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Tytuł:
Filmowość literackiego cyberpunku na przykładzie powieści Neuromancer Williama Gibsona
The Cinematicity of Literary Cyberpunk on the Example of Neuromancer by William Gibson
Autorzy:
Prusinowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/1395613.pdf
Data publikacji:
2021-07-19
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
cyberpunk
science fiction literature
science fiction film
literatura science fiction
film science fiction
Opis:
Neuromancer (1984) Williama Gibsona uważany jest za pierwszą powieść reprezentującą podgatunek literatury fantastycznonaukowej zwany cyberpunkiem. Charakterystyczna dla tego nurtu wizja świata niedalekiej przyszłości, zmodernizowanego, a zarazem zdegradowanego przez technologię, znalazła odbicie w licznych filmach. Warto jednak pamiętać również o tym, jak istotną rolę samo kino odegrało w kształtowaniu się estetyki cyberpunkowej prozy. Przykład Neuromancera pokazuje, że ten wpływ nie ograniczał się do inspiracji wątkami fabularnymi z takich obrazów jak Ucieczka z Nowego Jorku (Escape from New York, 1981) Johna Carpentera, lecz przede wszystkim dawał o sobie znać w specyficznie „filmowej” wizualności języka literackiego, którym posługiwał się Gibson.
Neuromancer (1984) by William Gibson is considered the first novel representing cyberpunk, a sub-genre of science fiction literature. A vision of a world from some near future, modernized, and at the same time degraded by technology, has been reflected in numerous films. The importance of the role that the cinema itself played in the shaping of the aesthetics of the cyberpunk prose should also be remembered. The example of Neuromancer shows that this influence was not limited to inspirations with plots of such films as Escape from New York (1981) by John Carpenter, but that – most importantly – it manifested itself in the specifically “cinematic” visuality of Gibson’s literary language.
Źródło:
Forum Poetyki; 2021, 23; 162-173
2451-1404
Pojawia się w:
Forum Poetyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tęsknota za imperium w najnowszej fantastyce rosyjskiej
Autorzy:
Polak, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/1022790.pdf
Data publikacji:
2019-08-08
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
imperial fiction
Russian
Eurasianism
geopolitics
Opis:
The article describes a group of texts that make up the so-called imperial fantasy genre. The author points out the sources of fascination with the imperial idea as well as discusses the scenarios created by the fantasists to regain the status of the empire by Russia. A separate aspect is the ability to read the imperial fantasy with the use of conceptual tools developed on the basis of the postcolonial theory. The influence of neo-Eurasian concepts on the reality created by the writers of the imperial fantasy is also discussed.
Źródło:
Studia Rossica Posnaniensia; 2019, 44, 1; 83-100
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Podróż w czasie jako laboratorium narracji
Time travel as a narrative laboratory
Autorzy:
Leś, Mariusz Maciej
Powiązania:
https://bibliotekanauki.pl/articles/1041903.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
time travel
science fiction
narratology
Opis:
Time travel is one of the most popular themes in science fiction. Usually it is discussed from a perspective of technological and scientific possibilities for the realization of fantastic visions. Researchers focus on logical paradoxes implied by traveling back in time. The author of this article, inspired by David Wittenberg’s Time Travel: The Popular Philosophy of Narrative, draws attention to metanarrative functions of time travel theme, which becomes a challenge for writers and narrative techniques.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 28; 35-51
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pensar a través de la ciudad: La trabajadora de Elvira Navarro y Lectura fácil de Cristina Morales
Thinking through the city: La trabajadora by Elvira Navarro and Lectura fácil by Cristina Morales
Autorzy:
Potok, Magda
Powiązania:
https://bibliotekanauki.pl/articles/2143384.pdf
Data publikacji:
2022-03-30
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
contemporary Spanish fiction
women’s literature
politics & literature
crisis fiction
Cristina Morales
Elvira Navarro
Opis:
In so-called “crisis novels” that appeared in Spain following the economic collapse of 2008, the city comes to represent not only the scene of the explicit dramatic situations of the characters (poverty, precarity, unemployment, evictions, homelessness, occupy movement, street protests, or gaps in social services) but also the imagery of decay and conflict. The city comes across as an uncomfortable space, characterised by inhospitable peripheries and abandoned constructions, which is consonant with the sense of helplessness and extreme loneliness of the protagonists. However, in contrast to the paralysis and the nervous breakdown evident in La trabajadora (2014) by Elvira Navarro (alienating perspective), Cristina Morales’s Lectura fácil (2018) represents the urban space as a battlefield that leads to the awareness-raising and the politicization of the experience of a crisis (revolutionary perspective). Both novels, focused on “the right to housing”, come to reveal a great deal of indignation and protest against the neo-liberal policies and the contemporary capitalist city, responsible for exclusion and inequality. Their demands coincide with the political proposal of “the right to the city” (Lefebvre, 1968; Harvey 2013), which raises the possibility of living a worthy life in the city, with an equitable distribution of resources and respect for different sensitivities.
