Temat: film poetics - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Kilka refleksji o Rashomonie
A few Reflections on Rashomon
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/1038953.pdf
Data publikacji:: 2019-12-15
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Rashomon
Akira Kurosawa
film poetics
narration
anthropology of experience
audiovisuality
fiction
truth
subjectivisation
objectivisation
philosophy of art
Opis:: Hendrykowski Marek, Kilka refleksji o Rashomonie [A few Reflections on Rashomon]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 129–141. ISSN 1644-6763. DOI 10.14746/pt.2019.32.6. A masterpiece of Japanese and world cinema, Akira Kurosawa’s Rashomon (1950) refers to a new model of narration in film, and broadens horizons in mid-20th-century film but also film in current imes. Rashomon set out new paths and fields of exploration in film art and began a new era in modern narration in moving pictures. This study re-evaluates Kurosawa’s work as an innovative, trans-national and trans-cultural approach to world cinema.
Źródło:: Przestrzenie Teorii; 2019, 32; 129-141
2450-5765
Pojawia się w:: Przestrzenie Teorii
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Na białym szlaku. Zapomniany film o wojnie
“On the White Trails”: a forgotten film about the war
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/923318.pdf
Data publikacji:: 2019-12-15
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Jarosław Brzozowski
Andrzej Wróbel
film poetics
World War II drama
tough guys movie
genre
narration
Polish cinema
practice of film production
Opis:: The article is an analytical and interpretative study of behind-the-scenes aspects and the poetics of a little-known feature film titled On the White Trails, directed by Jarosław Brzozowski and Andrzej Wróbel.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2019, 26, 35; 103-115
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Lambeth Walk, czyli widz wyzwolony spod presji obrazu
The Lambeth Walk, or the spectator liberated from the pressure of the picture
Autorzy:: HENDRYKOWSKI, MAREK
Powiązania:: https://bibliotekanauki.pl/articles/921082.pdf
Data publikacji:: 2016-10-09
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: lambeth walk
The Borough of Lambeth
popular culture
dance
parody
footage film
stunt scene
film poetics
editing
language of moving pictures
Opis:: A quintessential work of British and European cinema of World War II “The Lambeth Walk” is the epitome of world-class art of moving picture editing. Marek Hendrykowski's close-reading analysis places this short movie in its aesthetic, cultural and generic contexts and in the international landscape of the anti-propaganda film.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 97-110
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Metodologiczne problemy historii powojennego dokumentu filmowego w Polsce
The Methodological Problems of Studies on the History of Polish Postwar Documentary
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/920404.pdf
Data publikacji:: 2015-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: documentary
genre
non-fiction film
editing
language of moving pictures
film history
historiography
social realism
post-war Polish cinema
Stalinism
film industry
film production
distribution
ideology
film poetics
rhetorics
Opis:: The Methodological Problems of Studies on the History of Polish Postwar Documentary The author discusses the narratives and stereotypical (ideological) point of view as a matrix for constructing an overly simple image of the Polish documentary in the postwar period (1944–1955) as shadowed in the untruth of political discourse. In Marek Hendrykowski’s opinion this particular period in Polish documentary film was much more complicated and multi perspectived (in a “dialogical” sense) as a research object posing new questions and opening new perspectives for film historians.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 16, 25; 249-255
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Etiudy Andrzeja Brzozowskiego
Andrzej Brzozowski’s Film Etudes
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/919841.pdf
Data publikacji:: 2011-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: excersise
student film
student étude
image
sound
composition
music
film direction
cinematography
film style
film poetics
film art
documentary
fiction
35 mm tape
experiment
laboratory work
aesthetics
artistic values
the art of the short
Opis:: Marek Hendrykowski presents in his study the earliest fiction and documentary films made by Andrzej Brzozowski (1932-2005), excellent Polish filmmaker, 1971-2005 professor of the famous Film School in Łódź (PWSFTviT). “Sunflowers” (1953), “Escape” (1954/55), “Legend” (1957), “Jazz Talks” (1957) – these short films, preserved in the collection of Film School Archive, are almost unknown for wider audience in Poland and abroad. In the second part of his study Hendrykowski gives also an accessible overview of the historical evolution of the filmmaker through the close examination of another two outstanding short films made by him: By the Railway Track (1963) and Medallions (1966). Last two were adaptations of short stories written in 1945 by Zofia Nałkowska, a masterpiece of antinazi world lterature. The article deals with the most important values and close-reading thematic and stylistic areas of Brzozowski’s early works: those developing in the 1950’s and early 1960’s but having deep impact in the poetics of academic short film in Poland, whose form and course they have fundamentally redirected.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 9, 17-18; 137-158
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Gorzkie kino. O Okupacji w 26 obrazach Lordana Zafranovicia
Bitter Cinema. On Occupation in 26 Pictures by Lordan Zafranović
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/635637.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: historical film
totalitarianism
genocide
poetics of experience
aesthetics of shock
oblivion
memory
Opis:: Analysis and interpretation of the film fresque made by Croatian director Lordan Zafranović (1978), a masterpiece of European art cinema of 70s. Marek Hendrykowski’s study describes relationship between poetics of experience and aesthetics of shock. It also expresses the importance of mythical perspective (Babel Tower) and its meaning as the factor of common consciousness in keeping memory of the past in art and life of contemporary societies.
Źródło:: Poznańskie Studia Slawistyczne; 2017, 12; 319-329
2084-3011
Pojawia się w:: Poznańskie Studia Slawistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: Kronika wypadków miłosnych wcale się nie zestarzała
“The chronicle of love affairs” did not grow old
Autorzy:: Wysłouch, Seweryna
Powiązania:: https://bibliotekanauki.pl/articles/1110530.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Konwicki
love
suicide
identity
the literature of private homelands
oniric poetics
film adaptation
Opis:: The author of this article analyzes The Chronicle of Love Affairs by Tadeusz Konwicki (1974) and shows that it can be still used at school. The main problems of this novel (youthful love, suicide, the identity of the protagonists) provide an opportunity to discuss current topics. The novel allows to expand the historical and literary knowledge of information in the field of Konwicki’s creativity, romantic tradition, literature of private homelands, as well as assimilate theoretical concepts, such as oniric poetics and film adaptation.
Źródło:: Polonistyka. Innowacje; 2015, 1; 70-79
2450-6435
Pojawia się w:: Polonistyka. Innowacje
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: Etiudy Romana Polańskiego
Roman Polanski’s Short Films
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/919840.pdf
Data publikacji:: 2011-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: short film
student film
student étude
production
experiment
stylistic choices
film direction
story
narrative
poetics
black humour
film art
Polish National Film
Theater and Television School
Opis:: Director/writer/actor Roman Polanski is one of the central figures in the history of Film School in Łódź. This study provides a detailed and comprehensive introduction to examine cinematic and artistic values of his early short films made between 1955 and 1961 in Poland and in France before his professional feature length debut “Knife in the Water” (1962). In his essential work Marek Hendrykowski looks at these nine shorts with in-depth analysis and adopts both historical and theoretical approach, making use of poetics terms, close reading method and socio-cultural interpretation. In its treatment of Polanski’s études this unique study discusses why these films are important in so many aspects and attracitve from many points of view and they have come to symbolise and represent modern cinema in Poland of the 1950s and early 1960s.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 9, 17-18; 159-198
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: "Rzodkiewki" Janusza Morgensterna
Janusz Morgenstern’s „Radishes”
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/920017.pdf
Data publikacji:: 2012-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: student film
etude
short feature
film style
poetics
narrative
narration
voice-over
Italian neorealism
social drama
hero
character
socialist realism
Stalin's era
Opis:: Marek Hendrykowski’s essay presents the importance of Janusz Morgenstern’s early short film Radishes made after Stalin’s death, in 1954 as a student work produced by Film School in Łódź. The main character, old worker Gruliński loses his clear hopes and human illusions. The pesimistic conclusion is closed further by the simultaneous description of the hero’s social image within a discourse of origins and the sacred which evacuates analysis of class conflict and sociological approach in the narrative of an “ordinary good man” brutally disturbed in his desires and works by the irruption and power of an omnipotent destructive stalinist “red tape” bureaucracy. The poetics of Radishes is deeply influenced by the style of an Italian neorealism, first of all by its famous masterpiece, Vittorio De Sica’s Umberto D. (1952).
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 10, 19; 89-93
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 10.

Tytuł:: Poetyka etiudy Klary Kochańskiej Lokatorki
The poetics of Klara Kochańska’s film etude Lodgers
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/923079.pdf
Data publikacji:: 2018-04-26
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Polish Nation Filmschool in Łódź
student film
film etude
short feature
film style
poetics
narrative
narration
voice-over
social drama
hero
character
the art of the short film
style
fiction
direction
author
authorship
Opis:: The article provides a comparative analysis of the style and composition of Klara Kochańska’s student short feature film Lodgers. (produced by the Polish Nation Filmschool in Łódź in 2015) as an example of film narrative practices typical of the academic exercises of students today.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 21, 30
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 11.

Tytuł:: Scenariusz filmowy jako inspiracja
The film script as an inspiration
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/917830.pdf
Data publikacji:: 2014-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: theory of practice
novel
treatment
scenario
screenwriter
script
inspiration
project
literary version
narrative
narration
poetics
standard
rhetoric of film
art of film
author
authorship
collectif work
rewriting
storyboard
shooting script
producer
cereative producer
director
remodeling
re-vision
preproduction
transition
metamorphosis
synergy
shooting
film production
crash-test
due diligence
virtual viewer
audience
spectatorship
film reception
Opis:: Screenplay is a multifunctional project written by screenwriter or screenwriters for preparing next phases of film production. Changing and many times transformed forms of screenplay belong to the nature of screenwriting. Literary vision of film changes several times being result of synergy and typical work in progress: from general idea and high concept, through story, treatment, scalette, first draft and certain number of drafts, to final draft, director’s draft and shooting script. Marek Hendrykowski’s study describes and explains these terms as forms of literary film creation in three complementary aspects: creative re-vision, rewriting and remodeling.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 211-218
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 12.

Tytuł:: Muzy w intymnym świetle. O przemianach w sztuce Odwilży i Października
Muses in the intimate light. Transformation of Arts in the Years of “Thaw” and “Polish October 56”
Autorzy:: Hendrykowski, Marek
Powiązania:: https://bibliotekanauki.pl/articles/920315.pdf
Data publikacji:: 2009-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: history of modern art
aesthetics
poetics
Polish art of the 1950s.
literature
poetry
drama
novel
film
music
peinture
sculpture
Man
existentialism
individual
intimacy
interdisciplinary
comparative reflexion on arts
socialist realism
Październik '56
odwilż
socrealizm
Opis:: The study assesses the changing nature of the Polish art in the period of liberalization after Stalin’s death. It includes detailed analysis of various (social, political, philosophical and especially aesthetic) implications for important issues such as: poetry, drama, cinema, peinture, sculpture, song, popular culture etc.Marek Hendrykowski provides case studies that lead to alternative ways of viewing current conceptual frameworks of aesthetics and its consequences for interdisciplinary reflexion on arts.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2009, 7, 13-14; 169-179
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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