Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "city culture" wg kryterium: Temat

  Lista filtrów
Wyrównaj
    Wyświetlanie 1-5 z 5
    Tytuł:
    Surreal Dreams of a “Creative City” (or: How Camerimage Festival Tried to Convince Łódź to Stop Worrying and Love Modern Architecture)
    Autorzy:
    Klejsa, Konrad
    Powiązania:
    https://bibliotekanauki.pl/articles/920847.pdf
    Data publikacji:
    2015-06-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    film culture
    the city of Łódź
    Camerimage
    architecture
    creative class
    David Lynch
    Opis:
    The study focuses on the architectural projects proposed by the creators of Camerimage festival for Łódź – which is struggling to maintain its position as a “film-friendly” city. A so-called “David Lynch studio” and “Frank Gehry congress center” were preliminarily commissioned by the city, but soon both projects were subjected to heavy criticism from the city council. The author presents the dynamics of the debate and stresses the need for taking into account discussions of the concepts of the “creative class” and the “creative city”.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 269-275
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Między kulturą wysoką a kulturą popularną. O muzyce George'a Gershwina w „Manhattanie” Woody'ego Allena
    Between high culture and popular culture. The music of George Gershwin in Manhattan by Woody Allen
    Autorzy:
    Pomostowski, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/920083.pdf
    Data publikacji:
    2013-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    high culture
    popular culture
    film music
    Woody Allen
    George Gershwin
    Manhattan
    symphonic jazz
    identity
    New York City
    composer
    director
    Opis:
    The article focuses on the relationships between high culture and popular culture in relation to film music. To this end, the author conducted a thorough analysis of the works of George Gershwin used in Woody Allen’s film Manhattan. The article consists of two parts and a conclusion. In the first part, the author presents a brief history of the continuous grinding together of high and popular culture in music, resulting in symphonic jazz, which came about in the 1920s, and whose precursor was George Gershwin. The second part is a cinematic and musicological analysis of all the works of Gershwin appearing on the soundtrack of Manhattan, and an attempt to find associations between the director and composer. In conclusion, the author notes that the phenomenon of mixing of popular culture and mass culture (both on the music, as well as its use in the work of the film) is subordinated in both George Gershwin and Woody Allen’s work to attempts to find their own identity, and one of the sources of inspiration of both artists is the same New York City, which is a city-myth.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2013, 12, 21; 243-255
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ponowoczesna wizja Powstania Warszawskiego w filmie Jana Komasy Miasto 44
    The Postmodern Vision of the Warsaw Uprising in Jan Komasa’s City 44
    Autorzy:
    Lewandowska, Zuzanna
    Powiązania:
    https://bibliotekanauki.pl/articles/920909.pdf
    Data publikacji:
    2015-06-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Jan Komasa
    City 44
    history feature film
    postmodernism
    postmodern film
    postmodern cinema
    popular culture
    Opis:
    City 44 (2014) by Jan Komasa presents an original vision of the Warsaw Uprising – especially when compared to other historical productions. Both formal aspects of the film and the way its presents the uprising expose its postmodern character. Th e conclusion that City 44 can be interpreted by means of key postmodern concepts is based on an analysis of its visual aspects, such as scenes operating at the edge of realism and affectation, and aesthetic denominators taken from all genres, as well as pop culture references, intertextuality, and the subjective vision of the uprising based on the story of two main protagonists.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 95-106
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Między utopią socjalizmu a karykaturą Zachodu. Nie-dziecięca interpretacja świata przedstawionego w trylogii o skrzacie Nieumiałku Mikołaja Nosowa
    Between the utopia of socialism and the caricature of the West. A non-children’s interpretation of the world depicted in the Nikolai Nosov’s “Dunno” Trilogy
    Autorzy:
    Studenna-Skrukwa, Marta
    Powiązania:
    https://bibliotekanauki.pl/articles/1065832.pdf
    Data publikacji:
    2020-07-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Soviet Union
    daily life
    Soviet children’s literature
    Dunno
    Sun City
    space in culture
    Opis:
    This paper attempts an interpretation of Nikolai Nosov’s novels about the adventures of Dunno, which enjoyed a cult status in the Soviet Union. Despite being children’s literature, they are examined in terms of themes that have little to do with young readers. The analysis is historical rather than literary, aiming chiefly to elucidate the cultural context and the social notions from the period of Khrushchev’s thaw. Here, the author undertakes to answer the questions concerning the extent to which the reality created by Nosov served to mould the socialist worldview as early as childhood and, simultaneously, whether it incidentally offered the adult reader an opportunity of intellectual escape into the officially condemned world.
    Źródło:
    Studia Europaea Gnesnensia; 2018, 18; 63-88
    2082-5951
    Pojawia się w:
    Studia Europaea Gnesnensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Redefining the image of the contemporary city – changes in linguistic and cultural realms – preliminary remarks
    Autorzy:
    Koszko, Marta
    Powiązania:
    https://bibliotekanauki.pl/articles/1047821.pdf
    Data publikacji:
    2019-02-07
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    image
    identity
    linguistic landscape (LL)
    communication
    ritualized communication
    culture
    immigration
    immigrants
    urban public space
    city
    multiculturalism
    Opis:
    Contemporary cosmopolitan European cities have been recently undergoing considerable social changes. Although most of them can be described as multicultural, the character of their public space should be redefined due to the intensified influx of immigrants mainly from the Middle East and North Africa and the socio-cultural background they bring along. This social and cultural process has a significant influence on the internal and external image and the identity of the city. These notions can be discussed in reference to Meffert’s (1989) concept of the city’s identity and the image of a city, hence in reference to the system of visual identification, communication system and the city culture. A particular attention should be drawn to the language in the public space (linguistic landscape LL), ritualized public space and the overall image of the city. These naturally have to be considered in the context of the socio-cultural transformation of the European cities. It should also be pointed out that Meffert’s theory may need to be slightly redefined in order to reflect the present-day urban cultural and linguistic reality.
    Źródło:
    Scripta Neophilologica Posnaniensia; 2018, 18; 43-53
    1509-4146
    Pojawia się w:
    Scripta Neophilologica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

      Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies