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Wyświetlanie 1-2 z 2
Tytuł:
The cataloguing of musical sources in Silesia by German musicologists from the University of Wroclaw during the first half of the twentieth century
Autorzy:
Drożdżewska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/780103.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
musicology
cataloguing
musical sources
Wroclaw
Silesia
university
Opis:
The most important task undertaken by German musicologists in Wroclaw during the first half of the twentieth century was to catalogue the musical sources of the whole of Silesia, supervised by the Institute of Music (Seminar of Musicology) at the University of Wroclaw, which arose out of the former Royal Academic Institute of Music, established in 1812. The Institute of Music was the first centre to catalogue local musical sources in Wroclaw and the whole region. The Institute’s library was founded during the secularisation process of 1810, and large collections of musical sources were transferred there from regional Catholic churches and monasteries. Thanks to the efforts of Otto Kinkeldey and his doctoral student Hans Erdmann Guckel, the library’s stock was set in order for the first time at the beginning of twentieth century, with clear, uniform shelf-marks given to individual items. In the late 1920s, complex cataloguing was established by Max Schneider and four of his students, Heribert Ringmann, Fritz Koschinsky, Fritz Feldmann and Josef Wittkowski, who searched for unknown and uncatalogued musical sources in the provinces of Silesia. Cooperation with Berlin’s Central Catalogue led to the preparation of detailed descriptions of sources in the form of index cards, though unfortunately only one copy of each card was made and they are now believed to be lost. More detailed evidence was recently found in Schneider’s papers, including reports and correspondence. This enables us to partially reconstruct the scope of the cataloguing campaign, the localities visited and the repertoire that was found. Some of the collections discovered during that campaign and taken to Wroclaw have survived, giving us the possibility of further research orientated towards reconstructing the picture of musical life in Silesia.
Źródło:
Interdisciplinary Studies in Musicology; 2012, 11; 23-40
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The musical practice of the Sandomierz Benedictine nuns during the eighteenth century
Autorzy:
Walter-Mazur, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/780139.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
musical culture
eighteenth century
Benedictine nuns
Sandomierz
musical sources
musical instruments
performance practice
Opis:
The congregation of the Benedictine nuns of Sandomierz, active between 1615 and 1903, belonged to wealthy magnatial foundations, which allowed the convent to foster cultural activities. Special emphasis was placed on musical performance of various types - the musical adornment of the liturgy. The ‘Glory of God’, as Benedictine nuns referred to it, constituted the essence of their congregational life. On weekdays, the celebration of the Liturgy of the Hours, Masses and - occasionally - other services in choir took six hours, and on numerous feast days of the liturgical year, when the Liturgy of the Hours was sung, not read, it required even more time. The higher the rank of the feast day, the greater was the effort to stress its importance by providing it with a proper musical setting, which led to the cultivation of musical practices of various kinds on special occasions. The musical repertory of the Sandomierz Benedictine nuns comprised plainchant without instrumental accompaniment, plainchant with organ accompaniment, polyphonic a cappella singing (referred to as ‘figure’), vocal instrumental music (‘fractus’) and instrumental music. A picture of religious musical practice emerges primarily from extant musical sources, and also from a ‘choir agenda’ from 1749, a convent chronicle of the years 1762-1780, ‘treasury records’ from 1739-1806 and convent registers. Eighteenth-century sources document the musical activity of twenty-four nuns of the Sandomierz convent, some of them considered to be ‘professional’ musicians and referred to as ‘singers and players’. The most interesting, but also most problematic, areas are vocal instrumental practice and the likely consitution of the nuns’ music chapel. We find information about nuns playing keyboard instruments, violin, viola da gamba, tromba marina and horn.
Źródło:
Interdisciplinary Studies in Musicology; 2012, 11; 187-198
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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