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Wyświetlanie 1-2 z 2
Tytuł:
“The way up is the way down”: Curzio Malaparte’s “Il Cristo Proibito” and Krzysztof Kieślowski’s “Three Colours: Red”
Autorzy:
Coates, Paul
Powiązania:
https://bibliotekanauki.pl/articles/923218.pdf
Data publikacji:
2019-03-25
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
doubling
judgment
fraternité
Christianity
revenge
descent into Hell
Opis:
The statement ‘the way up is the way down’ may imply that the spiritual way to perfection lies through humility. It may however also apply to the physical world that is the source of such spiritual metaphors, and within which the actions play out of fictional characters who themselves serve as metaphors for real ones. I will argue that both meanings apply to both of these films, with a comparison between the two films enabling one to employ Malaparte’s explicit prohibition of a Christ-like position to make apparent a similar prohibition that is only implicit in Kieślowski’s film. Such physical movements provide an appropriate topography for the concern with judgment, knowledge, revenge, isolation and humiliation embodied in the male protagonists of the two films. In each case, the protagonists’ eventual divestment from programmes of judgment and revenge may be related to the prohibition Malaparte formulates explicitly: that upon human re-enactment of the Christ-like position that is the one of judgment. Here a destructive and self-destructive movement downwards, in the sense of dehumanization and extreme isolation, is countered eventually by a downward one that, in fact, leads upwards through an embrace of the humiliation of inaction. The paper examines various ways in which the object of both texts is to rediscover a ‘we’ that is rather one of solidarity than complicity.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 47-59
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Misyjny wymiar ikony Zesłanie Ducha Świętego
The missional Dimension of the icon of the Docent of the Holy Spirit
Autorzy:
Sprutta, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/1398565.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
icon
Descent of the Holy Spirit
mission
symbolism
iconography
ikona
Zesłanie Ducha Świętego
misja
symbolika
ikonografia
Opis:
The icon of The Descent of the Holy Spirit includes a mission message. The origins of the iconography of this mystery date back to the 6th century. The icon of Pentecost depicts the apostles, and an empty place between them, destined for the coming again of Jesus Christ. Adam was presented below, and then the pagans as representatives of the peoples and nations to whom the apostles are sent. Later in this place is presented Old King as a personifi cation of the Cosmos, that is here a personifi cation of all creatures. The apostles, as the fi rst missionaries, will proclaim the Gospel to this Cosmos.
Źródło:
Annales Missiologici Posnanienses; 2018, 23; 165-175
1731-6170
Pojawia się w:
Annales Missiologici Posnanienses
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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