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Tytuł:
Na styku mediów, na styku technik. „Foto-grafia” klasyczna i cyfrowa w polskiej poezji najnowszej
The Interface of Media, at the Interface of Technology. The Image of Digital and Traditional Photography in the Most Recent Polish Poetry
Autorzy:
Englender, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/32051645.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
literature
poetry
photography
contemporary literature
new medias
photo-graphemicality
Opis:
The aim of this text is to present the literary image of the breakthrough that occurred with the invention of digital photography. The article focuses on the most contemporary Polish poetry – mainly authors born in the 70s, such as Jacek Dehnel, Marcin Świetlicki or Bronka Nowicka. On the basis of their texts, the literary image of both traditional analog photography and photos created with the use of the latest techniques is reconstructed. In her interpretations, the author uses the tools she has developed herself, which include concepts such as “photo-graphemicality”, which is a combination of features linking text with photography, and “photo-grapheme”, which is its individual realisation.
Źródło:
Przestrzenie Teorii; 2022, 37; 31-44
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Les éléments du récit personnel dans les échanges en ligne portant sur les sujets d’actualité : raconter pour mieux comprendre, reprendre pour entrer en dialogue
Personal narratives in online public forums: telling stories for better understanding, referring to others for better dialogue
Autorzy:
Górecka, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1048273.pdf
Data publikacji:
2019-07-09
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
glottodidactics
written and asynchronous online communication
forum
online learning
narratives
medias
Opis:
The paper aims to present the potential, for foreign language students, of the exolingual interactions online in public and open forums. For the analysis of students’ commentaries, I apply the observation categories that were first elaborated for the analysis of posts published in press sites. I focus on narrative commentaries in which web users organize phenomena and events discussed in public discourse and try to give them their individual interpretation. I consider this kind of interaction on press sites as contributing to the civic debates: I argue that they can be also integrated in observation categories used to describe and analyze exchanges between students discussing social issues in reference to foreign language media information. In the paper I present two kinds of commentaries: those written by native speakers in public forums and those written by FL students in response to public commentaries.
Źródło:
Studia Romanica Posnaniensia; 2019, 46, 2; 45-62
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wokół definicji parodii filmowej
Around the definition of a movie parody
Autorzy:
Hendrykowski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/917988.pdf
Data publikacji:
2014-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
parody
film parody
genre
metagenre
comic effect
intertext
pars destruens
renewal
restoration
parody in contemporary cinema and new medias
parodia filmowa
parodia
Opis:
The revision of key topics that are related to film parody. The crucial question of Marek Hendrykowski’s research sounds as follows: what is the semiotic mechanism that gives parodistic effect expressed in the language of motion pictures? According to the author, conditio sine qua non of each parody are: incorrectness, caricatural exaggeration, comic effect, deconstruction, pars destruens and new meaning of old characteristic elements confronting the audience and its common memory. In the light of new reading and revised definition of this term, film parody is not a separate genre but rather meta-genre in its relations to many other film genres and individual screen performances being object of parody
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 29-38
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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