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    Tytuł:
    Nazwy cywilnej odzieży męskiej warstw niższych. Na materiale poznańskich listów gończych z lat 1816–1836
    Names of Civilian Clothes of Men from Lower Social Strata, Based on Arrest Warrants Issued in Poznań in the Years 1816–1836
    Autorzy:
    Müller, Aneta
    Powiązania:
    https://bibliotekanauki.pl/articles/2135437.pdf
    Data publikacji:
    2022-09-30
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    history of the Polish language
    nineteenth-century Polish language
    clothes vocabulary
    arrest warrants
    Opis:
    The article presents the lexical material concerning clothes vocabulary. The data was extracted from arrest warrants published from 1816 to 1836 in Publiczny Donosiciel ( Public Denunciator ) which was an annex to Dziennik Urzędowy Królewskiej Regencyi w Poznaniu ( Official Journal of the Royal Regency in Poznan ). The article presents the structure of the lexical and semantic field of NAMES OF CIVILIAN CLOTHES OF MEN’S FROM LOWER SOCIAL STRATA and its semantic and genealogical analysis. In this lexical and semantic field, 361 lexical items were classified, described and assigned to nine subfields which were then divided further. The genealogical analysis showed that a third of the vocabulary described are loanwords.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2022, 29, 1; 117-135
    1233-8672
    2450-4939
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Językoznawcza
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Zaszczytnie odznaczeni na polu naukowem”. Obraz polskich uczonych i badaczy w „Wędrowcu” (1863–1906)
    “Zaszczytnie odznaczeni na polu naukowem”. The Image of Polish Scholars and Researchers in Wędrowiec (1863–1906)
    Autorzy:
    Pietrzak, Magdalena
    Powiązania:
    https://bibliotekanauki.pl/articles/2135440.pdf
    Data publikacji:
    2022-09-30
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Polish press of the nineteenth century
    scholar
    linguistic image of the world
    aspect
    point of view
    Opis:
    The aim of the article is to present the linguistic image of Polish scholars and research- ers whose profiles, biographies and obituaries were published in the Warsaw weekly newspaper Wędrowiec (Traveller) in the second half of the nineteenth century. Ana- lysing the collected texts, the author distinguished a set of seven aspects which were taken into account by the journalists of Wędrowiec to present the profiles of the schol- ars. Those aspects are the following: the subject of research, scientific achievements, journalistic and publishing activities, didactic and educational activities, science-pro- moting activities, organisational activities, awards and distinctions. They were deter- mined by the points of view adopted by the authors of the texts. There are three domi- nant points of view: the one of an expert, a Pole and a positivist. These points of view coexist and complement each other. The expert and specialist informed the reader in detail about the scientific career and achievements of the scholars. The Polish publi- cist expressed his joy at the international success of his countrymen. He observed their research and scientific achievements with attention; especially those that influenced the development of fields important for the country. The positivist and journalist noticed and emphasised the utilitarian dimension of the scientific and research activities of the scholars.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2022, 29, 1; 137-159
    1233-8672
    2450-4939
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Językoznawcza
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Jak żyć po czymś takim w Polsce?” Edukacyjne walory podróży na przykładzie Dziennika podróży do Italii i Szwajcarii z lat 1815–1816 Rozalii Dunin-Borkowskiej
    “How can you live in Poland after something like that?”. The educational benefits of travelling based on the example of “A Diary of a Journey to Italy and Switzerland in 1815–1816” by Rozalia Dunin-Borkowska
    Autorzy:
    Sijka, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1794261.pdf
    Data publikacji:
    2020-09-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    European journey
    education
    Italy
    19th century
    Rozalia Dunin-Borkowska
    Polish
    aristocracy
    educational benefits of travelling
    nineteenth-century journals
    travel diaries
    Opis:
    A Diary of a Journey to Italy and Switzerland in 1815–1816 written by Rozalia Dunin-Borkowska is one of few preserved descriptions of a journey to Italy made by a Polish woman in the early 19th century. Rozalia and her husband Stanisław embarked on their expedition on 27 May 1815 in Lvov; they went to Italy and spent nine months there, from October 1815 to July 1816. The Italian tour started in Venice and included Padua, Bologna, Florence (twice), Rome, Naples, Milan and Geneva. The spouses spent the journey actively although their main goal was to learn about the culture of the Italian Peninsula. Undoubtedly, their time in Italy was filled with admiring the works of art and visiting the most famous art galleries in almost every city on the itinerary. Consequently, the journal is full of reflections on the aesthetic value of Italian works of art. Rozalia Dunin-Borkowska was an informed traveller: while she admired the sights and paintings, sculptures and other works of art, she did that in a thoughtful way. She needed quality time to form her own opinions. Her journal demonstrates very well that visiting foreign countries was an intellectually stimulating experience. Getting to know a new culture significantly broadened the horizons of 24-year-old Rozalia. As her journal suggests, she was well-prepared for her European journey. The outstanding lesson that she learnt allowed her to reap the rewards of the tour and satisfy her intellectual aspirations. The Diary is a great source of experience accumulated by a Polish traveller; it provides an opportunity to find out about Rozalia’s cultural life, her preparation for the journey and how the trip affected her. Furthermore, Dunin-Borkowska’s testimony was compared with Katarzyna Platerowa’s and Teofilia Morawska’s diaries due to the fact that all three of them shared certain common features. Namely, their cultural background, material status and, most importantly, the travel itinerary. They were all well prepared for their respective journeys; they were also well educated, fluent in foreign languages and, above all, they were curious about the world and interested in learning about a new culture. Each of these travellers was influenced by the European journey which provided educational values combined with unforgettable experiences.
    Źródło:
    Biuletyn Historii Wychowania; 2020, 43; 27-44
    1233-2224
    Pojawia się w:
    Biuletyn Historii Wychowania
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Księgozbiór kolekcjonera dzieł sztuki. Słów kilka o bibliotece Seweryna hr. Mielżyńskiego z Miłosławia
    The book collection of an art collector. A handful of comments about the library of Count Seweryn Mielżyński of Miłosław
    Autorzy:
    Kłudkiewicz, Kamila
    Powiązania:
    https://bibliotekanauki.pl/articles/912000.pdf
    Data publikacji:
    2015-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Count Mielżyński’s book collection
    Miłosław library
    library of the art. collector in the nineteenth century
    bookcollections of the Mielżyński family
    Polish private book collections in the nineteenth century.
    księgozbiór Seweryna hr. Mielżyńskiego
    biblioteka w Miłosławiu
    biblioteka kolekcjonera sztuki w XIX wieku
    księgozbiory Mielżyńskich
    polskie księgozbiory prywatne w XIX wieku.
    Opis:
    Seweryn hr. Mielżyński należał do grona najwybitniejszych kolekcjonerów dzieł sztuki w XIX-wiecznej Wielkopolsce. W pałacu w Miłosławiu posiadał liczący 5000 tomów księgozbiór, który w zapisie testamentowym przekazał bibliotece Towarzystwa Przyjaciół Nauk Poznańskiego. Na podstawie kwerendy i poszukiwań w dziś istniejącym księgozbiorze Biblioteki PTPN udało się odnaleźć 287 tytułów w 368 tomach, pochodzących z biblioteki miłosławskiej Seweryna Mielżyńskiego. Tematyka zachowanych książek wskazuje, że hrabia z Miłosławia oraz jego żona Franciszka zakupywali przede wszystkim współczesną literaturę piękną, a więc książki służące głównie rozrywce, zadumie, przyjemności. Ponadto dużą grupę tematyczną w zachowanym księgozbiorze miłosławskim stanowią prace z zakresu sztuki, architektury i fotografii, obrazujące zainteresowania artystyczne Seweryna Mielżyńskiego i przydatne w jego działalności malarza i fotografa amatora. Osobną grupą były książki z historiografii i historii sztuki, niezbędne w rozwoju kolekcjonerskiej pasji Mielżyńskiego i wykorzystane przez niego w opracowaniu katalogu kolekcji obrazów europejskiego malarstwa dawnego w Miłosławiu.
    Count Seweryn Mielżyński belonged to the core group of preeminent art collectors in the nineteenth century Greater Poland. At his Miłosław palace he had his private book collection amounting to 5,000 volumes which, by his last will, he bequeathed to the library of the Poznań Society of Friends of Sciences. Following a query and extensive searches of the present book collection of the library it was possible to identify 287 titles, in 368 volumes, that were originally housed at Miłosław. The subject matter of the surviving books indicates that Mielżyński and his wife Franciszka were mostly interested in purchasing contemporary belles-lettres, therefore books that provided stimuli for entertainment, but also more serious literature with issues to be considered and one that provided food for thought. Additionally, a large group of books in the surviving book collection includes books on the fine arts, architecture and photography, which reflected the artistic interests of Seweryn Mielżyński and must have been useful in his painting and amateur photography endeavors. A separate group includes books that deal with historiography and the history of the arts, necessary for the owner to continue his collector’s quest, and later used by him in developing a catalogue of his Western European paintings held at Miłosław.
    Źródło:
    Biblioteka; 2015, 19(28); 81-116
    1506-3615
    2391-5838
    Pojawia się w:
    Biblioteka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Archives and blank spots: scholarly perspectives for recovering Polish music (1794–1945)
    Autorzy:
    Gmys, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/780407.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    blank spot in the history of music
    Polish music in the nineteenth century and in the early twentieth century
    the music of Józef Nowakowski
    Józef Elsner
    Karol Kurpiński
    Ignacy Feliks Dobrzyński
    Stanisław Moniuszko
    Eugeniusz Morawski
    Feliks Nowowiejski
    Adolf Gużewski
    national style in music
    Opis:
    In this article, the author tries to present the issue of blank spots in the history of Polishmusic since 1794 (the world premiere of Cud mniemany, czyli Krakowiacy i Górale [The supposedmirtacle, or Cracovians and highlanders] composed by Jan Stefani to the libretto of Wojciech Bogusławski is regarded as a symbolic beginning of national style in Polish music) up to the end of the SecondWorld War. It was a great period in history when Poland twice did not exist as a state (between1795 and 1918 and between 1939 and 1945).At the beginning the attention is drawn to the Polish music in the nineteenth century. Author describes new discoveries such as the Second Piano Quintet in E flat Major (with double bassinstead of second cello) by Józef Nowakowski (Chopin’s friend), and String Quartets op. 1 and monumentaloratorio Passio Domini Nostri Jesu Christi by Józef Elsner who was Chopin’s teacher in the Conservatory of Music in Warsaw (Elsner’s Passio discovered at the end of the twentieth century isregarded now as the most outstanding religious piece in the history of Polish music in the nineteenth century). Among other works author also mentions romantic opera Monbar (1838) by Ignacy Feliks Dobrzyński and first opera of Stanisław Moniuszko Die Schweitzerhütte (about 1839) written to the German libretto during composer’s studies at Singakademie Berlin.  Addressing the issue of Polish music of the first half of the twentieth century author draws attention to the composer Eugeniusz Morawski regarded as the leading Polish author of programme music next to Mieczysław Karłowicz (unfortunately Morawski is still forgotten figure in the Polish musical life).  Among others the importance of symphonic heritage of Feliks Nowowiejski, an author ofextremely popular in Europe during the second decade of twentieth century oratorio Quo vadis, is mentioned. At the end of article, the author takes up the problem of the enigmatic figure of Adolf Gużewski.The whole musical output of Gużewski, whose opera Dziewica lodowców [The Ice Maiden] was applauded in Warsaw and Russian opera houses in the second decade of the twentieth century, is now considered lost.
    Źródło:
    Interdisciplinary Studies in Musicology; 2019, 19; 95-105
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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