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Tytuł:
Of Manuscript Culture in Early Modern Dubrovnik
O rukopisnoj kulturi u ranonovovjekovnom Dubrovniku
Autorzy:
Plejić Poje, Lahorka
Powiązania:
https://bibliotekanauki.pl/articles/635867.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
manuscript culture
manuscript publication
scribes
early modern Dubrovnik
Opis:
In the article’s introduction, the author points to the history of the book as one of the younger sub-disciplines and to its relevance for literary history. This fact is particularly important for old Dubrovnik where the first printing house was opened only in 1783. In the middle part of the article, certain aspects of manuscript culture in early modern Dubrovnik are studied. The author explains why until the 19th century a large part of the Ragusan literature was circulated in manuscripts and what the advantages of the manuscript compared to the printed book are. The author reminds that manuscripts carried out the function of printed books and indicates that printed books were frequently copied by hand.
Źródło:
Poznańskie Studia Slawistyczne; 2018, 14
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nieznany wiersz Adama Mickiewicza? Rękopis tekstów poetyckich z pierwszej połowy XIX wieku w Bibliotece Poznańskiego Towarzystwa Przyjaciół Nauk. Komunikat
An unknown poem by Adam Mickiewicz? A manuscript of poetic pieces from the first half of the nineteenth century at the Library of the Poznań Society of Friends of Arts and Sciences. A communiqué.
Autorzy:
Pietrowicz, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1534861.pdf
Data publikacji:
2010-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
manuscript
collection of patriotic poems
Adam Mickiewicz
Opis:
The Library of the Poznań Society of Friends of Arts and Sciences has been recently enriched by the accession of the manuscript “Poetical texts from the first half of the nineteenth century”. The manuscript includes a number of patriotic poems put down in the manuscript between 1848-1849. The article provides information on the physical description of the manuscript item (its present shelf number being: rkp. 2112) and a detailed list of its contents. Individual works have been listed in alphabetical order according to the names of the authors, with annotations concerning first editions. The bulk of the poems included in the manuscript were published prior to their inclusion in the manuscript, some of them after the year 1849. At the present stage of the investigation, some of the poems have not been confirmed to have been published earlier. An anonumous 12-verse poem without a title, attached to the communique at full length, has been identified by the author of the article as a poem whose last four verses were published in 1881 in the book Kraków — Zagrzebiowi under the title W albumie księcia Golicyna by Adam Mickiewicz. The article is intended to stimulate those engaged in research of the history of literature in further investigations concerning the said collection of poems, in particular the last mentioned text.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2010, 17; 297-307
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Prolog Ewangelii Jana w tradycji liturgicznej Kościoła prawosławnego – ku przekładom na język staro-cerkiewno-słowiański. Prolegomena
The Prologue of the Gospel of St. John in the liturgical tradition of the Orthodox Church – towards translations into Old Church Slavonic. Prolegomena
Autorzy:
Szmajda, Jarosław
Powiązania:
https://bibliotekanauki.pl/articles/1044394.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Prologue
Gospel of St. John
Pascha
Paschal liturgy
Sundays of Preparation
Great Lent
Greek liturgical manuscript tradition
Church Slavonic manuscript tradition
Opis:
The most important issues related to the Church Slavonic translation of the liturgical pericopes of the Good News of the Resurrection of Christ presented in this article indicate the appearance of a great number of variants unknown in the Slavic region. An attempt to translate them is to some extent an analysis of their theological content conducted by the translators and authors of particular manuscripts. In the seventeen verses of the Prologue of the Gospel of St. John, the development of the theological thought is apparent. This pericope begins with the creation of the world and concludes on a strong ecclesiological note. The most significant variants of the Church Slavonic translation of the liturgical pericopes for the Feast of the Resurrection of the Lord indicate and emphasise their essential theological content.
Źródło:
Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2019, 26, 2; 269-280
1233-8672
2450-4939
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fates of the Old Czech Annals [Text F]
Osudy Starých letopisů českých (text F)
Autorzy:
Černá, Alena M.
Powiązania:
https://bibliotekanauki.pl/articles/635523.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Old Czech manuscript
Old Czech Annals
Staré letopisy české
Opis:
The collection of Hussite chronicles called Old Czech Annals contains more than thirty manuscripts some of which have been left out of the research spotlight. One of them is the Czech written text F (called “of Stockholm”) from the second half of the 15th century, currently stored under the signature G 10, no. 432 in the Moravian Municipal Archive in Brno, nevertheless, until 1878, it had been held in Stockholm as a spoil. The text F describes the course of events on the Czech territory from the years 1393 to 1453. Particular emphasis is laid on the events taking place during the Hussite revolution (after 1419) narrated, from the perspective of moderate Utraquism, by an anonymous Prague chronicler. Even though he, in his descriptions, consciously evades to include his evaluation of the events, striving for being an objective and impartial, unbiased observer, it is possible, at times, to read his attitude and opinion from his language rendering, which we instantiate with citations from the manuscript. A copy of the manuscript was acquired during its brief borrowing from Sweden to Prague in 1819 by Václav Hanka (1791–1861), a prominent representative of the Czech National Revival. The copy is stored in the National Museum Library, signature III F 9.
Źródło:
Poznańskie Studia Slawistyczne; 2018, 14
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Re-evaluating the Psalterium Sinaiticum: the Limitations of Internal Reconstruction as a Text-Critical Method
Autorzy:
MacRobert, Catherine Mary
Powiązania:
https://bibliotekanauki.pl/articles/951689.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
manuscript transmission
textual tradition
Psalterium Sinaiticum
Psalterium Demetrii
Opis:
The Psalterium Sinaiticum, a Glagolitic manuscript containing an Old Church Slavonic version of the Book of Psalms, has usually been treated, since its discovery in the later nineteenth century, as representative of the translation made by SS Cyril and Methodius before 869. Yet its textual status is in two ways problematic: it exhibits a number of idiosyncratic features (verse divisions, headings, variant readings, lexical peculiarities) which set it apart from other Church Slavonic psalter manuscripts, even those which are generally referred to the same early redaction and Cyrillo-Methodian tradition; it displays marked internal inconsistencies for which there is no simple explanation, such as correlation with the various changes of scribal hand in the manuscript. Von Arnim used the distribution of these inconsistencies as evidence to support an internal reconstruction of several distinct stages in the manuscript tradition underlying the Psalterium Sinaiticum. His argumentation implies that in fact the text of this manuscript stands at some distance from the original translation of SS Cyril and Methodius. On the basis of new comparative evidence from the second Glagolitic psalter manuscript discovered on Sinai in 1975, this paper reviews von Arnim’s analysis and its effectiveness as a text-critical method, and draws conclusions about the place of the Psalterium Sinaiticum in the Cyrillo-Methodian tradition.
Źródło:
Poznańskie Studia Slawistyczne; 2018, 14; 149-167
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
An unknown collection of music manuscripts from Otyń (Wartenberg)
Autorzy:
Frankowski, Patryk
Mądry, Alina
Powiązania:
https://bibliotekanauki.pl/articles/780133.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Otyń
Wartenberg
musical culture
Jesuit music
musical manuscript
Karol Reinach
Opis:
The Museum of Musical Instruments in Poznan (a branch of the National Museum) is in possession of a very important collection of music manuscripts from the former Jesuit monastery in Otyń (Ger. Wartenberg), which was dissolved in 1776. The activities of this centre were associated primarily with the figure of Karol Reinach, the monastery’s last superior (from 1753). Reinach maintained friendly relations with Frederick II the Great, who was an ardent flautist, as we know, and visited Otyń from time to time. The Otyń manuscripts were bequeathed to the museum in 1947, along with three preserved instruments: a pair of kettledrums and a bass viola da gamba. At present, the collection of manuscripts from the Jesuit ensemble of Otyń contains fifty-six compositions, written between 1753 and 1768. Thirty-one pieces have fully certified provenance, reflected on the title pages of the manuscripts in the form of inscriptions, such as ‘pro Choro Residentiae Wartenbergensis’, and in the names of the Otyń transcribers. Twenty-two compositions were classified as belonging to the Jesuit collection on the basis of its inventory number, placed in the top right corner. Seventeen of the preserved manuscripts were provided with exact dates of origin (ten compositions were dated to the day, the other seven to a particular year). In these manuscripts, one can find compositions of the following types: offertoria, antiphons, Marian hymns (mostly arias), litanies, carols, a cantata, a dialogue and a sequence. All of them are vocal-instrumental. The lyrics were written in Latin and German, and their subject matter is mostly connected with the Marian cult (the antiphons Ave Regina Caelorum, Alma Redemptoris Mater and Regina Coeli Laetare\ the hymn Ave Maris Stella), Jesuit themes (a litany of St John Nepomucen, a prayer of St Francis Xavier, O Deus Amo ego te) and Christmas (carols). The well-known composers include Frantisek Xaver Brixi (1732-1771), Carl Ditters von Dittersdorf (1739-1799), Carl Heinrich Graun (1704-1759), Johann Adolph Hasse (1699-1783) and Karel Loos (1724-1772), and there are also the less well-known or nearly unknown, such as Carolus Gaebel [Gebel], F. Passelt [?], Joseph Rhodigez, Antonio Josepho Ronge (or Runge [?]), Francisco Rudolph and Wollmann. The continued examination of the collection will certainly reveal more details that are unknown or as yet barely identified. The research is due to be capped with the publication of a thematic catalogue of Otyń’s music manuscripts and their registration in the RISM database.
Źródło:
Interdisciplinary Studies in Musicology; 2012, 11; 67-80
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mieczysław Wallis w poszukiwaniu piękna - impresje z podróży
Autorzy:
Zegzuła-Nowak, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/644729.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
beauty
Wallis' archives
Mieczysław Wallis
painting
sculpture
architecture
manuscript writing
Opis:
The article presents impressions from research expeditions of polish 19th century scholar - Mieczysław Wallis . This aesthetician, philosopher and historian of art was a great beauty lover. So, in his travels around the country and abroad he searched manifestations of the beauty in: architecture, painting, sculpture and formations of nature as well. His handwritten notes which contained his memories from these journeys are very important and intellectually atractive reading.
Źródło:
Kultura-Społeczeństwo-Edukacja; 2015, 8, 2; 91-99
2300-0422
Pojawia się w:
Kultura-Społeczeństwo-Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Codex collecticius Jakuba z Kowalewic. Ze zbiorów Biblioteki Uniwersyteckiej w Poznaniu
Codex collecticius of Jakub of Kowalewice. From the Collections of the University Library in Poznań
Autorzy:
Szulc, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/1040420.pdf
Data publikacji:
2009-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Medieval manuscript
Codex collecticius
Pastoral care
Church reform
Mappa mundi
Opis:
The  code  compiled  by  canon  Jakub  of  Kowalewice  ca.  1478  is  a  typical  example    of a collective code (codex collecticius). It contains texts by various authors, diversified in terms of content and form, ranging from predominantly theological, moral-ascetic and devotional texts, through geographical texts, medical instructions and prescriptions, to miscellaneous minor secular poetry.Jakub wrote in the first place for his own needs. When occasionally addressing a potential reader, he most certainly had the clergy in mind. The selection of writings copied by Jakub allows us to see him as an advocate of the idea of Church reform, especially in the area of a renewal of the moral life of the clergy, an idea which was popular in the 15th century.
