Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "film and literature" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-4 z 4
    Tytuł:
    Filmowe wcielenia Krzysztofa Kamila Baczyńskiego
    Film Incarnations of Krzysztof Kamil Baczyński
    Autorzy:
    Szpulak, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/1039082.pdf
    Data publikacji:
    2019-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Krzysztof Kamil Baczyński
    Ludmiła Niedbalska
    Konrad Piwowarski
    biographical film
    film and literature
    Opis:
    Szpulak Andrzej, Filmowe wcielenia Krzysztofa Kamila Baczyńskiego [Film Incarnations of Krzysztof Kamil Baczyński]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 301–322. ISSN 1644-6763. DOI 10.14746/pt.2019.32.16. The text concerns two film biographies of Krzysztof Kamil Baczyński, an outstanding and legendary poet of the Second World War killed in 1944 during the Warsaw Uprising. The films Fourth Day by Ludmiła Niedbalska (1984) and Baczyński by Konrad Piwowarski (2013) were subject to a comparative analysis. It covered genaelogical issues, the poet’s biography and a presentation of his work. The analysis shows the extreme difference in creative concepts, and thus the various possibilities that the biographical film faces.
    Źródło:
    Przestrzenie Teorii; 2019, 32; 301-322
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    To film an inconceivable reality: the manifesto of the young Kieślowski
    Autorzy:
    Jazdon, Mikołaj
    Powiązania:
    https://bibliotekanauki.pl/articles/923206.pdf
    Data publikacji:
    2019-03-25
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Krzysztof Kieślowski
    Kazimierz Karabasz
    André Bazin
    documentary film
    film and literature
    non-fiction cinema classics
    dramaturgy of reality
    documentary film ethics
    Polish cinema
    film theory
    Opis:
    In his master’s thesis, Documentary Film and Reality, Krzysztof Kieślowski dealt with a number of problems that turned out to play a vital role in his future film career, and its documentary period in particular. This range of topics includes the concept of ‘the dramaturgy of reality’, one of the methods for factual filmmaking he intended to put into practice, but also such ideas as the relation between film and literature, between documentary film and ethics, and the difference between reportage and documentary filmmaking. These concepts had an influence on his documentary filmmaking andled him to develop other concepts and methods for documentary filmmaking. From the perspective of Kieślowski’s creative oeuvre, the thesis Documentary Film and Reality reads as a manifesto by the young filmmaker.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 155-166
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Elegia jako gatunek filmowy. Adaptacja — inspiracja — sugestia
    Elegy as a film genre. Adaptation — inspiration — suggestion
    Autorzy:
    Koschany, Rafał
    Powiązania:
    https://bibliotekanauki.pl/articles/1534654.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    elegiac mood
    film adaptation
    film and literature
    movie genre categorization (genology)
    literary genre categorization (genology)
    Isabel Coixet
    Paweł Komorowski
    Aleksander Sokurow
    Zoltán Huszárik
    Joseph Feltus
    Rainer Maria Rilke
    Wiktor Zaleski
    P
    Opis:
    The question that this is article is concerned to answer is how the position of the film elegy can be best formally established — with its artistic representations, as well as its functioning in the genology of the genre. An attempt to provide definitive answers that emerge from interdisciplinary, film and literary discourse brings a number of substantial threads. Firstly, there is, indeed, no theoretical description of the elegy as a film genre, though the very name does appear in many titles. Secondly, it seems that a juxtaposition of available examples of film ad-aptations of elegies does not lead to any consistent conclusion, since, apart from the suggestion proposed by the author, they are different in terms of formal and thematic elements involved. Thirdly, any attempt at a genological profiling has to, somehow, refer to a more or less fixed literary genre and the relevant theory behind it. In a most general way, one can state, albeit with a number of reservations, that the elegiac film is characterized by a distinguishable style, often simply called the elegiac style, and the theme, very broadly associated with time and the theme of passing.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 175-188
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Portret młodego pisarza oraz nawiązania do twórczości Antona Czechowa w Dzikiej gruszy Nuriego Bilge Ceylana
    Portrait of a Young Writer and References to European Literature in Nuri Bilge Ceylan’s The Wild Pear Tree
    Autorzy:
    Domalewski, Adam
    Powiązania:
    https://bibliotekanauki.pl/articles/1039174.pdf
    Data publikacji:
    2019-03-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Ceylan
    Nuri Bilge (1959– )
    Turkish cinema
    Motion pictures and literature
    Trojan war
    film analysis
    Opis:
    Domalewski Adam, Portret młodego pisarza oraz nawiązania do twórczości Antona Czechowa w Dzikiej gruszy Nuriego Bilge Ceylana [Portrait of a Young Writer and References to European Literature in Nuri Bilge Ceylan’s The Wild Pear Tree]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 343–355. ISSN 1644-6763. DOI 10.14746/pt.2019.32.18. The article focuses on topics related to literature, especially to the works of Anton Chekhov, in the latest film by Nuri Bilge Ceylan The Wild Pear Tree. Its main character, Sinan, is a young writer, while the film is set in the province of Çanakkale, where ancient Troy was located. The analysis of the picture shows that the director refers to the historicity of the myth of the Trojan War with distrust. Instead, Ceylan portrays a local community immersed in intellectual stagnation and creates his hero as an extremely unlikeable misanthropist, to whom literature cannot bring fulfillment. The character of his father, Idris, introduces another ancient motif to the film – the figure of Sisyphus. The relationship between father and son, which deepens in the finale, brings an unexpected note of optimism to the picture, which in its dramaturgy resembles Anton Chekhov’s literary worlds.
    Źródło:
    Przestrzenie Teorii; 2019, 32; 343-355
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-4 z 4

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies