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Tytuł:
Stripovni stil pjesničkoga subjekta u suvremenom hrvatskome pjesništvu iskustva intermedijalnosti i postintermedijalnosti
The comic book style of the poetical subject in the contemporary Croatian poetry of intermedial and postintermedial experience
Autorzy:
Jukić, Sanja
Powiązania:
https://bibliotekanauki.pl/articles/635899.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poetic subject
media subject
comic book style
comic book subject
intermedial and postintermedial poetry
Opis:
This  paper  deals  with  poetic  subjects  in  the  comic  book  format  as  presented  in  the media. The subject of media entity  dominates the corpus of texts in  intermedial and post-intermedial poetry experience. These aspects of Croatian poetry from 1968 up to the present day,  whose structures  are  primarily  determined  by  contacts  with  different  media  culture texts,  are  defined by  Goran  Rem.  This  paper  explores  the  ways  in  which  the  media  inter-mediates comic book semiotics into the poetic code of that particular part of contemporary Croatian poetry and thus determines the paradigmatic forms of the subject of media/comic book.
This  paper  deals  with  poetic  subjects  in  the  comic  book  format  as  presented  in  the media. The subject of media entity  dominates the corpus of texts in  intermedial and post-intermedial poetry experience. These aspects of Croatian poetry from 1968 up to the present day,  whose structures  are  primarily  determined  by  contacts  with  different  media  culture texts,  are  defined by  Goran  Rem.  This  paper  explores  the  ways  in  which  the  media  inter-mediates comic book semiotics into the poetic code of that particular part of contemporary Croatian poetry and thus determines the paradigmatic forms of the subject of media/comic book. 
Źródło:
Poznańskie Studia Slawistyczne; 2012, 2
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wielki apetyt na „miniburgera” . O problemach opracowania komiksów w formacie MARC 21
A lust for a “miniburger”. On problems encountered during library processing of comic books in MARC 21 format
Autorzy:
Szczecińska, Agnieszka
Kowalska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/911575.pdf
Data publikacji:
2010-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Comic book
Cataloguing
Komiksy
Katalogowanie
Opis:
Od 2007 roku Biblioteka Uniwersytecka w Poznaniu gromadzi komiksy oraz materiały ich dotyczące. Momentem znaczącym dla gromadzenia tych wydawnictw był zakup prywatnej kolekcji 4670 komiksów. Niniejszy artykuł definiuje pojęcie „komiks” oraz omawia trudności, jakie napotykają katalogerzy w opracowaniu formalnym tego trudnego materiału. Autorki porównały rozwiązania zastosowane w innych bibliotekach. Przedstawiły również stan prac nad katalogowaniem komiksów w Bibliotece Uniwersyteckiej w Poznaniu. Artykuł zawiera przykłady i propozycje konkretnych rozwiązań.
Poznań University Library has been collecting comic books and other relevant material since 2007. A conducive opportunity for the decision to collect comics publications was a purchase of a private collection of 4,670 comic books the very same year. The present article introduces the reader to the notion of “comic book” or “comics” and discusses problems in formal processing that face cataloguers of this difficult material. The authors compare different solutions to the problem applied in other libraries and present the current state of affairs in comics cataloguing at Poznań University Library. The article is complemented with specific examples and particular solutions to be applied in the near future.
Źródło:
Biblioteka; 2010, 14(23); 149-162
1506-3615
2391-5838
Pojawia się w:
Biblioteka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Transinsularidade perante a natureza. Educação ambiental através da banda desenhada Aguinha!! De Cabo Verde às Canárias... e vice-versa
Transinsularity towards nature. Environmental education through the comic book Aguinha!! De Cabo Verde às Canárias... e vice-versa
Autorzy:
Jankowski, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/43665673.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
environmental education
transinsularity
Macaronesia
comic books
Opis:
This paper proposes a contextualization of the didactic comic book Aguinha!! De Cabo Verde às Canárias... e vice-versa. The comic book in question emerged as part of the institutional project financed by European funds, but at the plot level it hides any explicit affinities with Europe. For this reason, we chose to analyze the contents of the book in the transinsular order and to draw both on the concept of environmental education and on border thinking. It is also proposed to frame this comic book as a complementary, non-autonomous didactic material.
Źródło:
Studia Romanica Posnaniensia; 2023, 50, 2; 45-60
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„…читая в ногу души прекрасные порывы”: смех аутсайдера и русский ХХ век в Неизвестных письмах Олега Юрьева
„…reading apace with the soul’s beautiful impulses”: Outsiders’ laughter and the Russian twentieth century in Oleg Yuryev’s Unknown letters
Autorzy:
Voloshchuk, Ievgeniia
Powiązania:
https://bibliotekanauki.pl/articles/2224210.pdf
Data publikacji:
2022-06-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
intercultural literature
outsider
postmodernism
literary canon
comic
Yuryev
Opis:
The paper deals with the specifics of outsiders’ laughter in the book Unknown letters (Неизвестные письма/Unbekannte Briefe, Russian 2014, German 2017) by a Russian-German writer Oleg Yuryev. In particular, it analyzes how Russian cultural and historical traumas of the 20th century were reinterpreted in the book from the perspective of an ironical outsider. In doing so, it focuses on a fictional letter by the writer Leonid Dobychin, which is contextualized with fictional letters of Jakob Michael Reinhold Lenz and Ivan Pryzhov, representing previous historical and cultural periods. Yuryev’s ironic reflections on the Russian historical reality and literary scene of the 20th century manifest themselves at different levels, from the positioning of outsiders’ laughter in relation to the official and marginal hierarchies of the literary canon to the postmodernist play with the traditions of literary classics. In addition, the paper addresses the inter- and/or transcultural aspect of outsiders’ laughter in Yuryev’s book.
Źródło:
Studia Rossica Posnaniensia; 2022, 47, 1; 111-128
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Интерсемиотический и прагмасемантический анализ цикла мемов „Дворец для Путина”
Intersemiotic and pragmasemantic analysis of the “Palace for Putin” meme cycle
Autorzy:
Sładkiewicz, Żanna
Powiązania:
https://bibliotekanauki.pl/articles/2224185.pdf
Data publikacji:
2022-06-27
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
political
internet meme
twitter
multimodal text
comic
Opis:
The article is devoted to the analysis of the pragmatics and semiotics in the productive comic genre of digital communication – the political meme. The empirical material consists of actual internet heterogeneous texts, created after the publication of Alexei Navalny’s film “Palace for Putin”. The comic content is viewed as a way of defusing the public tension of the sanctioned protest, an instrument for interpreting and discussing current social reality, as well as a method of demonizing a political subject “them”. The research assumes multimodality of the media environment and its products. It considers verbal, iconic and metagraphic ways of realizing the pragmatic intentions of the participants in the communication process. The author examines the initial situation (proto situation) that caused a communicative reaction of the internet users in the form of memes, analyzes the essence of a political meme as a heterogeneous text. The article describes the structural organization of memes, the syntactic and semantic relations of the verbal and iconic parts, as well as the use of intertextuality to concisely and expressively transmit new meanings.
Źródło:
Studia Rossica Posnaniensia; 2022, 47, 1; 187-206
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le trio hergéen : un tournant dans « Les aventures de Tintin »
The Hergéan trio: A turning point in "The Adventures of Tintin"
Autorzy:
Chéron, Sophie
Powiązania:
https://bibliotekanauki.pl/articles/1051550.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Comic strips
Hergé
Tintin
Identity
Narrative function
Opis:
Before Captain Haddocks’ and Professor Calculus’ appearance in "The Crab with the Golden Claws" (eighth album, 1941) and "Red Rackham’s Treasure" (eleventh album, 1944) Tintin doesn’t have strong links with the other characters. His youth, dynamism and resourcefulness are his only characteristics – he has no past, no name, no family, no occupational ties. The two new friends Hergé gives him provide the last ten albums of The Adventures more consistency, humor, and a proper space which were missing until then.
Źródło:
Studia Romanica Posnaniensia; 2012, 39, 1; 89-98
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fräulein Elses Begehren: Kolorierungen von Emotionen in Arthur Schnitzlers Novelle und in Manuele Fiors Comic
Fräulein Else’s Desire: Colorations of Emotions in the Novella by Arthur Schnitzler and the Graphic Novel by Manuele Fior
Autorzy:
Tacke, Alexandra
Powiązania:
https://bibliotekanauki.pl/articles/929387.pdf
Data publikacji:
2015-07-04
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Arthur Schnitzler
Fräulein Else
Nakedness
Music
Manuele Fior
Comic
Opis:
The following article compares the representation of nakedness in the novella Fräulein Else (1924) by Arthur Schnitzler and in the Graphic Novel Fräulein Else (2009) by Manuele Fior. While Schnitzler is inserting parts of the musical score Carnaval by Robert Schumann at that point of the text, when Fräu-lein Else is showing herself naked publically, and thus refuses to give more details, Fior cites in his Comic adaption the famous painting Nuda Veritas by Gustav Klimt, which was scandalized at its time. Slight changes are made also at the ending: while Schnitzler refers to the Orpheus-Eurydike-Myth, Fior compares the interior monologue of Fräulein Else to the myth of Echo.
