Temat: culture of war - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Wojenna rozsypanka
War puzzle
Autorzy:: Wantuch, Wiesława
Powiązania:: https://bibliotekanauki.pl/articles/1110615.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: school and pop culture vision of war
comparative analysis
collage of fragments
Opis:: The article shows an example of classroom work in junior high school with Milosz’s and Szymborska’s poems about war. The comparative analysis and different interpretations of its extensions in the work with poetic texts is dealt here in the presence of military themes in popular culture. "Reading through a magnifying glass" can induce a young receiver to a more vigilant behavior in relation to the images of war offered also by Polish cinema.
Źródło:: Polonistyka. Innowacje; 2015, 1; 80-90
2450-6435
Pojawia się w:: Polonistyka. Innowacje
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Gry pamięci. Valiant Hearts: The Great War i My Memory of Us w perspektywie kultury historycznej
Games of Memory. Valiant Hearts: The Great War and My Memory of Us in the perspective of historical culture
Autorzy:: Pigulak, Marcin
Powiązania:: https://bibliotekanauki.pl/articles/1955333.pdf
Data publikacji:: 2021-06-15
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Valiant Hearts: The Great War
My Memory of Us
historical games
historical culture
collective memory
game studies
Opis:: The paper aims to outline how video games Valiant Hearts: The Great War (Ubisoft Montpellier, 2014) and My Memory of Us (Juggler Games, 2018) use narrative and ludic structures to create commemorative stories about the First World War and the Second World War. The author refer to the concept of historical culture (among others, in Jörn Rüsen’s interpretation) and examine the connections between the two video games focusing on the issue of designers’ intentions (digital games as examples of the commemoration of the past), the genre similarity (2D platform games), the intermedial convergence and the press reception. He discusses the strategy of the cultural agreement between designers and users, analyzes historical narratives as a part of the gameplay, examines relations between the individual and collective’s perspective and characterizes immersion’s mechanisms which reinforce players’ identification with the victims of both wars.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 29, 38; 144-160
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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