Temat: formal analysis - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Z badań nad Biłgorajem. Weryfikacja i dopełnienie
From the Research on Biłgoraj. Verification and Completion
Autorzy:: Makarski, Władysław
Powiązania:: https://bibliotekanauki.pl/articles/2035351.pdf
Data publikacji:: 2021-12-27
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: formal and semantic analysis of a toponym
the role of historical and settlement data
physiographic data and toponymic context in deciphering a toponym
Opis:: The article presents the state of research into the toponym Biłgoraj: initially incorrectly interpreted as a topographic name consisting of the segment Biel- “swamp” (>Ukrainian Bił-) and the morpheme -goraj “mountainous terrain”. Another interpretation of this toponym says that this name is memorial and physiographic in nature, with its first physiographic part coming from the local adjective *bieły (in general Polish biały “white”), shortened to Bieł- (>Ukrainian Bił-), referring to the first part of the name of the river *Bieła Łada < Biała Łada, which Biłgoraj is located on, and the second morpheme – the memorial one taken from the name of a nearby settlement Goraj, which was the seat of the ancestors of Adam Gorajski, the founder of Biłgoraj, a settlement also located on the river Biała Łada.
Źródło:: Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2021, 28, 2; 285-297
1233-8672
2450-4939
Pojawia się w:: Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Narrative strategies of the Romantic “philosophical epics” in the piano works of Franz Liszt (Analysis o/Sposalizio, Valee D’Obermann, Ballade No. 2 and the Sonata in B minor)
Autorzy:: Grabocz, Marta
Powiązania:: https://bibliotekanauki.pl/articles/780389.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: musical signification
musical semiotics
narrative strategy
signifieds in music
character variation
formal variation
complex sonata form
narrative analysis
Opis:: The article explains how ideas, characters and images borrowed from literary works and of fine arts are represented in Liszt’s the piano works of (i.e. with the help of motives, themes and narrative strategies). I. The first level of analysis concerns the typology of basic elements in the new lisztian forms: A. Four types of musical motives or figures and their signifieds (semes). B. Sixteen types of musical themes with their signifieds (classemes). C. Considering the great parts or sections of a piece we discovered seven types with their signifieds (isotopies). II. The second level of analysis consists in the presentation of three types of narrative strategies. The narrative strategy would mean the conscious organization of concatenation of the above mentioned signifying elements. A. The “figurative strategy” refers to the formal variation [‘Formalvariation” in German] of onetheme, or of one “thematic complex” (theme introduced and followed by expressive describing motives or refrain), for example: Sposalizio. B. The “simple narrative strategy” consists in a succession of character variations [‘Charaktervariation’], i.e. variation in the musical genre, in the signified of one musical theme (for example: Vallee d’Obermanri). C. The “complex narrative strategy” describes the structures which combine sonata form, cyclical sonata in four movements and variation form. This strategy implies that a whole thematic complex (exposition) is submitted to different stages of the character variation (for example: Dante sonata, Sonata in B minor, 2nd Ballade in B minor, etc.).
Źródło:: Interdisciplinary Studies in Musicology; 2015, 14; 113-135
1734-2406
Pojawia się w:: Interdisciplinary Studies in Musicology
Dostawca treści:: Biblioteka Nauki

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