Źródło:
Ecclesia. Studia z Dziejów Wielkopolski; 2009, 4; 409-418
1731-0679
Pojawia się w:
Ecclesia. Studia z Dziejów Wielkopolski
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fragment kalendarza w języku polskim z XIV/XV wieku ze zbiorów Biblioteki Jagiellońskiej w Krakowie
A fragment of a Polish calendar from the 14th/15th century from the Jagiellonian Library in Krakow
Autorzy:
Leńczuk, Mariusz
Wydra, Wiesław
Powiązania:
https://bibliotekanauki.pl/articles/2103016.pdf
Data publikacji:
2020-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
medieval manuscript
fragment of a Polish calendar
wrong calendar template
Opis:
A manuscript stored in the Jagiellonian Library (no. 1564 from 1404) holds a fragment of a Polish calendar, previously unpublished, from the late 14th century or the early 15th century. Written on the last, extra parchment page, it is a fragment of a much larger manuscript. The first 13 days of January have survived (1 to 13 January) and 13 days of February (4 to 19 February). The fragment contains 17 names, five of which are not included in the Słownik staropolskich nazw osobowych (Dictionary of Old Polish Proper Nouns, W. Taszycki, ed., vol. 1-7, Wrocław 1965-1987), namely Arkadyj, Emilijan, Iginij, Sotera, Wedast. The word january (January, in Polish styczeń) has not been recognised by dictionaries, either. There is no equivalent of the calendar in question in Poland or other European countries. It is impossible to indicate the diocese or a milieu where it could have been used. The document includes a few names of saints properly attributed to the days of their cult and names attributed to days not used in other known calendars. This leads to a conclusion that the calendar was either used in an unknown milieu or we are dealing with a simple error of the copyist. The latter theory best explains the peculiarity of this fragment of the calendar. This is confirmed by marking 4 nd 5 February as Ide rather than Nones, and 12 and 13 February as calends rather than Ides. The calendar was probably erroneously planned by the copyist who confused the days and affiliation of saints. Perhaps these errors were spotted early, the copying process was never completed and the parchment was recycled. Most probably, the intention behind the calendar (1564) was a large parchment “poster”, reminiscent of a scroll, used to inform the congregation about the holidays in the year. The calendar is unique because of the names of saints included in it and the fact that it is written in Polish.
Źródło:
Slavia Occidentalis; 2020, 77/1; 81-91
0081-0002
Pojawia się w:
Slavia Occidentalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Seventeenth-century chant manuscripts held at University of Warsaw Library in the context of Bernardine musical culture
Autorzy:
Grabiec, Dominika
Powiązania:
https://bibliotekanauki.pl/articles/780141.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Bernardine nuns
liturgical-musical manuscript
Gregorian chant
Bernardine convent in Łowicz
Opis:
The Music Department at Warsaw University Library is in possession of three seventeenthcentury chant manuscripts. All three were probably produced in the Bernardine community, although only two of them contain provenance notes which allow us to establish more precisely where they were compiled or used. In the present paper, the focus is on one of those manuscripts, which formerly belonged to the Bernardine nuns of Łowicz. This source provides valuable information on such subjects as the exchange of musical experiences and cooperation among various congregations.
Źródło:
Interdisciplinary Studies in Musicology; 2012, 11; 143-154
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Odnalezione fragmenty najstarszego kodeksu rękopiśmiennego z klasztoru cystersów w Łeknie-Wągrowcu.
Some comments on the found sections of the oldest manuscript codex from the Cistercian monastery at Łekno-Wągrowiec
Autorzy:
Łukaszewski, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/912010.pdf
Data publikacji:
2015-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
sections of manuscript
old prints
bindings
Łekno
Wągrowiec
Cistercians
paleography.
fragmenty rękopisu
starodruki
oprawy
cystersi
paleografia.
Opis:
Artykuł przedstawia efekty kwerendy w Archiwum Archidiecezjalnym w Gnieźnie, w trakcie której udało się natrafić na pięć starodruków oprawionych w pergaminowe karty pochodzące niewątpliwie z jednego rękopisu. Ponadto kwerenda w zespole Ms. Fragmenty ujawniła istnienie jeszcze dwóch kart z tego rękopisu, wyjętych już z opraw. Analizy kodykologiczna oraz paleograficzna pozostałości tego manuskryptu wykazują, że powstał on najwyżej w końcu XII wieku w skryptorium cysterskim. Treść zachowanych siedmiu fragmentów sugeruje, że są one pozostałością po dużych rozmiarów homiliarzu (część de tempore, pars aestivalis). Cztery starodruki, w których oprawach stwierdzono fragmenty rękopisu, pochodziły z dawnej biblioteki klasztoru cystersów w Wągrowcu. Można zatem z dużym prawdopodobieństwem przypuścić, że sam rękopis, którego karty wykorzystano do ich oprawy, wchodził niegdyś w skład biblioteki tego klasztoru. Tym samym pergaminowe fragmenty odnalezione w oprawach wągrowieckich starodruków są pozostałością po jak dotąd najstarszym znanym kodeksie rękopiśmiennym z dawnego opactwa w Łeknie-Wągrowcu.
The article summarises the results of a query carried out in the Archdiocese Archives in Gniezno during which five old prints bound in parchment sheets that undoubtedly come from one and the same manuscripts were found. In addition, another query in the font MS “Fragmenty” surfaced the existence of yet two more pages (sheets) from the same manuscript that had been already taken out from the bindings. The codicological and paleographical analyses of the remains of the manuscript show that it must have originated in a Cistercian scriptorium at the end of the twelfth century. The content of the surviving seven sections indicates that they were part of a large-sized collection of homilies (de tempore, pars aestivalis). The four old prints with their bindings including the sheets from the manuscript were once kept at the former library of the Cistercian monastery in Wągrowiec. In conclusion then, it can be stated with a great deal of confidence that the manuscript itself, whose pages had been used for the bindings of the books, must have been included in the collection of the monastery’s library. The resulting conclusion is that the parchment fragments found in the bindings of the Wągrowiec old prints must be remnants of the oldest known manuscript codex from the old Łekno-Wągrowiec abbey.
Źródło:
Biblioteka; 2015, 19(28); 31-45
1506-3615
2391-5838
Pojawia się w:
Biblioteka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Znaménko rozlišovací a zdůrazňovací ve staročeských rukopisech
Diacritical signs and signs of non-semantic accentuation in Old Czech manuscripts
Autorzy:
VOLEKOVÁ, KATEŘINA
Powiązania:
https://bibliotekanauki.pl/articles/776778.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
orthography
Old Czech
Orthographia Bohemica
the Bible
manuscript, signs
diacritical signs
signs of non-semantic accentuation
Opis:
The article discusses the application of the principles of diacritical orthography in writing Czech words in the Latin treatise Orthographia Bohemica which contains instructions on how digraphs in Czech written texts should be replaced by diacritical signs. While many scholars consider Master Jan Hus to be the author, the treatise was copied by Kříž z Telče (Crux of Telč), a teacher and a priest, by hand into his manuscript convolute at the end of the 1450s. However, Kříž failed to write down the exemplary Czech words exactly according to the instructions in the treatise. At first sight, the signs above the letters seem chaotic and inaccurate. In medieval writings, signs carried out two main functions: first, a sign only accentuated a particular character (sign of non-semantic accentuation) and distinguished it from other, formally similar graphemes (e.g. <ẏ> versus ). Secondly, a sign provided a character with a different meaning (a diacritical sign) and a glyph with a sign represented a phoneme different than a glyph without a sign (e.g. versus <ž>). An orthographic analysis of some Czech biblical manuscripts from both the first and the second half of the 15th century has revealed that scribes used these two systems of accentuation at the same time and combined them. That is why the c /t͡ s/ and č /t͡ ʃ/ consonants recorded in the Orthogpraphia Bohemica treatise as either or <ċ> or <č> graphemes cannot be considered a simple scribe’s mistake but rather, a reflection of a different scribal usage.
Źródło:
Slavia Occidentalis; 2018, 75/1; 133-141
0081-0002
Pojawia się w:
Slavia Occidentalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Literary Collectors as Literary Scribes: The Case of Đuro Ferić (1739–1820)
Autorzy:
Lupić, Ivan
Bratičević, Irena
Powiązania:
https://bibliotekanauki.pl/articles/951694.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Đuro Ferić (1739–1820)
Ragusan literature
manuscript studies
scribal culture
history of literature
history of collecting
Opis:
The essay reconstructs the scribal collection of Ragusan literature compiled by Đuro Ferić (1739–1820) and currently scattered across various libraries. It argues that the focus on individual scribes is the best way of understanding Ragusan manuscript culture and of identifying relationships among different manuscript witnesses. Once scribal collections are reconstructed, it is possible to determine to what extent scribes understood their job as involving specific editorial decisions rather than just mechanical copying of the text in front of them. The approach is recommended not just to scholars interested in manuscript culture but to those interested in the larger questions of literary history as well.
