczak in terms of an inclusive unity of experience represented by a single sentence is a manifestation of the metaphysical.
Źródło:
Poznańskie Studia Teologiczne; 2008, 22; 235-251
0209-3472
Pojawia się w:
Poznańskie Studia Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Racjonalność a wiara w Boga
Rationality and Faith in God
Autorzy:
Spaemann, Robert
Powiązania:
https://bibliotekanauki.pl/articles/607163.pdf
Data publikacji:
2009
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ancient rumour about God
rationality
reality
truth
Opis:
Starting with his own modification of Plato’s allegory of the cave the author explains the notion of creation, which does not mean a single initiating event but the grounding of the entire process of the world in a creative will that lies outside of this process. Faith in God is faith in a reason for the world, which is not itself groundless, as the scientific worldview holds. When we think the concept „God”, we think the unity of two predicates that are only occasionally and never necessarily bound together in our earthly experience of the world: the unity of absolute power and absolute goodness, i.e. the unity of being and meaning. After Nietzsche we can no longer rest the proofs for the existence of God on the human capacity for truth, for its foundation is sure only if we presuppose the existence of God. However, there is a grammar based proof that is Nietzscheresistant. The rationale of the futurum exactum, the future perfect tense, shows that the reality of the present entails the reality of the past. The question is: What sort of reality does the past have? The sole answer can be: We have to think of a consciousness in which everything that happens is taken up, an absolute consciousness.
Źródło:
Poznańskie Studia Teologiczne; 2009, 23; 277-292
0209-3472
Pojawia się w:
Poznańskie Studia Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La Première Guerre mondiale à la breughélienne: sur Breughel à l’Yser de Franz Hellens
The First World War à la breughélienne: about Breughel à l’Yser by Franz Hellens
Autorzy:
Łukasiak, Julia
Powiązania:
https://bibliotekanauki.pl/articles/1048757.pdf
Data publikacji:
2016-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Hellens
Breughel
fantastic reality
First World War
Opis:
The article shows the importance of a tale “Breughel à l’Yser” in the context of the Franz Hellens’ identity transformation which takes place during the First World War. On the one hand, in his tale Hellens refers by different means to the Breughel’s oeuvre continuing in that way the myth of Belgian writer perceived as a heir of the Flemish painters. On the other hand, via the landscape, the typical element of the Flemish master’s style, the writer introduces the elements of fantasy into a realistic description of a battlefield, creating in that way his own aesthetics of “fantastique reel” (fantastic reality). Thus, this tale enables to examine how Hellens passes fluently from the “inherited identity” to the mature writer’s identity.
Źródło:
Studia Romanica Posnaniensia; 2016, 43, 4; 39-48
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Osobnienie
Separation
Autorzy:
Siwczyk, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/1040946.pdf
Data publikacji:
2019-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
reality
mimesis
words
objects
absolute
nothing
Barańczak
Opis:
The article aims to outline the presence of a metaphysical perspective in Stanisław Barańczak’s poems which is already present in the poet’s earliest works. Barańczak outlines this process in his debut collection. His translation achievements support the presence of a metaphysical perspective in his original poems, and the mutual dependence of his poetry writing and translation can already be clearly felt in his initial works. The article compares the views of poets from generations younger than Barańczak’s and their reactions to the work of the author of A Postcard from the Other World (Widokówka z tego świata).
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2019, 36; 31-39
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Po co fantastyka? Kilka uwag na marginesie lektur dawnych i współczesnych
Why speculative fiction? A few side notes on former and contemporary readings
Autorzy:
Gemra, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1041864.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
speculative fiction
inspiration
stereotype
imagination
metaphor of reality
Opis:
Works of speculative fiction are among the most often chosen cultural texts. Article indicates several possible reasons of their popularity, such as breaking stereotypes and thinking patterns, inspirations for new solutions, tales of traditional values, chances to immerse in the world of imagination. Dressing an attractive “costume” and speaking an understandable “language”, speculative fiction tells about matters important to the audience. It helps not only to “get away” from reality, but also to reconcile to it and to shape it.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 28; 139-153
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pogląd chrześcijaństwa prawosławnego na religie świata
An Orthodox Christian View of the World Religions
Autorzy:
Rus, Remus
Powiązania:
https://bibliotekanauki.pl/articles/607420.pdf
Data publikacji:
2008
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
phenomenon of religion
religious conviction
revelation
faith
divine reality
Opis:
The article presents the thought of Father Dumitru Staniloae ( t 1993), one of the most outstanding Romanian theologians of the 20th century, based on his book Poztia d-lui Lucian Blaga fata de Crestinism si Ortodoxie (The Attitude of Mr. Lucian Blaga toward Christianity and Orthodoxy) Sibiu, 1942. The author begins by expounding the general character of the universal religious phenomenon. Beyond the multiplicity of the forms and the ways in which religion is manifested there are certain common points. Fr. Staniloae distinguishes five such specific elements typical for religion: 1. a strong and steadfast faith in the truth of the things it professes; 2. the personal character of the ultimate reality; 3. there is a certain differentiation a believer makes between these ultimate realities with a clear and less clear personal character and nature - even though sometimes the divine reality is perceived in an extremely intimate relationship with nature, each religion preserves an awareness that the divine reality is something else than nature itself; 4. the belief in the self-revelation of the divine reality - it is a universal conviction with the believers of all religions that the Divinity revealed and reveals Itself and the data about It are not a figment of the human mind or imagination, a self-revelation of the human spirit; 5. a certain expectance, confidence and hope with which man ties himself up to the Divinity in as far as his destiny is concerned. The universal human consciousness expects and believes in man’s salvation from under the destructive power of nature or of certain evil forces. Expectation is a deep instinct of the human nature; faith is the mysterious power given to man at the same time with any religion. There is also a functional interpenetration of these elements. Faith without a personal God and without revelation cannot exist, nor without the presence of a purpose, as that of the salvation of existence. Their persistence reveals the existence of a personal relationship between God and man in the interest of his salvation, as well as man’s firm belief in the possibility of a personal salvation and in a special communion with God and, as a result, that there is also an interest on the part of God to save man. Faith and revelation are conveyed from generation to generation, but at the same time faith is largely produced by revelation, each man experiencing in a mysterious way the pressure of the ultimate reality upon his conscience. All kinds of theories have been conceived which see religion as originating from the divinization of the forces of nature, society, or a political leader etc. In reality however religious experience distinguishes the divine from all these phenomena, even though it may have the experience of the divine presence and of its power in connection with them. Religious experience is an awareness of the mysterious presence of the Divinity and as such any religious man knows the difference. In the case of the religious phenomenon we come across a minimal realization and participation of the ultimate reality pertaining essentially to the faith in the Divinity, to its revelation and to the hope in a personal salvation as a common minimal background of all religions, and as such of the Christian Faith. Fr Staniloae draws our attention to the fact that what counts in the relation among religions is not this minimal background but the contribution of each religion. In his attempt to draw a line between Christianity and the other religions, he asserts that everything the non-Christian religions possess in addition, as a surplus, is either a jungle of myths, or a resuscitation in different manners of the same minimal background which make up the universal religious conviction. Myth is a human invention bom of his endeavour to capture in image the basic fact of the Divinity and of Its revelation; hence a poetic and personalized expression of what is known through the general revelation, or a personalization of a power in nature or of a personal attribute. Christianity differs radically from these religions, because by the surplus it asserts, it testifies to an essential increase in the divine revelation. We have in Christianity the full revelation of the Divinity, as well as the manifestation of Its personal character as God has come as a man among men. Christianity is an entirely different religion in so far as the awareness of the nearness of the divine reality is concerned, as the only religion dominated by the awareness of an increase - to the last possible extent - in the divine revelation, without imposing a new element to the general definition of religion. Moreover, Christianity is not a religion of myths. This is due to the fact that God’s presence in the world, as a perceptible and active reality, renders futile all myths: when the divine reality is so close to us and so commanding, there is no longer any place for myths. At the same time there is no attitude which embraces all parts of the Universe with so much love and appreciation as does Christianity, because all are the work of the hands God and the object of His fatherly care.
Źródło:
Poznańskie Studia Teologiczne; 2008, 22; 189-202
0209-3472
Pojawia się w:
Poznańskie Studia Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Where others fear to tread: the role of journalists in the creation and spreading of negative stereotypes about Roma people
Autorzy:
Veselková, Zuzana
Powiązania:
https://bibliotekanauki.pl/articles/620331.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
discourse analysis
framing
media construction of reality
Roma people
Opis:
This paper deals with the representation of ethnic minorities in the media, focusing mainly on the role of the journalist. It approaches news stories through the prism of the media construction of reality and the cultural concept of representation. Using critical discourse analysis, the study describes the nature of the social reality constructed by the TV news series “Where Others Fear to Tread.” The paper reflects the general attributes of the representation of the Roma minority in the news, pointing out methods and signs used for emphasizing the stereotypes shared by the majority. The analysis shows that the media discourse of news stories could potentially confirm prejudices towards the Roma minority, forming the image of Roma people as essentially maladjusted, dangerous and suspicious individuals.
Źródło:
Środkowoeuropejskie Studia Polityczne; 2016, 2; 141-154
1731-7517
Pojawia się w:
Środkowoeuropejskie Studia Polityczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Społeczne konstruowanie rytuałów i symboli akademickich
Social Construction of Academic Rituals and Symbols
Autorzy:
Grzesiak, Emilia
Powiązania:
https://bibliotekanauki.pl/articles/917047.pdf
Data publikacji:
2019-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
rites
ceremonies
regalia
university
society
socio-cultural reality
tradition
Opis:
Rites and ceremonies are very important in university reality. They are extremely important for maintaining the continuity of academic values and highlighting the rank of certain events, which is particularly visible during various academic ceremonies. This article will be devoted to academic rituals, ceremonies and symbols in the context of their social meaning and values. I refer this issue to other dimensions of socio-cultural reality (including ceremonial court practices), I will look for similarities, explaining their significance and roles. I will try to justify how – regarding their long history and tradition – we can understand them in the 21st century.
