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Tytuł:
Wybór dyrektora szkoły – wymagania i procedura konkursowa w Polsce i Ukrainie. W kierunku dobrych praktyk
The Selection of the School Principal – Competition Requirements and Procedure in Poland and Ukraine. Towards Good Practices
Autorzy:
Szafran, Joanna
Hrybiuk, Olena
Powiązania:
https://bibliotekanauki.pl/articles/919954.pdf
Data publikacji:
2020-01-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
school director
director competency
law on education
competitive procedure
Opis:
Modern school requires modern leaders. These are adequately educated people with necessary skills and ability to perform the responsible work of the principal. These indisputable statements and criteria are not taken into account when selecting school principals; nor are they taken into consideration in the existing competition requirements and procedures for the headmaster’s position. The article discusses and analyzes the criteria, provides recommendations to improve existing requirements and procedures. Critical reflection concerns the procedure of choosing a school principal within the framework of the current legal regulation in Poland and Ukraine. Special attention is paid to the requirements and procedures, including the qualification, psychological predisposition and skills of future school principals. The result of a critical analysis of existing standards and the proposal of changes are aimed at a more professional selection of managers in education.
Źródło:
Studia Edukacyjne; 2019, 52; 227-243
1233-6688
Pojawia się w:
Studia Edukacyjne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cinematographic Transformations of the Gospel. A Mariological Perspective
Autorzy:
Kochaniewicz, Bogusław
Powiązania:
https://bibliotekanauki.pl/articles/607461.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Jesus Mary
Gospel
film
director
interpretation
Opis:
Artykuł Filmowe transformacje Ewangelii. Perspektywa mariologiczna przedstawia analizę dwóch współczesnych obrazów o życiu Jezusa i Jego Matki: pochodzącego z roku 1995 francuskiego filmu Marie de Nazareth w reżyserii Jeana Dellanoya oraz powstałego cztery lata później dzieła Kevina Konnora Mary, Mother of Jesus. Przedmiotem analizy jest filmowa interpretacja życia Jezusa i Jego Matki opisanego na kartach Ewangelii. Charakteryzując obydwa obrazy, autor zauważył, że scenarzyści położyli akcent na wymiar historyczny, społeczny, polityczny i kulturo- wy epoki. W podobnej perspektywie ukazane zostało dzieło zbawcze Chrystusa oraz pełnia objawienia Bożego, która się w Nim zrealizowała. Należy podkreślić, że reżyserzy obydwóch obrazów wykazali troskę o to, aby postać Matki Jezusa została przedstawiona w sposób jak najbardziej wierny, prawdziwy i autentyczny. Dostrzeżone transformacje ewangelicznych opisów miały na celu pogłębienie niektórych aspektów, wydobycie nieznanych wątków, aby w sposób atrakcyjny i autentyczny ukazać życie Maryi. Tego typu interpretacje nie doprowadziły do znaczącej deformacji obrazu Błogosławionej Dziewicy. Dokonana analiza wykazała, że obrazy, mimo iż starają się wiernie oddać realia życia Jezusa i Maryi, to jednak akcentują zbytnio wymiar horyzontalny, podczas gdy nadprzyrodzony jest praktycznie nieobecny. Zbyt słabo podkreślono interwencje Boga w życiu Maryi oraz cuda dokonane podczas ziemskiej misji Jezusa, koncentrując się jedynie na najistotniejszych: wcieleniu, Bożym narodzeniu oraz tajemnicy paschalnej. Autor artykułu zauważa potrzebę stworzenia nowego języka, operującego symbolem, który byłby otwarty na wymiar transcendentny, pozwalając lepiej opisać tajemnicę Tego, który jest Nieogarniony i Święty.
Źródło:
Poznańskie Studia Teologiczne; 2013, 27; 107-115
0209-3472
Pojawia się w:
Poznańskie Studia Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między słowem a obrazem. Z notatnika reżysera
Between script and film camera
Autorzy:
Gliński, Robert
Powiązania:
https://bibliotekanauki.pl/articles/919800.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Word Camera
Script
Director
Actor
Rehearsals
Opis:
Between script and film cameraFor the film director the film is, in a way, “ready” before the shooting. Everything what is important for the film must be planned and worked out before its shooting. The interval between writing the script and the shooting the film is the intensive time of work for the director. He/she must decide what (kind of) movie he/she wants to do. The director must know how to organize the scenes for the shots, how the film should start and end. He/she must know who will play in the film and find a way to inspire the actors. The director prepares the rehearsals. He/she is also supposed to find interiors and exteriors for shooting, write the screenplay and draw the storyboard. The satisfy all these requirements of director has to be not only talented but work hard, be concentrated and persistent. Effects of his/her devotion to film are revealed in how the text of the script is turned into film.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 8, 15-16; 123-148
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Praca nad rolą - Ryszard III*
Working on the role –Richard III
Autorzy:
KAŁUŻYŃSKI, MAREK
Powiązania:
https://bibliotekanauki.pl/articles/920949.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
actor
stage role
director
William Shakespeare
translation
Opis:
The author describes the contexts for working on the title role of Shakespeares Richard III. He points to specific stages in working on the role: familiarising oneself with the original text and associated literature (research), creating the character (concealing intentions, plans and emotions from other characters in the play, the characters internal struggle, perceiving psychological truths); developing relationships with the director and other actors; the use of scenography, costumes, lighting and music to create characters for the stage, considering the meaning of translation and rapport with the audience.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 211-230
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Opowieść reżysera, który chce być reżyserowany
A Tale of a Director Who Wants to Be Directed
Autorzy:
Pławuszewski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/920009.pdf
Data publikacji:
2012-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Jacek Bławut
documentary
movie character
director
dogmas
Opis:
The review A Tale of a Director Who Wants to Be Directed concerns a book written by Jacek Bławut (A Character in a Documentary). Notable Polish filmmaker sums up some of his artistic achievements (not without mentioning the future plans), trying to explain his view on a co-operation with a movie character (especially due to a documentary genre), but also on a directing itself. The review follows the vital points of the book, placing them under two general categories: “author” and “character”. It also recalls (with no abbreviation) something that’s been called as “Dogmas or what’s important for me” – these are ten “rules” that Jacek Bławut (as a director) tries to adapt to all of his film doings.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 10, 19; 174-177
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jestem twój
I’m yours
Autorzy:
CZOP, IRENEUSZ
Powiązania:
https://bibliotekanauki.pl/articles/920950.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
film role
actor
acting skills
screenplay
director
Opis:
The author analyses in detail the structure of the leading role based on the film “I’m yours” His analysis takes into account acting skills, the relations between the protagonists and adversaries and also cinematic time and space. He appreciates the role played by the screenwriter and establishes the principles for cooperation between actors and the director.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 199-210
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fascynacje. Peter Brook*
Fascinations. Peter Brook
Autorzy:
CZOP, IRENEUSZ
Powiązania:
https://bibliotekanauki.pl/articles/920995.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
actor
film role
Peter Brook
director
screenplay
Opis:
The author analyses various aspects of acting in the context of Peter Brooks theory of acting. This discussion takes into account role construction, the authenticity and originality of the character, the problem of the actors identification with the character and the importance of cooperation between the actor and the director in the pre-production process and on the shoot.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 69-74
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
England in a Miniature in Mike Leighs "The Short and Curlies"
Autorzy:
Śliwińska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/920036.pdf
Data publikacji:
2012-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
short film
student film
Polish cinema
film director
Opis:
Mike Leigh’s films are known for having kept the same tone and having played out the same melody for years. It is noteworthy that all the themes which Mike Leigh developed in his subsequent films, appeared in The Short and Curlies. Short scenes from the life of the English in The Short and Curlies can be seen in each scene of the film. From details such as a street with a perfectly straight terrace of houses with small gardens to social questions that are constant in the British culture. This ordinary, everyday observation gave rise to the plot of The Short and Curlies, revolving around a love affair of Joy (Sylvestra Le Touzel), a young woman working at a chemist’s and Clive (David Thewlis), a man who communicates with her only by means of his humourless jokes. Another story in the film is a complicated relationship of an eccentric hairdresser Betty (Alison Steadman), who is more interested in the life of the pharmacist than in the life of her own daughter Charlene (Wendy Nottingham). As Ewa Mazierska says: “Mike Leigh was once called the painter of miniatures – his films and TV productions for which he is equally praised and admired, concentrate on life of «small people with small gardens»”. Mike Leigh knows that his strengths are well written dialogues and this extraordinary skill to become a fictional character possessed by the actors he chooses.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 10, 19; 23-31
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O przemieniającym życie mroku postaci
On the darkness of the character that transforms life
Autorzy:
WIERZCHOWSKI, MARCIN
Powiązania:
https://bibliotekanauki.pl/articles/920976.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
theatre role
actor
acting skills
William Shakespeare
director
Opis:
The author analyses the relationship between the actor's life and the character they create on stage. He points to the interdependencies between the actor and their role. He determines the conditions in which the role should be constructed and also discusses the on- and off-stage circumstances that determine the value of a particular role. This analysis is supported by the authors own experience as a theatre director.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 47-60
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między stłumieniem a autentycznością. Metafora Don Carlosa w filmie Leontine Sagan Dziewczęta w mundurkach
Between Suppression and Authenticity. The Metaphor of Don Carlos in Leontine Sagan’s Movie Mädchen in Uniform
Autorzy:
Mazur, Daria
Powiązania:
https://bibliotekanauki.pl/articles/1038956.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Weimar Republic Cinema
intertextuality
homotextuality
suppression
authenticity
woman director
Opis:
Mazur Daria, Między stłumieniem a autentycznością. Metafora Don Carlosa w filmie Leontine Sagan Dziewczęta w mundurkach [Between Suppression and Authenticity. The Metaphor of Don Carlos in Leontine Sagan’s Movie Mädchen in Uniform]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 143–166. ISSN 1644-6763. DOI 10.14746/pt.2019.32.7. The article is a comprehensive analysis of the intertextual references to Frederick Schiller’s tragedy Don Carlos in Leontine Sagan’s movie Girls in Uniform (Mädchen in Uniform, 1931). The author considers the complex circumstances of the cooperation between the director and the artistic director, Carl Froelich, during the production. Moreover, she also presents the literary basis for the movie, namely the tragedy by Christy Winsloe (Gestern und Heute – Yesterday and Today).On this basis, the author analyses the multilevel presence of two phenomena in the movie: suppression and authenticity, which are related to the metaphor of Don Carlos and the plot of love between two women. The contexts for the analysis are inspired by research in the anthropology of romanticism, psychoanalysis, the psychology of sexual identity, and research on the works of Frederick Schiller.
Źródło:
Przestrzenie Teorii; 2019, 32; 143-166
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Benoît-Dominique de la Soujeole, Paternités et fraternités spirituelles, Éditions du Cerf, Paris 2021
Autorzy:
Nawracała, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/2038779.pdf
Data publikacji:
2021-12-10
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
paternity
fraternity
Church
priest
spiritual director
ojcostwo
braterstwo
Kościół
kapłan
kierownik duchowy
Opis:
Fraternity and paternity are two concepts that have appeared frequently in recent documents of the Church’s Teaching Office. They are meant to bring closer the complex structure of the relationships that exist between the individual members of the Church. Their spiritual understanding is based not on abstraction, but on the biological experience known to man. Paternity and fraternity are concepts related to family and social life, and when applied to religious space, they do not retain their universal and fundamental understanding. Fr Benoît-Dominique de la Soujeole OP’s book is a theological reflection on the understanding of the concepts of paternity and fraternity and their implications for priests and spiritual directors.
Źródło:
Poznańskie Studia Teologiczne; 2021, 38; 305-309
0209-3472
Pojawia się w:
Poznańskie Studia Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Krzysztof Kieślowski’s “Camera Buff”: a revised version of “First Love”
Autorzy:
Lubelski, Tadeusz
Powiązania:
https://bibliotekanauki.pl/articles/923208.pdf
Data publikacji:
2019-03-25
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
First Love
Camera Buff
documentary film
fiction film
ethics of film director
Opis:
The article develops its title thesis, which proposes interpreting Kieślowski’s Camera Buff (Amator, 1979), his second full-length feature film, as a revised version of his documentary First Love, made five years earlier. Both films have similar starting points ‒ the story of a couple expecting the birth of their first child. But the conclusion in each case also has something in common and results in the abandoning of a film project. The latter similarity meant that Kieślowski changed the character of the main protagonist in his full-length movie. It is no longer a documentary hero but the film auteur himself. This was probably the essence of the director’s artistic discovery made while shooting Camera Buff. It meant the abandonment of the documentary character when the prolonged relationship with him (and her) proved to be ethically dubious and his (and her) development predictable. At the same time, Kieślowski expressed his own creative experience as the film’s author creating a fictitious character in Camera Buff, inspired by various figures of real ‘prototypes’.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 129-136
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
My Characters. Reflections of a Documentary Film Director
Autorzy:
Dashuk, Volha
Powiązania:
https://bibliotekanauki.pl/articles/951784.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
character
protagonist
documentary
documentarian
shooting
film production
film director
plausibility of behavior
directorprotagonist relations
Opis:
The author, being a documentary film director, analyzes an important part of a documentarian’s work – relations with characters. She describes this unique kind of a bond that develops between a director and his or her protagonists. The process of coming closer to characters is investigated in detail and the strategies of gaining the characters’ trust are named. The issues what problems the director experiences on the way and how they can be solved are addressed. The questions of the director’s responsibility regarding the characters and unexpected provocations on their side, as well as of mutual protagonist-director influence are brought up. All matters referred to in this article are illustrated by examples from the director’s professional life.
Źródło:
Kultura-Społeczeństwo-Edukacja; 2016, 9, 1; 15-27
2300-0422
Pojawia się w:
Kultura-Społeczeństwo-Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Wieczór" Edwarda Żebrowskiego - autorska kopia
Edward Żebrowski’s “Evening” – the Creative Copy
Autorzy:
Szpulak, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/919986.pdf
Data publikacji:
2012-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
short film
student film
Polish cinema
film director
film krótkometrażowy
etiuda
kino polskie
Edward Żebrowski
Opis:
The aim of this article is interpretation of the short film directed in 1964 by Edward Żebrowski, student of Film School in Łódź. Author is considering the many aspects of the relationships between study film and two years earlier debut of Roman Polanski, the famous Knife in the Water. He shows that by using the concept of feature of more experienced colleague, Żebrowski at the same time creates the foundations for his own film language and manifests its own perception of the world, as well as interpersonal problems, developed in further work.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 10, 19; 81-87
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Historia zespołów filmowych z dzisiejszej perspektywy
A History of Polish Film Units from a present-day perspective
Autorzy:
Hendrykowski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/920049.pdf
Data publikacji:
2013-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
film unit
producer
creative producer
film production
création collective
auteur
authorship
director
creativeness
organization
film industry
Opis:
Directors were central and outstanding figures in the creation of the postwar Polish film industry from the 1940s to the late 1980s. Educating young filmmakers, the Film School in Łódź fostered a documentary-realist style of narrative filmmaking, seen in the work of such talents as Munk, Wajda, Morgenstern, Polański, Zanussi, Skolimowski, Marczewski and Kieślowski. Since 1990, the producer system has replaced the traditional structure of Polish cinema connected with the director’s pursuits and primacy, and well as film units. Marek Hendrykowski’s critical study describes this process, covering selected historical, political and cultural events. The author discusses various aspects of this evolution and the idea of the creative producer, redefining its role for generations to come.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2013, 12, 21; 341-351
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
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