Źródło:
Studia Romanica Posnaniensia; 2022, 49, 1; 53-66
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O-bi, o-ba: Koniec cywilizacji – postpiśmienny świat Piotra Szulkina
O-Bi, O-Ba: The End of Civilization – The Postliterate World of Piotr Szulkin
Autorzy:
Pietrzak, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/1039071.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
science fiction
post-apocalyptic fiction
post-apocalyptic movies
topos of the Book
bibliophagia
Piotr Szulkin
Opis:
Pietrzak Maciej, O-bi, o-ba: Koniec cywilizacji – postpiśmienny świat Piotra Szulkina [O-Bi, O-Ba: The End of Civilization – The Postliterate World of Piotr Szulkin]. „Przestrzenie Teorii” nr 32. Poznań 2019, Adam Mickiewicz University Press, pp. 273–284. ISSN 1644-6763. DOI 10.14746/pt.2019.32.14. Piotr Szulkin made his mark in the history of cinema primarily as the author of disturbing visions of the future. His four films made between 1979 and 1985 comprised the science-fiction tetralogy, which is still one of the greatest artistic achievements of this genre in Polish cinema. The subject of the article is the third production of Szulkin’s series – the post-apocalyptic film O-Bi, O-Ba: The End of Civilization from 1984. In the film, the director creates a suggestive vision of a world destroyed as a result of nuclear conflict, in which the original functions of literature and the written word are forgotten. The author article analyzes the way in which forsaken literary artifacts are used in the post-literary reality of the film. An important element of his considerations is also the post-apocalyptic reception of the biblical text, on whose elements the mythology of the film’s world is based.
Źródło:
Przestrzenie Teorii; 2019, 32; 273-284
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Интердискурзивни варијации: односот книжевност – теорија
Interdiscursive variations: the literature – theory relation
Autorzy:
Ѓорѓиева Димова, Марија
Powiązania:
https://bibliotekanauki.pl/articles/635887.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
interdiscursivity
novel
genre hybridization
fiction-theory
Opis:
The subject of this paper is the theoretical fiction genre as a manifestation of interdiscursive relations between fiction and theory/criticism. Firstly, this paper offers a brief overview of the  constitutive features  of  the  theoretical  fiction  genre;  and  secondly,  these  features  are interpretatively confirmed through the novel  Papokot na svetot (Navel of the World) by the Macedonian writer, Venko Andonovski.
The subject of this paper is the theoretical fiction genre as a manifestation of interdiscursive relations between fiction and theory/criticism. Firstly, this paper offers a brief overview of the  constitutive features  of  the  theoretical  fiction  genre;  and  secondly,  these  features  are interpretatively confirmed through the novel  Papokot na svetot (Navel of the World) by the Macedonian writer, Venko Andonovski. 
Źródło:
Poznańskie Studia Slawistyczne; 2012, 2
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ностальгия в фильме Никиты Михалкова Урга: территория любви
Autorzy:
Kaźmierczak, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/1023318.pdf
Data publikacji:
2019-09-05
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Nikita Mikhalkov
fiction phenomenology
nostalgia
Urga
Opis:
The article is concerned with the interpretation of Nikita Mikhalkov’s artistic method as fiction phenomenology of nostalgia. Nostalgia is associated mainly with the reflective yearning for the past.
Źródło:
Studia Rossica Posnaniensia; 2019, 44, 2; 151-158
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Solaris and the Dao: The Reception of Stanislaw Lem’s Novel in the Sinophone World
Autorzy:
Wybieralska, Zofia Anna
Powiązania:
https://bibliotekanauki.pl/articles/1533144.pdf
Data publikacji:
2021-09-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stanisław Lem
science fiction
Sinophone world
anthropocentrism
Opis:
The most popular science fiction novel written by the Polish author Stanisław Lem, Solaris, was published in 1961. Although it was translated into English as early as 1970, the book was unknown to the Sinophone readers until 2003, when the first translation from English into Chinese was published, most probably following the popularity of the resounding Hollywood film adaptation from 2002. Still, Suolalisi Xing (which can be translated as ‘Solaris Star’) did not attract broader audiences in China or Taiwan, at least not until the third version of the novel, translated directly from Polish into Chinese, saw the light of day in 2010. The appearance of this translation coincided with the beginning of a New Golden Era of Chinese and Taiwanese science fiction, which undoubtedly had a significant influence on the positive re-reception of Solaris. In the paper, the author focuses on the philosophical aspect of Lem’s work and investigates which themes and concepts present in Solaris caught the imagination of Chinese-speaking readers. The author wants to show how this reception, while coming from a different historical, cultural, and linguistic background, can enrich our understanding of the novel and introduce a new way of looking at the important existential questions stated by the writer.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 40; 121-151
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
¿Hacia una renovación de la Historia? Post-apocalipsis, ideología y lengua en Mecanoscrito del segundo origen de Manuel de Pedrolo
Towards a History renewal? Post-apocalypse, ideology and language in Manuel de Pedrolo’s Typescript of the second origin
Autorzy:
Gregori, Alfons
Powiązania:
https://bibliotekanauki.pl/articles/1048174.pdf
Data publikacji:
2020-06-11
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Contemporary Catalan literature
ideology in literature
literary language
post-apocalyptical fiction
dystopian fiction
Opis:
The aim of the present paper is to determine several fissures and inconsistencies leading to unsolvable ambiguities of meaning in Manuel de Pedrolo’s novel Typescript of the second origin by means of a critical analysing of its linguistic and ideological issues, specially its religious groundwork – which is both stylistic and related to ideological content. However, some elements weaken the narrative’s disrupting character, making almost inevitably the failure of this revolution, as it is evidenced in the epilogue. In short, Predolo’s novel may be interpreted as a strong claim against History.
Źródło:
Studia Romanica Posnaniensia; 2020, 47, 1; 19-29
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Непубликуваните фикционални текстове (Васил Попович и Асен Христофоров)
Autorzy:
Аретов, Николай
Powiązania:
https://bibliotekanauki.pl/articles/1890765.pdf
Data publikacji:
2021-02-23
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
unpublished
fiction
censorship
personal relations
Opis:
This paper deals with some texts from the archives of two authors from different periods. These texts were not published by the authors in their lifetime. The reason was not some kind of censorship, especially in the case of Vasil Popovich, who probably had some scruples dealing with events from the private life of his opponent Konstantin Jireček. Asen Hristoforov, a writer who was expelled from the University and sent to a labor camp, did not offer texts about his time in the labor camp for publishing. However, in this published texts there are hints about the repressions he suffered and about his disapproval of the communist regime. At the same time, there was a tension between his criticism and his attempt to partially accept the official perspective towards some events and political figures of Bulgarian communist past.
Źródło:
Poznańskie Studia Slawistyczne; 2020, 19; 149-168
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Holocaust – the Border of Pragmatic Language
Holokaust – hranica pragmatického jazyka
Autorzy:
Prušková, Zora
Powiązania:
https://bibliotekanauki.pl/articles/635671.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Holocaust
language
document
fiction
interpretation
Opis:
The theme of the paper is observing and revealing non-pragmatic language that, when dealing with deliberately chosen texts about acts of violence, leads to productive aesthetic disturbance. In its substance, this language refers to the gulf between intensity of representation and ideological intention towards a reader declared in a complicated manner. The paper discusses five texts with the theme of the Holocaust. Three of them deal with the Holocaust as with a recent experience, namely Curzio Malaparte’s Caput (1944), Žofia Nalkowska’s Medallions (1945), and Leopold Lahola’s Last Thing (1949–1956, published in a book in 1968); whereas two other ones deal with the Holocaust after some time in a form of belles-lettres memoirs or testimony, namely Juraj Špitzer’s I Did Not Want to Be a Jew (1994) and Jerzy Kosiński’s Painted Bird (in English in 1965, Czech translation was published in 2011). All interpreted texts are marked by specific language situated beyond the border of traditional literary representation. This language is either extremely subjective, expressive and periphrastic – in this case it borders on with absurd Realism or nonsense (in case of C. Malaparte, J. Kosiński, and L. Lahola) – or, in its neutral representation (in case of Ž. Nalkowska, and J. Špitzer), it borders on with a melancholic self-referential document on limits of cultural humanism or of normal, common humanity.