Źródło:
Poznańskie Studia Slawistyczne; 2018, 14; 129-147
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dicta Hermetis w manuskrypcie Biernata z Lublina
Dicta Hermetis in the Manuscript of Biernat of Lublin
Autorzy:
Sójka, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1179639.pdf
Data publikacji:
2015-12-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
hermetic writings
hermetism
humanism
Biernat of Lublin
manuscript
pisma hermetyczne
hermetyzm
humanizm
Biernat z Lublina
manuskrypt
Opis:
Prezentowana publikacja jest efektem badań nad tradycją hermetyczną i początkami polskiego humanizmu. Omawia tekstualną zawartość pierwszej z trzech części rękopisu PAN nr 1717 z Krakowa, w którym Biernat z Lublina spisał wybrane fragmenty pism hermetycznych. Artykuł ukazuje wnioski, jakie pojawiają się na kolejnych etapach analizy filologicznej. Procedura interpretacyjna skupia się na podstawowych zagadnieniach hermetycznych. Wskazuje na dominanty tematyczne wybrane do manuskryptu lub celowo pominięte przez Biernata z Lublina. Oprócz tego zestawia wybrane edycje pism hermetycznych, porównuje konkretne fragmenty, zdania i pojedyncze słowa (dicta Hermetis). Egzegeza ukazuje także filozoficzną tradycję, która warunkowała sposób czytania przez Biernata z Lublina.
Źródło:
Porównania; 2015, 17; 165-196
1733-165X
Pojawia się w:
Porównania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zuzanna Ginczanka w archiwach i bibliotekach
Autorzy:
Kiec, Izolda
Powiązania:
https://bibliotekanauki.pl/articles/1627999.pdf
Data publikacji:
2020-12-30
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Zuzanna Ginczanka
manuscript
A. Mickiewicz Literature Museum
Poznań Society for the Advancement of the Arts and Sciences
library
rękopis
Muzeum Literatury im. Adama Mickiewicza
Poznańskie Towarzystwo Przyjaciół Nauk
biblioteka
Opis:
Artykuł omawia najważniejsze dokumenty związane z osobą i twórczością Zuzanny Ginczanki, zebrane w archiwach i bibliotekach: zarówno spuściznę poetki, jak i materiały wytworzone w miejscach i przez instytucje, z którymi była związana. Największa część spuścizny znajduje się w Muzeum Literatury im. Adama Mickiewicza w Warszawie, w tym młodzieńcze rękopisy, będące podstawą prac edytorskich. Zbiory warszawskiego muzeum i problemy edytorskie związane z rękopisami Ginczanki (i pierwodrukami jej wierszy oraz edycjami tej twórczości z lat 1953 i 1980) zostały omówione w pierwszych dwóch częściach tekstu. Następnie autorka opisała domniemaną historię rękopisu Ginczanki znalezionego w 2018 roku w Bibliotece Poznańskiego Towarzystwa Przyjaciół Nauk, wskazała materiały archiwalne do biografii poetki (w tym odnalezione w 2020 roku dokumenty złożone przez Zuzannę Gincburg w Wyższej Szkole Dziennikarskiej w Warszawie w roku 1935) oraz zasygnalizowała problem zaginionego rękopisu ostatniego wiersza poetki.
The article entitled Zuzanna Ginczanka in archives and libraries discusses the most important documents on the poetess as well as the body of her poetic output. The remnants of her poetry that survived are currently held in various archives and libraries, along with items relevant to the literary heritage of the poetess and materials that were produced and preserved at those places and institutions she was attached to. The vast majority of her literary heritage is now preserved in the Adam Mickiewicz Literature Museum and includes, among others, her juvenile manuscripts that can provide a basis for further editorial works. The collections of the Warsaw museum and the editorial problems related to the Ginczanka’s manuscripts (as well as the first official editions of her poems and earlier editions of her collections of poems) are discussed in the first two sections of the article. Further, the author discusses the alleged history of Ginczanka’s manuscript found in the library of the Poznan Society of Friends of Sciences two years ago, indicates archival materials related to the biography of the poetess (including the documents handed over by Zuzanna Gincburg to the Higher School of Journalism in Warsaw in 1935 and found in 2020), and indicates a problem of the lost manuscript of the last poem written by Ginczanka.
Źródło:
Biblioteka; 2020, 24 (33); 191-216
1506-3615
2391-5838
Pojawia się w:
Biblioteka
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 21

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