Źródło:
Studia Germanica Posnaniensia; 2015, 36; 139-158
0137-2467
Pojawia się w:
Studia Germanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Юмористический тон как маркер авторского взгляда в комедиях Надежды Птушкиной
Humorous tone as a marker of the author’s view in Nadezhda Ptushkina’s comedies
Autorzy:
Maliutina, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/2224469.pdf
Data publikacji:
2022-06-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
comedy
farce
humour
comic
tone
author of the play
Opis:
The article considers comic humour as an emotional and semantic component of the statements in two comedies written by Nadezhda Ptushkina: Paying ahead and Come and take away, which can be attributed to popular mass literature. Distinguishing between the manifestations of situational and semantic comedy and humour the article shows how the humorous tone of the character’s remarks changes the overall genre tone of the comedy. Due to the idea of how much the personality does not fit into the narrow framework of the stereotypical perception of the situation of the husband’s withdrawal from the family, the article notes the dramatic and tragic modality of the statements in the plays. At the same time, in all situations and in all manifestations of the relationship between the characters, we feel the author’s view. The author is distinguished by the ability to understand and accept a different opinion to optimistically see the possibility of preserving the family and identity of each person in the process of collisions with other opinions. Despite the author’s rejection the play retains a belief in a certain general harmony of the human soul, which is especially vividly perceived thanks to allusions to Chekhov’s plays. Techniques contribute to the removal of the author’s view and the positions of the characters: dialogue of the deaf, distancing the author’s view and the character’s position, wordplay. All these techniques contribute to overcoming the farcical nature of the conflict and its dramatization.
Źródło:
Studia Rossica Posnaniensia; 2022, 47, 1; 59-73
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Famae petitor. Lucan’s Portrayal of Pompey
Autorzy:
Pypłacz, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1046783.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Pompey
Lucan
irony
comic
epic
Roman Republic
decay
caricature
hero
Opis:
In spite of the fact that Lucan’s sympathies are apparently with the Republicans, his attitude to Pompey, which emerges from the Pharsalia, turns out to be rather critical. Moreover, this criticism actually comes very close to ridicule. Lucan depicts Pompey as a senile and narcissistic leader who dwells on his past success and lives in the world of his own fantasies. Trapped in the vicious circle of his delusions of grandeur, he is rather grotesque than majestic. The harder he tries to enhance his public image, the more pathetic he becomes both in the eyes of his friends and in those of his enemies. The effects of his efforts are, therefore, quite contrary to their purpose. On the one hand, the figure of the senile and deluded Pompey is the caricature of the decaying Roman Republic, whose degeneracy it obviously mirrors. On the other hand, however, Lucan’s grotesque anti-hero is the exact opposite of archetypal epic characters such as Virgil’s Aeneas. Willing yet unable to emulate his literary predecessors, he functions as the caricature of the literary paradigm of a standard epic hero.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2014, 24, 2; 97-118
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rozwój filmowych adaptacji komiksów – „kino superbohaterskie” jako gatunek
The evolution of comic book adaptations – ‘superhero movie’ as a genre
Autorzy:
Czyżak, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/1047303.pdf
Data publikacji:
2021-03-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
comic book movie
movie genre
Marvel Studios
superhero
superhero movie
Opis:
This article is an attempt to consider superhero movies as a developing genre of popular cinema. The theory is based on Rick Altman’s “Semantic/Syntactic/Pragmatic” approach to genre. It tries to capture features of superhero blockbusters and their main themes – the most distinctive trait of this genre, according to the author of the text, is supposed to be the relationship between an individual, their “power” and society. The text is both an extension of and a counter-proposal to conclusions made by Tomasz Żaglewski in Kinowe uniwersum superbohaterów.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 338-348
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Adesp. 741 K.-A. Some Aspects of Comic Stylistics
Adesp. 741 K.-A. Niektóre aspekty stylistyki komediowej
Autorzy:
Bartol, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/1806893.pdf
Data publikacji:
2021-10-12
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Adesp. 741 K.-A
Old Comedy
anaphora
comic style
Plutarch
Opis:
This article explores the thematic and stylistic function of the anaphora in the anonymous fragment of Old Comedy (741 K.-A.). It also analyses an interpretation of Plutarch’s comment on these lines.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2021, 31, 1; 29-34
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Черномырдинки и техника комического у Михаила Зощенко
Chernomyrdinki and techniques of the comic by Mikhail Zoshchenko
Autorzy:
Weigl, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2224187.pdf
Data publikacji:
2022-06-27
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Chernomyrdinki
Zoshchenko
humour
techniques of the comic
linguistic logic
Opis:
This article considers the sphere of linguistic humour, specifically the linguistic structure of the so-called ‘chernomyrdinki’. Chernomyrdinki are written fixations of spontaneous oral statements by Viktor S. Chernomyrdin, a Soviet and post-Soviet statesman (1938–2010), which have become aphorisms. Chernomyrdinki are regularly reproduced and have not lost their popularity. Chernomyrdinki are, for the most part, Chernomyrdin’s spontaneous reactions to typical questions from journalists. The task of this study is to show that the not fully conscious, spontaneous statements by V. Chernomyrdin and the speech of Mikhail Zoshchenko’s heroes, deliberately constructed by the author in the course of the creative process, have much in common in their techniques of the comic and are at times identical. This study is based on the classification of “humour” in the speech of the heroes of M. Zoshchenko, developed by Mikhail Kreps.
Źródło:
Studia Rossica Posnaniensia; 2022, 47, 1; 229-242
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kobiecy komiks autobiograficzny
Women’s Autobiographical Comic Book Art
Autorzy:
Gajewska, Grażyna
Powiązania:
https://bibliotekanauki.pl/articles/16271047.pdf
Data publikacji:
2017-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
creativity of women
women’s comic book
pop culture
Opis:
The article is concerned with the works of Polish female comic book artists. I advance the thesis that in their artistic work harbours autobiographical elements which constitute an important element of the whole. I begin the article by clarifying certain notions, namely women's, feminist and autobiography as they may be ambiguously construed. Also, the works in which such autobiographical themes are present are divided into three focus groups: 1. Revisionist representation of history, 2. Emotions, sex life, motherhood, 3. Relations of women with the world, the family, and oneself.
Źródło:
Studia Europaea Gnesnensia; 2017, 15; 193-212
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postać jako wehikuł adaptacji: musical „Kapitan Żbik i żółty saturator”
Character as a Vehicle of Adaptation: the Musical “Kapitan Żbik i żółty saturator”
Autorzy:
Woźniak, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/2135469.pdf
Data publikacji:
2022-09-30
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
musical
musical theatre
Wojciech Kościelniak
Syrena theatre
Captain Żbik
comic book
Opis:
The article presents an analysis of the adaptation idea for the musical Kapitan Żbik i żółty saturator (Captain Żbik and the yellow carbonator) directed by Wojciech Kościelniak. The direct inspiration for the show created in 2020 in the Syrena theatre in Warsaw was the comic book series published between 1968 and 1982. The interpretation of the cultural significance of the colourful books forms the introduction to the analysis of the show. The author also presents how the literary genre of the source affects the screenplay and the characters. The stage and costume design, the spoken texts and songs and the acting style all refer back to the comic books. The article is an attempt at determining how similar the staged Captain Żbik is to its source and what adaptation tools have been used to adjust the comic book language to the requirement of a theatre stage.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2022, 42; 295-310
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Visualidade” educacional na Guiné-Bissau à luz da teoria de banda desenhada, ou seja, uma revisão trans/pós-colonial das ideias didáticas/pedagógicas no âmbito da lusofonia
Educational “visuality” in Guinea-Bissau in the light of comic book theory. A trans/postcolonial review of didactic/pedagogical ideas in the scope of lusophony (written in disagreement with the new spelling agreement)
Autorzy:
Jankowski, Jakub
Stańczyk, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/1368148.pdf
Data publikacji:
2019-12-09
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
comic book
openess
postcolonialism
popular education
basic literacy campaign
Guinea Bissau
Opis:
The main purpose of the article is to present analysis of comic book Nô Pintcha which – as we state – is the exceptional example of visual representation of theory of education from period of early independence of former portuguese colonies in Africa. Nô Pintcha was published in 1978 during the summit of ministers of education and educators from Angola, Cape Verde, Guinea Bissau, Mozambique and São Tomé. Authors of Nô Pintcha considered comic book as a apendix to the basic literacy campaign in Guinea Bissau. Theory of education which was used during literacy campaign had origins of emancipatory popular education of Paulo Freire. Thus the analysis presented in this paper lies parallely in looking for the Nô Pintcha in perspective of comic book theory as well in looking for traces Freire’s theory.
Źródło:
Studia Romanica Posnaniensia; 2019, 46, 3; 63-93
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł

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