Źródło:
Poznańskie Studia Slawistyczne; 2017, 12; 259-270
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Iluzivní postupy ve vzpomínkových textech Ignáta Herrmanna
Illusive procedures in commemorative texts by Ignát Herrmann
Autorzy:
Změlík, Richard
Powiązania:
https://bibliotekanauki.pl/articles/908906.pdf
Data publikacji:
2020-03-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
memory
Ignát Herrmann
fiction
non-fiction
narrative ways
paměti
fikce
non-fikce
narativní způsoby
Opis:
Studie je zaměřena na vzpomínkové knihy Ignáta Herrmanna, zejména na problematiku hranice mezi non-fikčním a fikčním vyprávěním. Herrmann svoje knihy vzpomínek koncipoval jako faktuální vyprávění, nicméně v některých jeho částech lze pozorovat zvláštní narativní techniky, jež fikcionalizují vyprávění. Naším cílem je tyto části detekovat a analyzovat na pozadí nejen ostatního Herrmannova faktuálního vyprávění, ale také ve srovnání s fikčním u Jana Nerudy.
The paper is focused on the memory books by czech writer Ignát Herrmann, especially on the problem of border between nonfiction and fictional narrative. Herrmann drawn up his memory books as factual narrative, however but in some parts of his texts we can observe interesting narrative techniques, which shifts the narration towards fictionality. Our goal in this study is detected this parts and analysis them on the background not only the others parts, which are represented factual narration, but in compare with fictional narration by Jan Neruda.  
Źródło:
Bohemistyka; 2020, 1; 22-54
1642-9893
Pojawia się w:
Bohemistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polemički stil A.G. Matoša
A.G. Matoš’s Polemical Style
Autorzy:
Bagić, Krešimir
Powiązania:
https://bibliotekanauki.pl/articles/635430.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antun Gustav Matoš
fiction
polemics
procedure
style
text
Opis:
Antun Gustav Matoš is the father of the Croatian literary polemics. By confronting his con- temporaries, he shaped a unique style of polemicizing which is characterized by straight- forwardness, wit, elegance of speech and artistry. This style is based on various procedures which Matoš used in his polemics as well as on different textual patterns through which he articulated his polemical thought. The paper descibes and exemplifi es seven stylistic proce- dures (portraying in oposition, polemical quote, polemical naming, polemical verb, polemical maxim, word play, polemical point) and eight textual patterns (literary criticism, fi ctitious dialogue, comical story, polemical poem, aphorism, drama, polemical epistle). The opulence of Matoš’s style produces a polemics which is both carnevalesque and fi ctional. He brings together what is seemingly incompatible – the polemics which is based on the truth principle and fi ction which is essentially indifferent towards that principle.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7; 21-36
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przyszłość już była. Dystopie w najnowszym kinie science fiction Ameryki Łacińskiej
The future has already happened. Dystopias in contemporary Latin American science fiction cinema
Autorzy:
Racięski, Bolesław
Powiązania:
https://bibliotekanauki.pl/articles/1047445.pdf
Data publikacji:
2021-03-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
dystopia
Latin American Cinema
neocolonialism
neoliberalism
science fiction
Opis:
This paper examines the various ways in which contemporary Latin American science fiction films contest the neocolonial and neoliberal narratives, dominant in the region since the 20th century. I identify and examine strategies that filmmakers employ to challenge the common understanding of such notions as time, modernity and technological progress. I outline the visions of dystopias presented in the examined films, while also analyzing the counter-narratives introduced by filmmakers, which are mostly focused on creating a new, hybrid identity for a future citizen.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 167-175
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Po co fantastyka? Kilka uwag na marginesie lektur dawnych i współczesnych
Why speculative fiction? A few side notes on former and contemporary readings
Autorzy:
Gemra, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1041864.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
speculative fiction
inspiration
stereotype
imagination
metaphor of reality
Opis:
Works of speculative fiction are among the most often chosen cultural texts. Article indicates several possible reasons of their popularity, such as breaking stereotypes and thinking patterns, inspirations for new solutions, tales of traditional values, chances to immerse in the world of imagination. Dressing an attractive “costume” and speaking an understandable “language”, speculative fiction tells about matters important to the audience. It helps not only to “get away” from reality, but also to reconcile to it and to shape it.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 28; 139-153
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 128

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