Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

Wyszukujesz frazę "language reality" wg kryterium: Temat


Wyświetlanie 1-6 z 6
Tytuł:
ON JEST. Metafizyka a język. Parmenides - Wittgenstein - Barańczak
HE IS. Metaphysics and Language. Parmenides - Wittgenstein - Barańczak
Autorzy:
Wiertlewska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/607442.pdf
Data publikacji:
2008
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
metaphysics
language
reality
experience
sense
Opis:
The aim o f this article is to look from an existential point of view at the metaphysical argument from language to reality. The main questions are as follows: does language reflect the structure of reality? or is it rather a tool that enables us to perform certain actions, like the action of proving a thesis? and can we, by investigating the nature of language arrive at truths about extralinguistic reality? Those issues are taken up with respect to insights gained by Parmenides, Wittengenstein and Barańczak, a contemporary Polish poet and translator. For Parmenides language is not an autonomous domain but is conjugated with external reality, so by discovering the rules that govern the attribution of meaning to linguistic utterances we can reach beyond phenomena towards the nature of the world as such. Contradictory statements are then seen to result from the aspectuality of particular accounts, whereas in being conceived in its entirety there is no self-contradiction but only degrees of properties. Parmenidean metaphysics is of interest to us here in connection with his concept of the relationship between a word and its referent, whereby it is possible to infer the essence of the thing picked out by a word from the established rules of its correct usage. Ludwig Wittgenstein is a philosopher whose impact on thinking about the metaphysical consequences of language is not to be overlooked. His position concerning the very possibility of metaphysical claims splits into two standpoints, expressed in his two basic works: Tractatus logico- philosophicus and Philosophical Investigations. Tractatus is Parmenidean in its presupposed isomorphism between the structure of language and the world, as well as in assuming that the substance of the world determines the logical space of all possibilities and that it is eternal and unchangeable. On the other hand, however, we do not have an access to the comprehensive state of things denoted as «the world» in its material mode, and therefore we have no basis for deciding which metaphysical statements are its true formal representations. That is why on the level of logic people can arrive at mutually exclusive metaphysical claims, as shown by Plato in the ending of his Parmenides. In Philosophical Investigations Wittgenstein considers, among others, the role of prototypes in the process o f transmitting/learning the meaning of words whereby the objects of experience can be categorized. He also reflects on language as an act governed by autonomous rules which are accepted by users, a theory which he called language games. What underlies both these issues is the question of an element o f identity between language and extralingustic reality. The answer that this element consists in the logical form of an utterance whereby reality is supposed to be mapped by a sentence becomes problematic in the light o f the discovery o f the ambiguity of an image when it is placed in two different contexts that contain different prototypes of reference for the sign under consideration. In reading a particular notation as a mapping of a specific state of things, one’s knowledge of the rules of notation plays an important role as it enables one to recognize the content that one already knows. The rules that impose interpretation on reality constitute a broadly understood grammar. They are autonomous relative to reality so when we utter a sentence the words obtain their meaning depending on how they are used. This does not translate into a referentially understood meaning, because what turns out to be important is the sense of the word, i.e. the way in which it is used by the speaker. Self-aware poetry seeks sense in links between the word and the world, not just within the domain of language itself. Conscious of grammatical rules, it employs them as a tool in overcoming the autonomy of language. This approach is analyzed on the example of an essay on the essence of poetry titled Tablica z Macondo [The Macondo License Plate] by Stanisław Barańczak. He talks in it about a personalized license plate he would devise for himself in order not to forget the most vital truth that enables him to navigate his life. Such a plate would read in Polish ON JEST [HE IS], where - owing to the specificity of the Polish grammar - the third person masculine singular pronoun can stand for the reader (or more generally “the other”), the world, and God (or transcendence). The intended ambiguity of this pronoun makes us realize that although pronouns are substitutes for the noun phrase in a sentence, they are in fact a sort of mental abbreviations that encapsulate more abundant content than a mere 1:1 correspondence with a single noun. Of the two basic functions of pronouns in interpersonal communication: anaphoric and deictic, the latter proves to be more basic as it introduces new objects into the universe of discourse shared by the participants of a conversation. One cannot speak about the meaning o f the pronoun «he», but about the sense in which it is used, and this sense pertains to extralinguistic reality indicated directly by the speaker. The sentence HE IS does not tell us anything about reality unless reality itself is included into the utterance as one of its constituent elements. The triple encounter (the other, the world, transcendence) spelled out by Barańczak in terms of an inclusive unity of experience represented by a single sentence is a manifestation of the metaphysical.
Źródło:
Poznańskie Studia Teologiczne; 2008, 22; 235-251
0209-3472
Pojawia się w:
Poznańskie Studia Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Semiotyczne aspekty virtual reality
Semiotic aspects of virtual reality
Autorzy:
Hendrykowski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/923059.pdf
Data publikacji:
2018-04-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
image
semiotics
language of moving pictures
virtual reality
sign
perception
Opis:
The dynamic development of virtual reality technics opened new possibilities of creating visual, audial and audiovisual moving pictures. VR is coming and invaiding XXIst century cinema. There is a grand challenge for filmmakers imagination: show delivering vision of reality or so-called reality made without using real physical objects. Are we really prepared for this technological revolution? Hendrykowski’s paper poses certain crucial questions connected with that change in making movies. Among them: ambigous nature of digital sign, possible regions of spectator’s new experiences, symbolic function of digital images and deep transformation of category od aesthetics in expanding world of multimedia.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 21, 30
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Tylko mówisz – milczysz”. Wiersz-światłocień
”You’re only talking – keeping silence”. Light and shade-poem
Autorzy:
Kraszewski, Dawid
Powiązania:
https://bibliotekanauki.pl/articles/1391511.pdf
Data publikacji:
2016-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poetry
confessional poetry
reading-response criticism
light and shade
light and shade-poem
photography
poetic image
image of reality
language image of reality
ut pictura poesis
ut rhetorica pictura
space
silence
Tadeusz Dąbrowski
Martin Heidegger
poezja
światłocień
wiersz-światłocień
fotografia
obraz poetycki
obraz rzeczywistości
językowy obraz świata
prześwit
milczenie
Opis:
The author of the article puts Tadeusz Dąbrowski’s poems, the poet from Gdańsk, as the subject to reflextion. The considerations include the following volumes of poetry: Te Deum (2008), Black square (2009), Between (2013). The author analyses the selected poems in reading-response criticism aspect and in the context of the theory of language mediation and the act of communication. By developing allusions to light and shade figure philosophy by Martin Heidegger as well as the analogies of Dąbrowski’s poetry to photography, he tries to show the specificity of Tadeusz Dąbrowski’s poetic output.
Źródło:
Przestrzenie Teorii; 2016, 25; 211-229
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miłosz w sporze z formą poetycką
Miłosz in a Dispute against Poetical Form
Autorzy:
Kluba, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1534029.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Czesław Miłosz
poetry
form
convention
world-view
meta-reflection
antynomy
asystematic thinking
subjectivity
lyricism
self-representation
distance
crisis of language
pure poetry
involved poetry
reality
truth
Opis:
Czesław Miłosz accompanied his poetry with an extensive body of self-reflective writings, developed over many years. It is characterised by, on the one hand, a relative constancy of recurring motifs, and on the other, an equally constant tendency to juxtapose the motifs in variously defined binary systems. The analysis of connections that occur not so much between the elements of specific antinomies, but, on a higher level, between separate antinomies (especially between values ascribed to poles of the oppositions), makes it possible to notice that many of the antinomies cannot be subjected to easy reconciliations, but rather exclude each other. This makes it possible to understand why Miłosz’s thought seems to be systematic. Above all, however, it allows us to look, in a new way, at the feats of Miłosz’s constant struggle against poetic form – immanent contradictions and inconsistencies of Miłosz’s reflection become interesting only when they are referred to the order of creation and its disturbing metamorphoses.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 20; 53-70
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dwaj ludzie z szafą w perspektywie genologicznej
Two People With a Wardrobe in a Genological Perspective
Autorzy:
Hendrykowski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/918057.pdf
Data publikacji:
2014-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
short film
art of film
genre
film of fiction
reality
construction
composition
condensation
language of moving images
narrator
narrative
story
plot
continuity
discontinuity
heroes
conflict
coincidentia oppositorum
Opis:
Parabola is the essence of the short film Two Men and a Wardrobe (and likewise Mammals and The Fat and the Lean). Parabola is dominant of the genre, not merely an occasional and distinguishing attribute. In its interior, we find traces of other genres. These include noir comedy, slapstick burlesque, existential drama, the thriller, and drama of the absurd, grotesque and macabre. The poetic dimension of Polanski’s short film, in which reality confronts and permeates the skilfully constructed and captivating fantasy presented by the artist, allowing all the elements of the genre to be combined into a common whole.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 171-180
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
KONSTRUOWANIE OBRAZÓW RZECZYWISTOŚCI W AKCIE USTAWODAWCZYM
CREATING IMAGES OF REALITY IN STATUTORY INSTRUMENTS
Autorzy:
LIZISOWA, Maria Teresa
Powiązania:
https://bibliotekanauki.pl/articles/920541.pdf
Data publikacji:
2014-01-19
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
abstrakcyjny obraz normy prawnej
język prawny
tekst prawny
przepis prawny
termin prawny
określenie prawne
funkcje znaków językowych
obrazy rzeczywistości prawnej
legislative language
statutory instrument
statute
legal term
legal attributes
function of language signs
images of legal reality
abstract imagage of a legal norm
Opis:
Artykuł prezentuje przedmiotowość wytworów semantycznych języka prawnego jako obrazów rzeczywistości w akcie ustawodawczym. W aspekcie semantyczno-pragmatycznym autorka analizuje treść znaczeniową i funkcję komunikacyjną znaków językowych ze względu na technikę wyrażania ich treści w przepisach prawnych. Analiza struktur gramatycznych i stylu tekstu prawnego wykazała, na czym polega sztuczność odniesień terminów, określeń i konstrukcji składniowych służących obrazowaniu przyczyny i skutku w wyrażeniach charakterystycznych dla języka prawnego, rozumianych nie wprost, czyli przekazujących implikowane treści niedosłownie.
The article presents the subjectivity of semantic signs of the legislative language as images of reality in a statutory instrument. The author presents a semantic and pragmatic analysis of the meaning and communicative function of language signs taking into account the techniques of expressing meanings in legal provisions. The analysis of grammatical structures and style of statutory instruments reveals the artificiality of references of terms, attributes and syntactical structures expressing cause and effect relations in expressions typical of the legislative language and conveying connoted messaged in a non-verbatim way.
Źródło:
Comparative Legilinguistics; 2014, 17, 1; 11-28
2080-5926
2391-4491
Pojawia się w:
Comparative Legilinguistics
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-6 z 6

    Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies