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    Wyświetlanie 1-7 z 7
    Tytuł:
    Esthétique de l’imaginaire et enjeux spiritualistes : La Terre avant le déluge de Figuier et L’Univers de Pouchet
    The aesthetics of imagination and spiritualist issues in La Terre avant le déluge by Figuier and L’Univers by Pouchet
    Autorzy:
    Percheron, Bénédicte
    Powiązania:
    https://bibliotekanauki.pl/articles/1048488.pdf
    Data publikacji:
    2018-05-16
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    popularization
    natural science
    spiritualism
    catastrophism
    prehistory
    Opis:
    Science popularization books, La Terre avant le déluge by Louis Figuier and L’Univers: les infiniment grands et les infiniment petits by Félix-Archimède Pouchet, represent the success of science popularization publishing of this period and the desire to spread naturalistic knowledge far and wide. With a spiritual approach to nature, they underline the important epistemological stakes of this period. The aim of this study is to question the literary, stylistic and formal strategies to assert or underline thoughts on nature in these books.
    Źródło:
    Studia Romanica Posnaniensia; 2017, 44, 4; 117-130
    0137-2475
    2084-4158
    Pojawia się w:
    Studia Romanica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wybrane motywy archeologiczne z zakresu pradziejów i wczesnego średniowiecza na monetach europejskich z lat 1992-2022
    Selected archaeological motifs from prehistory and the early middle ages on European coins from 1992-2022
    Autorzy:
    Lajsner, Włodzimierz
    Powiązania:
    https://bibliotekanauki.pl/articles/27313985.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    coins
    numismatics
    archaeological motifs
    prehistory
    early Middle Ages
    Opis:
    Coins are not only a means of payment, but also a means of cultural communication. Both their obverses and reverses contain epigraphic and iconographic elements that together create an image. Among the iconographic elements, there are motifs understood as a repeating decorative element, but also as an expression of a certain type of idea. Archaeological motifs reflect their form of archaeological monuments or their elements, while their subject matter commemorates not only the monument itself, but also various related aspects researched by archaeologists. The aim of the considerations was to examine the numismatic form of commemorating archaeological heritage. The presented prehistoric and early medieval motifs appearing on European coins in the years 1992–2022 were first analyzed in terms of the form of their depiction on coins, then the archaeological themes with which these motifs are connectedwere taken into account, and on this basis axiological considerations were possible, aimed at answering the question – why a given motif was placed on the coin.
    Źródło:
    Folia Praehistorica Posnaniensia; 2023, 28; 103-129
    0239-8524
    2450-5846
    Pojawia się w:
    Folia Praehistorica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Archeoakustyka. Pomiędzy słuchaniem przeszłości a przepisywaniem historii
    Archeoacoustics. Between listening to the past and rewriting the history
    Autorzy:
    Misiak, Tomasz
    Powiązania:
    https://bibliotekanauki.pl/articles/1023815.pdf
    Data publikacji:
    2019-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    archeoacoustics
    maps of ideological references
    practical realization
    sound in the prehistory
    Opis:
    The main problem presented in the article is archeoacoustics understood as a modern subdiscipline of archeology. The aim of the research was to outline the theoretical map of ideological references used by this young, still developing field. In order to understand the complex interdisciplinary nature of the archeoacoustic approach, ideological concepts were indicated and described, which, starting from various research assumptions, reflected on the role and methods of the impact of the sound in culture.
    Źródło:
    Folia Praehistorica Posnaniensia; 2019, 24; 165-173
    0239-8524
    2450-5846
    Pojawia się w:
    Folia Praehistorica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Феномен славянских микрофилологий в современном славяноведении
    A Phenomenon of Modern Slavic Microphilology in Slavic Studies
    Autorzy:
    Дмитриевич Дуличенко, Александр
    Powiązania:
    https://bibliotekanauki.pl/articles/636154.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Slavic philology
    prehistory of Slavic mikrolinguistics
    literary microlanguages
    mikrolinguistics
    mikrophilologists
    Opis:
    The article addresses a phenomenon of Slavic microphilology, outlines the structure and classification of modern Slavic literary microlanguages, introduces their different characteristic, and suggests arguments in favour of forming of Slavic microlinguistics and microphilology.