Źródło:
Studia Edukacyjne; 2019, 53; 27-39
1233-6688
Pojawia się w:
Studia Edukacyjne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Media in human life – their role and significance for social development and functioning1
Autorzy:
Rugała, Hanna
Powiązania:
https://bibliotekanauki.pl/articles/2194785.pdf
Data publikacji:
2021-06-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
educational environment
educational impact
media
media messages
virtual reality
Opis:
The media serve as a tool used for transmitting information, as well as a centre of social life. There is no doubt that over time they also became one of the most dominant areas of activity for children and young people. The paper aims to present the role and importance of the media in the lives of every human being, with particular emphasis on the young generation. The author takes a closer look at the media as an educational environment shaping society’s behaviour and way of thinking. The paper also outlines several examples of the impact and consequences that the use of mass media has on health and social functioning.
Źródło:
Kultura-Społeczeństwo-Edukacja; 2021, 19, 1; 118-118
2300-0422
Pojawia się w:
Kultura-Społeczeństwo-Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
History and Literature in the Historical Novels of Ksaver Šandor Gjalski
Autorzy:
Coha, Suzana
Powiązania:
https://bibliotekanauki.pl/articles/30148703.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
K.Š. Gjalski
historical novel
history/story
reality
fiction
Opis:
The paper begins by asserting that the historical novels of Ksaver Šandor Gjalski have received special treatment in Croatian literary historiography, which tends to ascribe to them a more a documentary and historiographic rather than literary value. This paper will analyse the Romantic, realist and modernist features of Gjalski’s historical novels Osvit. Slike iz tridesetih godina (Dawn. Pictures from the [18]30s) (1892) and Za materinsku riječ. Slike iz četrdeset osme godine (For the Maternal Word. Pictures from [18]48) (1906). In the light of theories of histories as stories (narratives), this paper will indicate that their so-called documentary value isattributable to literary strategies that are used to interpret the past they represent in a specific way, and not to record what is assumed to be the authentic past.
Źródło:
Poznańskie Studia Slawistyczne; 2023, 24; 253-270
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ироническая оценка советской действительности в творческой биографии Oлега Григорьева
An ironic assessment of the Soviet reality in the writer’s biography of Oleg Grigoryev
Autorzy:
Popiel-Machnicki, Wawrzyniec
Powiązania:
https://bibliotekanauki.pl/articles/1022203.pdf
Data publikacji:
2020-06-29
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Oleg Grigoryev
Soviet reality
poetry
irony
urban folklore
dark humour
Opis:
This text is an attempt to acquaint the reader with the writer’s biography of Oleg Grigoryev, a Russian poet and a representative of “the literary underground”. His works can be classified as urban folklore. Most of his poems are full of harsh irony, which may shock with its dark humour. Grigoryev often resorts to the poetics of the absurd, which may lead a keen reader to the conclusion that he is close to the creative actions of the poetic group of the Oberiuty with Daniil Kharms and Alexander Vvedenski as their main representatives. In this light, Grigoryev’s poetry can be interpreted as a reflection of the dark Soviet reality in which he lived and with which he struggled. Such an attitude surely did not help him in succeeding within the official Russian literature.
Źródło:
Studia Rossica Posnaniensia; 2020, 45, 1; 21-35
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Modern documentary in the age of virtual reality: Deapening engagement with nonfiction storytelling through technological innovation
Autorzy:
Pomianowska, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/923107.pdf
Data publikacji:
2018-04-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
virtual reality
spectatorship
perception
documentary storytelling
immersion
feeling of presence
Opis:
After decades of research, technological development as well as few discouraging setbacks, virtual reality (VR) appears to be on the cusp of its settled adoption. The incorporation of VR technology into the palette of everyday communication media is not only exciting for filmmakers and game designers, but also for every manner of storytellers: documentarians, journalists, educators, scientists – all professions involved in clarifying surrounding us reality and communicating about it. They all discovered that social change can be valuably stimulated by development of new technology – technology that serves in the same time as a classic medium to communicate and spread this news around. Considering the factors enabling us to capture and disseminate “a true story” in a highly captivating, immersive way (which previously has been preserved exclusively for entertainment and commercial productions), we should mention at least 3 crucial elements: technological innovation, psychological evolution of the viewer, application of VR beyond storytelling. The first two factors mutually interact and play off each other in terms of the changing threshold of perceptual tolerance as well as rising needs of the new spectator. The first part of this paper deals with the interdependency of these two elements. Structured conclusions will be enumerated as a practical reference for VR storytelling productions. The second part of the paper will deal with the third element enumerating the most inspiring cases from recent years – eye-openers for instigating social change, adding value and promoting wellbeing via VR technology. The engagement of VR in social change, innovation and nonfiction storytelling introduced the VR technology within the current media palette. It not only changes the nature of storytelling about reality, but fulfills the story that our reality builds.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 21, 30
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 62

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies