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    Wyświetlanie 1-6 z 6
    Tytuł:
    Man and Future: a Palaeontological and Chronological Foundation of Cassirers Definition of Man as Animal Symbolicum
    Autorzy:
    Laino, Luigi
    Powiązania:
    https://bibliotekanauki.pl/articles/781125.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Philosophy of Culture
    Philosophical Anthropology
    Philosophy of Palaeoanthropology
    Cassirer
    Leroi-Gourhan.
    Opis:
    In the present paper, the author aims at laying the foundations of a symbolics of technical gesture, according to the thesis that symbolic faculty is another face of the technological one, and that they are both in truth two sides of the same coin. Accordingly, the author suggests to rename the whole dimension as “meta-environmentality”. The analysis is carried out on the basis of a specific comparison between Cassirer’s definition of “animal symbolicum” and its scientific consistence in the light of modern palaeontology. “Animal symbolicum” is here compared with Leroi-Gourhan’s homo technologicus, and Cassirer’s ideas on human identity tested starting from paleoanthropological data. The result of the inquiry lead us to recognize the urgency of integrating Cassirer’s argument with the primacy of the technological capacity, but a deep analysis of the characterizing attributes of the latter compels us to uphold the symbolic attitude of the technological dimension. The author then sketches a basic description ofthe guidelines of a symbolic theory of technology (especially §§ 6-7), and tries to show how the basic elements of such an approach were familiar both to Cassirer and Leroi-Gourhan. As a consequence of the whole theory, the author elaborates a chronological analysis of human identity, whose basic result is the determination of the future as main temporal dimension of human acting.
    Źródło:
    Ethics in Progress; 2017, 8, 1; 12-40
    2084-9257
    Pojawia się w:
    Ethics in Progress
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Botanical Microphotography in the Perspective of Philosophy of Culture
    Autorzy:
    Bogaczyk-Vormayr, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/781360.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    microphotography
    botanic
    Bio Art
    alterity studies
    environmental ethics
    posthumanism
    fine-art photography
    philosophy of art
    philosophy of culture
    Opis:
    The aim of this article is to briefly outline my own cognitive experience, characterized by knowledge transfer and aesthetic experience, which arises from making BioArt. Specifically, I do nature photography, using the micro-photography technique. In this article, I distinguish – in terms of methodology and value - between interdisciplinary research in the social sciences and the postulate of transdisciplinary research, which leads me to reject the so-called plantality model - a linguistic concept employed by G. Deleuze and F. Guattari (Rhizome). I argue for a critical approach to this line of post-humanist reflection on non-human life that is not characterized by knowledge transfer. The article includes a report on the course of my research (parts 2 and 3), and a reflection of its relevance to the philosophy of art and philosophy of culture (parts 1, 3, 3.1, 4). The report from my own research and artistic activity includes a description of the transformation of my working space, the process of acquiring new disciplinary tools and skills - an experience that I call a change of attitude - and a presentation of nature microphotography (mainly plant photography). I provide a technical commentary on the presented photographs with regard to the process of their creation (e.g. botanical and optical information related to the microscopic slides and equipment), as well as philosophical comments. The philosophical reflection includes the postulate of alterity, which, in my view, is endemic to post-humanist thought, as well as a postulate called the primacy of abstraction, which reflects the non-naturalistic, anti-illustrative, and interpretative character of artistic microphotography (in contrast to the illustrative nature of “the plantality discourse of philosophy”).
    Źródło:
    Ethics in Progress; 2019, 10, 2; 135-154
    2084-9257
    Pojawia się w:
    Ethics in Progress
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Rzeźbiarz i filozof. Constantin Brâncuşi w interpretacjach Constantina Noiki
    Sculptor and philosopher. Constantin Brâncuşi in Constantin Noica’s interpretations
    Autorzy:
    Zawadzki, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/1040112.pdf
    Data publikacji:
    2019-01-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Constantin Noica
    Constantin Brâncuşi
    ontology
    philosophy of art
    sculpture
    Romanian culture
    Opis:
    The article Sculptor and philosopher deals with the Romanian thinker Constantin Noica’s interpretations of Constantin Brâncuşi’s work. These interpretations are presented with regard to Noica’s philosophical concepts, in particular his reflections on Romanian culture and the sense of being manifested within it. Of fundamental importance in his interpretations is the category of becoming within being – the most important idea developed by Noica and which he applied in many fields of philosophy. 
    Źródło:
    Przestrzenie Teorii; 2018, 29; 315-328
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    About music, philosophy and science...
    Autorzy:
    Dankowska, Jagna
    Powiązania:
    https://bibliotekanauki.pl/articles/780251.pdf
    Data publikacji:
    2011
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    philosophy of music
    subjectivism
    objectivism
    authenticity
    perfection
    mass culture
    higher values
    Opis:
    The text attempts to answer the question whether musicians need a philosophy of music. The answer to the question of what music contributes to philosophy - a question superordinate in relation to the investigations of the links between philosophy and music - can be formulated clearly, since we find it in the texts of the most prominent representatives of European philosophical thought, including Schopenhauer, whose ideas are discussed in the paper. These issues are also discussed in literature which explores philosophical issues, by such classics of the genre as Thomas Mann and Herman Hesse, whose profound descriptions bring us closer to an understanding of that which music does directly, by expressing spheres beyond words that cannot be expressed otherwise than through music. Karl Popper regards polyphony as the greatest discovery of European culture, and provides evidence of the closeness of science and philosophy. These three levels of approaching the relationship between philosophy and music lead to demonstrating the axiological essence of music, revealed by performers, who make it possible for music to exist to the full in its sonority, unveiling its metaphysical perfection to its listeners.
    Źródło:
    Interdisciplinary Studies in Musicology; 2011, 10; 183-189
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Konceptualna mapa wizualności
    A Conceptual Map of Visuality
    Autorzy:
    Kucner, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/16019445.pdf
    Data publikacji:
    2019-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    ontology of visuality
    semiotics of the picture
    visual culture
    philosophy of interpretation
    photography
    photo society
    visual technology
    Opis:
    The analysis conducted in this paper focuses on the issue of visuality, seeking to determine its fundamental ontological and semiotic aspects. The map of visuality referred to in the title denotes the intention to systematize the condi-tions underlying a visual image and its significance as a product of technology and culture as well as a medium of communication.
    Źródło:
    Studia Europaea Gnesnensia; 2019, 19; 153-168
    2082-5951
    Pojawia się w:
    Studia Europaea Gnesnensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kultura władzy i kultura uzasadniania w ujęciu Davida Dyzenhausa jako kategorie analizy proponowanych zmian w ustawie o Sądzie Najwyższym
    Employing David Dyzenhaus’ conception of the culture of authority and the culture of justification for analysing changes proposed by the Act on the Supreme Court
    Autorzy:
    Smolak, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/693536.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    culture of authority
    culture of justification
    David Dyzenhaus' philosophy of law
    Act on the Supreme Court
    kultura władzy
    kultura uzasadniania
    ustawa o Sądzie Najwyższym
    filozofia prawa Davida Dyzenhausa
    Opis:
    The aim of this article is to describe two legal cultures, namely the culture of authority and the culture of justification, as formulated by David Dyzenhaus. This distinction between legal cultures proposed by the Canadian theorist of law makes an interesting contribution to the discussion on how to make headway with the problem of determining the limits of public authority and, consequently, the problem of implementing the principle of the separation of powers in such a way that conflicts do not arise. In general, with the culture of authority, justification of the actions of an authority is necessary only when it is being established, and once its authority has been established, the authority sees no further need to justify its decisions. Whereas in the cultureof justification, after an authority has already been established, the rules of the culture of justification require that the authority continue to justify all its decisions. The reconstruction of these conceptions of legal cultures are illustrated by the recently proposed Act on the Supreme Court in Poland. The conclusion of the paper indicates that the proposed changes to the functioning of the Supreme Court are clear examples of legislative action based on the directives of a culture of authority, which may lead to violations of the rule of law.
    Celem artykułu jest charakterystyka dwóch kultur prawnych, tj. kultury władzy oraz kultury uzasadniania, sformułowanych przez Davida Dyzenhausa. Powyższa dystynkcja kultur zaproponowana przez kanadyjskiego teoretyka prawa stanowi interesujący głos w dyskusji nad tym, w jaki sposób wybrnąć z problemu wyznaczenia granic sprawowania władzy publicznej, a w konsekwencji również problemu bezkonfliktowego realizowania zasady podziału władzy. Najogólniej rzecz ujmując, w kulturze władzy uzasadnianie dla działania władzy jest konieczne na etapie jej ustanawiania, w momencie zaś jej ustanowienia władza nie widzi potrzeby uzasadniania swoich decyzji. W kulturze uzasadniania w sytuacji, gdy władza już została ustanowiona, reguły kultury uzasadniania nakazują władzy uzasadniać swoje wszystkie decyzje. Rekonstrukcja powyższych idei kultur prawnych została zilustrowana ostatnimi propozycjami zmian w ustawie o Sądzie Najwyższym. W konkluzji artykułu wskazano, że zaproponowane zmiany funkcjonowania Sądu Najwyższego są oczywistymi przykładami działań władzy ustawodawczej opartych na dyrektywach kultury władzy, co prowadzić może do naruszeń zasad państwa prawa.
    Źródło:
    Ruch Prawniczy, Ekonomiczny i Socjologiczny; 2017, 79, 4; 19-30
    0035-9629
    2543-9170
    Pojawia się w:
    Ruch Prawniczy, Ekonomiczny i Socjologiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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