    Źródło:
    Poznańskie Studia Slawistyczne; 2015, 8
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Świat kolorów ludzi paleolitu jako element intertekstualności „obrazów” w jaskiniach
    Autorzy:
    Minta-Tworzowska, Danuta
    Powiązania:
    https://bibliotekanauki.pl/articles/1023883.pdf
    Data publikacji:
    2018-07-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Paleolithic art
    colour in the prehistory
    anthropology of images
    intertextuality
    Opis:
    The article discusses an issue of intertextuality of “pictures” in Palaeolithic art, and colour as its constituent. An important concept in these regards appeared to be that of an open and interdisciplinary approach towards an image, derived from the anthropology of images. In my opinion, essential is an “acting” of an image, based on so called “interimaginal relations”. It is legitimate when referring to prehistory, as numerous images reveal interpenetrating traces of other representations. Either consciously or unconsciously, some solutions had been used repeatedly, copying other representations, including selection of colours as a kind of stereotype deeply rooted in cultural memory. In cave “pictures” there were one or two main colours used, rarely three or even four. It has been acknowledged that the most important features of Palaeolithic “pictures” were movement, colour, especially expressed by a contrast of black and red or yellow, and also an illusion. They were also interrelated with a sound. The world of colours of contemporary people was a significant constituent of cultural meanings and of images “acting” in “mediatisation” of important existential contents between past and present.
    Źródło:
    Folia Praehistorica Posnaniensia; 2017, 22; 111-142
    0239-8524
    2450-5846
    Pojawia się w:
    Folia Praehistorica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Blaski i cienie historii Muzeum Sztuki Kościelnej na Zamku Poznańskim
    The Lights and Shadows of the History of the Museum of Church Art at the Poznań Castle
    Autorzy:
    Pudelska, Aleksandra
    Powiązania:
    https://bibliotekanauki.pl/articles/1039814.pdf
    Data publikacji:
    2014-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Archdiocesan Museum in Poznań
    prehistory
    former imperial castle
    Edmund Majkowski
    Nikodem Pajzderski
    Opis:
    The paper focuses on the history of the Museum of Ecclesiastical Art at the Imperial Castle in Poznan. It functioned between 1923 and 1929, being a short episode but an important one in the history of the Archdiocesan Museum in Poznań. Formerly a Diocesan Museum, it was established in 1898 with an exquisite collection of sacred art assembled over the years. However, due to the lack of exhibition space the collection was only stored and not many people knew about   it.Shortly after Poland regained its independence, Poznan's elite wanted to partially convert the imperial castle (built by the Prussians for William II, German Emperor) into a museum of Polish art. The Government asked the Church to deposit their art collection and granted the city permission to open the Museum of Ecclesiastical Art at the Imperial Castle in Poznan. The proposition was accepted. The two people nominated to carry out this enterprise were: Rev. Edmund Majkowski, the museum's director, and Mr. Nikodem Pajzderski, art conservation official. With great effort they created a very interesting exhibition. Unfortunately, the Government did not show much interest in the newly opened museum and did not fulfill its promises. Investments were close to nothing and with time the whole project was abandoned and the collection removed from the  castle.
    Źródło:
    Ecclesia. Studia z Dziejów Wielkopolski; 2014, 9; 271-288
    1731-0679
    Pojawia się w:
    Ecclesia. Studia z Dziejów Wielkopolski
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Gemstones of eastern Kazakhstan
    Autorzy:
    Chlachula, Jiri
    Powiązania:
    https://bibliotekanauki.pl/articles/94440.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Altai
    non-metallic mineral deposits
    gemstone
    decorative stones
    prehistory
    field exploration
    jewellery
    Ałtaj
    kamienie szlachetne
    kamienie ozdobne
    prehistoria
    badania terenowe
    biżuteria
    Opis:
    An overview is presented of gemstones from eastern Kazakhstan in terms of their geographical distribution, geological provenance and genesis, gemmological characteristics, historical use and current applications. Locally occurring precious, semi-precious and decorative stones were extracted and traded along the northern part of the Silk Road that traversed the area in earlier historical times. Currently, non-metallic minerals, which largely originate from mafic igneous and metamorphic bodies of the Altay and Kalba Mountains of Kazakhstan, still are insufficiently known and exploited industrially only marginally. For the present study, selected depositories of coloured stones at the Mineralogy Museum of the East Kazakhstan State Technical University were used, supplemented by the newly collected material during personal fieldwork in the southern Altay between 2005 and 2015. Standard documentation of the gemstones selected is provided, alongside with their known occurrence sites and an evaluation of the perspective gemstone-bearing deposits with respect to regional morphostructural bedrock characteristics. The most precious gemstones include topaz, corundum (sapphire and ruby), beryl (emerald and aquamarine), coloured tourmalines, agates as well as diamonds. Despite the great variety, the majority of these traditionally most valued stones are currently commercially not viable, unlike high-quality decorative stones.
    Źródło:
    Geologos; 2020, 26, 2; 139-162
    1426-8981
    2080-6574
    Pojawia się w:
    Geologos
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

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