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    Tytuł:
    Šedá zóna mezi záměrem a činem aneb pár úvah o paradoxnosti lidských plánů v prozaické tvorbě Milana Kundery
    Autorzy:
    Janiec-Nyttrai, Agnieszka
    Powiązania:
    https://bibliotekanauki.pl/articles/776981.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Milan Kundera
    novel
    memory studies
    dialogue
    interpretation
    Opis:
    The aim of the study is to offer a slightly different view of Milan Kundera’s prose and to recall the issues of memory and human activities as the subjects of constant interpretation and reinterpretation. Last but not least, the article examines human identity and the freedom of human decision-making. In the study, the theory of cultural oblivion is used as a strategy for building our own identity and subjectivity. Notably, since the 1960s, Kundera has dealt with these issues, which later became the subject of memory studies. Kundera has overtaken the memory boom which was highly popular for some years. Another important issue analysed in the study is the question of responsibility for one’s own deeds, worlds, actions and the issue of the possibility of dialogue between people. All these issues are examined on the basis of Kundera’s novels.
    Źródło:
    Slavia Occidentalis; 2016, 73/2; 33-44
    0081-0002
    Pojawia się w:
    Slavia Occidentalis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Minneproblematikken i Lars Saabye Christensens Lyrikk
    Autorzy:
    Wilkus, Aleksandra Regina
    Powiązania:
    https://bibliotekanauki.pl/articles/1165070.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Lars Saabye Christensens
    lyrikk
    Nocturne
    Memory Studies
    Opis:
    The purpose of this article is to perform an analysis of Lars Saabye Christensen’s poem ‘Nocturne’ from the perspective of Memory Studies. Recollections and the past are not simply the main issues of the literary work, but also provide a basis that can be used as a conceptual apparatus in one’s interpretative work. That is exactly what occurs in the relatively new study field that focuses on cultural aspects of literature, i.e. Memory Studies. Through an indepth analysis of the language, stylistic measures, and with reference to Aristotle, I focus on the mechanisms that are in control of the lyrical subject’s memory. Just as essential are P. Ricoeur’s reflections on location and spatiality as well as A. Assman’s postulates that enable to describe objects and places as having a memory. The application of the ideas of Memory Studies as a methodological tool allows to determine the lyrical situation including the lyrical subject’s internal states.
    Źródło:
    Folia Scandinavica Posnaniensia; 2013, 15
    1230-4786
    2299-6885
    Pojawia się w:
    Folia Scandinavica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Milady Součkovej prywatne archiwum pamięci (na podstawie opowiadania Rok šestašedesátý ze zbioru Neznámý člověk)
    Milada Součková’s Private Memory Archive (Based on the Short Story Rok šestašedesátý from the Collection Entitled Neznámý člověk)
    Autorzy:
    Woźniak, Kamila
    Powiązania:
    https://bibliotekanauki.pl/articles/1068066.pdf
    Data publikacji:
    2021-02-23
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    memory studies
    Milada Součková
    memory
    Czech literature
    Czech avant-garde
    Opis:
    This article presents an analysis of one of the short stories authored by Czech writer – Milada Součková: the short story Rok šestašedesátý included in the collection entitled Neznámý člověk (published in 1962, written in 1943). The introduction addresses the issues related to the clarification of the concept of a memory archive and the concept of the archive itself. Its characteristics, i.e. a certain arrangement of the collection, its permanent structure and three essential aspects of archiving are indicated: searching, saving and storing. These aspects are also typical of the structure of the analysed prose authored by Milada Součková. The next part of the article (Neznámý člověk as a private archive of memory) pertains to the entire above-metioned volume of the stories whose characteristic motif is the motif of memory linked with space, time and history. In the further parts of the article, the author goes on to the structural and interpretative analysis of the story she is interested in. She draws attention to such aspects as memory figures, i.e. time and space, thematic associations, memory carriers and memory traces and places. In conclusion, she draws attention to three components of the Milada Součková’s private memory archive: the memory of the language, the memory of the father and the memory of the historical events taking place in 1866.
    Źródło:
    Poznańskie Studia Slawistyczne; 2020, 19; 273-289
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Biografistyka jako archeologia ruin
    Biographical writing as archaeology of ruins
    Autorzy:
    Kiec, Izolda
    Powiązania:
    https://bibliotekanauki.pl/articles/1023809.pdf
    Data publikacji:
    2019-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    biographical writing
    representation
    nostalgia
    archeology of ruins
    memory studies
    Opis:
    The article is devoted to biographical writing, which by the methodologies of the 20th century was thrown out of the field of humanities research. It returns in the new century with cultural anthropology, gender studies and – above all – memory studies. However, it raises a lot of questions, including doubts about the representation (author of the biography) and witnesses of events. The author of the article compares the work of a biographer with the work of an archaeologist who verifies the sources and reconstructs the whole on the basis of the background and contexts of time and place. In the biographer’s work, however, he notices one more element: research subjectivity, which in a world filled with nostalgia, we are not able to negate or eliminate.
    Źródło:
    Folia Praehistorica Posnaniensia; 2019, 24; 67-75
    0239-8524
    2450-5846
    Pojawia się w:
    Folia Praehistorica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Społeczno-kulturowe ramy pamięci w działaniach Towarzystwa Gimnastycznego „Sokół” na terenie Niemiec przełomu XIX i XX wieku
    The Social and Cultural Framework of Memory in the Activities of the Sokół Gymnastic Society in Germany at the Turn of the 20th Century
    Autorzy:
    Piotrowska, Magdalena
    Molenda, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/29432361.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Sokół Gymnastic Society
    Germany
    cultural memory studies
    cultural performances
    memory
    patriotic education
    Opis:
    The article offers a new perspective on the role of the Sok.ł Gymnastic Society in the circles of Polish immigrants in Germany at the turn of the 20th century, presenting examples of Sok.ł’s activity in numerous places (including Berlin, Leipzig, Bochum) and the variety of forms of presentation used (poetry – song – drama; cultural performances). The theoretical considerations are preceded by a brief discussion of the history of the movement, with particular emphasis on the specificity of Sok.ł’s activities in the areas under Prussian rule. The use of new methodologies and studies of cultural memory and the categories of myth made it possible to reconstruct the social and cultural framework of memory. The analysis may be an incentive to revise the common views, allowing one to ask questions about the place and the role of collective memory, about the media of memory or the meaning of the phonic space.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2023, 44; 89-109
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    W poszukiwaniu austronostalgii w czeskiej pamięci subiektywnej
    Searching for autronostalgy in the Czech subjectivememory
    Autorzy:
    Czaplińska, Joanna
    Filipowicz, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/908963.pdf
    Data publikacji:
    2020-03-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Czech literature
    memory studies
    austronostalgy
    family memory
    Lubomír Martínek
    literatura czeska
    studia pamięci
    austronostalgia
    pamięć rodzinna
    Lubomír Martínek
    Opis:
    Głównym tematem artykułu jest obecność lub brak austronostalgii w wypowiedziach subiektywnych. Materiałem źródłowym są eseje czeskiego autora Lubomíra Martínka oraz wspomnienia przedstawicieli 13 przeciętnych przypadkowych czeskich rodzin. Refleksje autora koncentrują się z jednej strony na braku austronostalgii w tych subiektywnych świadectwach, a z drugiej na przyczynach tej nieobecności. Pierwsza z nich nawiązuje do teorii Cathrin Horel, że kraje dobrze rozwinięte, które nie zawdzięczają swojego postępu monarchii Habsburgów, bardzo szybko zapomniały o wspólnej przeszłości. Druga dotyczy czeskiego dyskursu odrodzeniowego w XIX wieku, którego głównym celem było uniezależnienie się od imperium austro-węgierskiego.
    The paper’s topic is presence or absence of austronostalgy in subjective sayings. Essays by the Czech author Lubomír Martínek and memories of representatives of 13 three-generations average Czech families are the source material. The authors’ reflections concentrate on lack of austronostalgy in these subjective testimonies and the reason for this absence. One of them leads to Cathrin Horel theory that well-developed countries which did not owe their progress to the Habsburg monarchy forgot common past very quickly. The second one concerns Czech revival discourse in the 19th century with the main goal to became independent from Austro-Hungarian Empire.  
    Źródło:
    Bohemistyka; 2020, 1; 115-130
    1642-9893
    Pojawia się w:
    Bohemistyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “Running into Madness to Stay Sane”: the Spirituality of Nature in the Autobiographical Texts of Female Prisoners from Goli Otok Prison Camp
    Autorzy:
    Taczyńska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/636173.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Goli Otok
    Yugoslavia
    women
    memory
    nature
    animal studies
    Opis:
    The text concerns the camp for political prisoners established in 1949 in Yugoslavia on Goli Otok island. This theme was almost entirely absent from public discourse before the 1980s, and real changes and developments in discussions about this part of the history of postwar Yugoslavia occurred only after Tito’s death. Goli Otok as the largest and most infamous camp in communist Yugoslavia is considered a symbol, its name recognized as a synonym of a physical and psychological system for destroying people. In the text I analyze autobiographical texts written by women prisoners (such as Milka Žicina and Vera Cenić). A large number of female inmates were sentenced just for being related to or keeping close contact with a male “enemy of the state”. Thus women were treated not as independent subjects, but as mothers, sisters and wives subordinate to male family members. The social exclusion of women prisoners and their families exacerbated the feeling of isolation and continued after leaving the camp. I am interested in the detail of the strategies of storytelling which are related to spirituality (focusing on nature) both during the period of isolation, when they searched for a way to survive it, as well as after release when the women tried to start a new life.
    Źródło:
    Poznańskie Studia Slawistyczne; 2019, 16; 267-279
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Deviating memories: Armando Lulaj’s seriously playful excursions into Albania’s history
    Autorzy:
    Grgic, Ana
    Powiązania:
    https://bibliotekanauki.pl/articles/923159.pdf
    Data publikacji:
    2018-12-22
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    collective memory
    post-socialism
    archival footage
    national narratives
    Albanian studies
    Opis:
    This paper examines how certain contemporary audio-visual works from post-socialist countries in the Balkan region, employ archival footage from the communist period, to address and problematize the notion of remembering and suppressing national history through collective memory. I specifically focus on the work of the Albanian artist, Armando Lulaj and his videos Albanian Trilogy: A Series of Devious Stratagems (2011, 2012 and 2015) exhibited at the 56th Venice Biennale. By re-using images and narratives produced during Enver Hoxha’s regime, and still ingrained in Albanian visual memory, these films provide alternative readings of Albanian history from the Cold War to the present day. What is more, some of this archival material is made public for the first time, while the rest has been dormant and purposely forgotten in archival vaults. Lulaj’s playful excursions, create connections between a problematic and suppressed past and the difficult and selective present, by juxtaposing evocative and politically charged visual records and contemporary footage of artist’s commissioned performances.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 23, 32
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Gry pamięci. Valiant Hearts: The Great War i My Memory of Us w perspektywie kultury historycznej
    Games of Memory. Valiant Hearts: The Great War and My Memory of Us in the perspective of historical culture
    Autorzy:
    Pigulak, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/1955333.pdf
    Data publikacji:
    2021-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Valiant Hearts: The Great War
    My Memory of Us
    historical games
    historical culture
    collective memory
    game studies
    Opis:
    The paper aims to outline how video games Valiant Hearts: The Great War (Ubisoft Montpellier, 2014) and My Memory of Us (Juggler Games, 2018) use narrative and ludic structures to create commemorative stories about the First World War and the Second World War. The author refer to the concept of historical culture (among others, in Jörn Rüsen’s interpretation) and examine the connections between the two video games focusing on the issue of designers’ intentions (digital games as examples of the commemoration of the past), the genre similarity (2D platform games), the intermedial convergence and the press reception. He discusses the strategy of the cultural agreement between designers and users, analyzes historical narratives as a part of the gameplay, examines relations between the individual and collective’s perspective and characterizes immersion’s mechanisms which reinforce players’ identification with the victims of both wars.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 29, 38; 144-160
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Dziki Zachód, dziki Wschód. Western a sprawa polska
    Wild West, Wild East. Western and the Polish question
    Autorzy:
    Franczak, Jerzy
    Powiązania:
    https://bibliotekanauki.pl/articles/1391840.pdf
    Data publikacji:
    2015-12-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Western Movies
    Borderlands Studies
    Politics of Memory
    Polish Recovered Territories
    western
    studia pogranicza
    polityka pamięci
    Ziemie Odzyskane
    Opis:
    The article reconstructs poetics and politics of Polish westerns, focussing on the two most re-nowned examples of the genre: The Law and the Fist (1964) or The Wolves' Echoes (1968). They are set in the western or eastern   borderlands of post-war Poland (1945–1948) and depict the struggles of righteous militiamen against plunderers and looters. The analysis is based on classical theories formulated by A. Bazin, J. Kitses and W. Wright and aims to highlight hidden contradic-tions between the rules of film genre, the requirements of veracity, and propagandist manipula-tion. These movies reinforce the official politics of memory of the Polish People’s Republic. The Law and the Fist contribute to the discourse on the ‘Recovered Territories’ and renew the Piast concept of returning these territories to the traditional Polish homeland. In turn, The Wolves' Echoes shapes the collective memory of the Bieszczady Mountains and justifies ethnic homogene-ity of this borderland.
    Źródło:
    Przestrzenie Teorii; 2015, 24; 73-96
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-10 z 10

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