Temat: ethical dimension - Katalog OPAC zbiorów

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Tytuł:: Ethical Dimension of Time in Plato’s Apology of Socrates
Autorzy:: Pacewicz, Artur
Powiązania:: https://bibliotekanauki.pl/articles/633653.pdf
Data publikacji:: 2011
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Socrates
the Apology
the ethical dimension of time
Opis:: The aim of the present article is to analyse the Apology in its aspect of time. When defending himself against the charges, Socrates appeals to the past, the present and the future. Furthermore, the philosopher stresses the meaning of the duration of time. Thus, the seems to suggest that all really important activities demand a long time to benefit, since they are almost invariably connected with greater efforts. While the dialogue proves thereby to be an ethical one, the various time expressions also gain an ethical dimension.
Źródło:: Peitho. Examina Antiqua; 2011, 2, 1; 123-138
2082-7539
Pojawia się w:: Peitho. Examina Antiqua
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: O ironii jako figurze retorycznej i postawie moralnej (z odniesieniem do Wittlina i Kierkegaarda)
Irony as a figure of speech and moral stance (with regard to Wittlin and Kierkegaard
Autorzy:: Szewczyk-Haake, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/1391838.pdf
Data publikacji:: 2015-12-01
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Irony – rhetorical figure
irony – ethical dimension
Józef Wittlin
Søren Kierkegaard
moral dimension of literature
Ironia – figura retoryczna
ironia – wymiar etyczny
moralny wymiar literatury
Opis:: In his work as a writer, Józef Wittlin searched for literature able to grant the reader moral support, while at the same time being artistically successful. In his novel Salt of the Earth, the way to com-bine these two, to a certain extent contradictionary aims, is found in the use of irony. An analysis of the classical types of irony appearing in the novel (naive irony, irony of the sender, verbal irony) leads to the conclusion that each of those was remarkably modified by the author. As a result, the “ironical anthropology” created by Wittlin in his novel lacks any elements of simple moralizing or giving ready-made moral solutions, but brings a striking image of a human commu-nity, unified not by a common status, but by a common fate. In the novel, irony turns out to be not only a textual figure, but first and foremost a moral stance, approximate to that of Socrates as described by Kierkegaard. Thanks to this stance, Wittlin enthuses his readers with the longing for the ideal, shaping their moral sensibility, at the same time granting them the sovereignty to which the reader of a literary work should be entitled.
Źródło:: Przestrzenie Teorii; 2015, 24; 13-29
2450-5765
Pojawia się w:: Przestrzenie Teorii
Dostawca treści:: Biblioteka Nauki

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