Temat: a myth - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Zjedz lub zostań zjedzony. Miasto Macunaímy
Eat or Be Eaten. The City of Macunaíma
Autorzy:: Rojek, Patrycja
Powiązania:: https://bibliotekanauki.pl/articles/920085.pdf
Data publikacji:: 2013-01-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Macunaíma (1969)
Joaquim Pedro de Andrade
Brazilian film
Cinema Novo
myth in a film
Opis:: Macunaíma, the trickster-hero from old Amerindian legends, was in the 1960s an icon of the Brazilian Cinema Novo – a new wave film movement that was a response by artists to class and racial disparities. Joaquim Pedro de Andrade, the director of Macunaíma (1969), moves the eponymous hero out of his jungle and puts him into the modern, mechanized and restless big city. Not only are social problems strongly emphasized in the film – equally important is here the aspect of myth itself. Macunaíma enters the new world as a real old-time god who sees the city as his opponent. During his battle – full of trickery and plotting – it emerges that the difference between the Amazonian jungle and the concrete jungle are barely visible.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2013, 12, 21; 257-264
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Herkules i Gerion, królowie Hiszpanii. Mit i jego recepcja w iberyjskich kronikach dobry średniowiecza i nowożytności
Hercules and Geryon, Kings of Spain. The Myth and Its Reception in Medieval and Modern Iberian Chronicles
Autorzy:: Barbarzak, Dawid
Powiązania:: https://bibliotekanauki.pl/articles/1045876.pdf
Data publikacji:: 2019-03-21
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: founding myth
Hercules
Heracles
Melqart
Geryon
Spanish Chronicles
Pillars of Hercules
Gades
Cádiz
Gibraltar
A Coruña
Opis:: The ancient myth about Hercules’ expedition to the island of Erythea, his combat with Geryon and setting the Pillars was adopted by the authors of Iberian chronicles from the Middle Ages and the Early Modern period. The paper responds to the question of how the myth was being changed by the authors and what their political or genealogical aim related with the historical period was. The analysis of ancient sources and the comparison with chosen Iberian chronicles proves that the character of Hercules was intentionally adapted for creating old dynastic genealogies, a model of good king or founding myths of Spanish cities (as Cádiz and A Coruña). For similar reasons, Spanish colonial expansion changed also the idea of the Pillars of Hercules which were not perceived as the boundary of the Mediterranean anymore but became a gate to the New World.
Źródło:: Symbolae Philologorum Posnaniensium Graecae et Latinae; 2018, 28, 2; 89-125
0302-7384
Pojawia się w:: Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Proměny faustovského mýtu
Transformations of the Faust Myth
Autorzy:: Urbanová, Svatava
Powiązania:: https://bibliotekanauki.pl/articles/2193785.pdf
Data publikacji:: 2022-12-27
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Petr Stančík
the Faust myth
genre uncertainty
stylistic mode and modality
narrative commentary
faustovský mýtus
žánrová neurčitost
stylový modus a modalita
narativní komentáře
Opis:: Analýza a interpretace souboru pěti krátkých próz Petra Stančíka, které nazývá pověstmi, spojuje příběh o Faustovi, jeho pražském domu s dírou do stropu, stojícím na Novém Městě pražském. Najdeme v nich plno záhad, tajemství a překvapujících souvislostí. Látka se šířila ústní tradicí podobně jako mýty a legendy, pověsti a byla mnohokrát zpracovávána románově, dramaticky, filmově podle toho, kdy vznikala a z které perspektivy byly postavy a zápletky viděny. Stančík se rozhodl převyprávět faustovský mýtus pro mládež, propojit zábavu s ponaučením až mravokárností. Ve studii se zmiňuje žánrová rozkolísanost, která souvisí nejen s jeho oblíbenou inklinací k subžánrům, k prolínání historie s fantastickými momenty a vizualitou fikčních narativů. Aplikuje se v ní také termín modus a tzv. modalita, která v širších kulturních kontextech podtrhuje tragičnost a osudovost faustovského obcování s ďábelským pokušením. Stranou nezůstává ani autorova poetika narativních komentářů, které vedou k úvahám nad přítomností autorského subjektu v literárním díle.
An analysis and interpretation of a collection of five short prose pieces by Petr Stančík, referred to as legends, are linked by the story of Faust, and his house in Prague, standing in the Prague New Town. It contains many mysteries, secrets and surprising aspects. This material has been spread by an oral tradition similarly as with tales, myths and legends and has been adapted many times as novels, plays and films depending on when it came about and from which perspectives the characters and plot details were perceived. Stančík decided to retell the Faust myth for young people, connecting up entertainment with both teaching and even moralizing. The study makes reference to the genre variability, which is connected not only with its frequent inclination toward sub-genres, but also to the intertwining of history with fantastic moments and the visuality of fictional narratives. The terms modus and so-called modality, which underline in the wider cultural contexts the tragic character and fatality of the Faust intercourse with the diabolic temptation, is also applied in it. Also of importance is the authorial poetics of the narrative commentaries, which lead to considerations about the presence of the authorial subject in the literary work.
Źródło:: Bohemistyka; 2022, 4; 594-610
1642-9893
Pojawia się w:: Bohemistyka
Dostawca treści:: Biblioteka Nauki

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