Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "Yugoslav" wg kryterium: Temat

  Lista filtrów
Wyrównaj
Wyświetlanie 1-15 z 19
Tytuł:
Yugoslav diplomats during the interwar period
Autorzy:
Micic, Srdjan
Powiązania:
https://bibliotekanauki.pl/articles/910218.pdf
Data publikacji:
2019-02-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Serbian elite
Yugoslav foreign service
Yugoslav military service
Opis:
The article deals with influence of the Serbian elite in the scope of the Yugoslav Foreign Service during 1918–1939. The influence of the elite circles was particularly prominent in the Yugoslav Army and in the Ministry of Foreign Affairs, as was the case in Serbia until 1918. As non-institutional factors had great influence on the work of state institutions, the first aim of this paper is to examine the main aspect for selection, career development and obstacles in the life of Yugoslav Diplomats, derived from the power struggle among elite circles. The second aim is to compare Serbian and Yugoslav experiences in order to establish similarities and differences in the characteristics of the pre-War and Interwar Diplomatic-Consular personnel. The analysis is based on Yugoslav archival materials, as well as on foreign published documents, memorial literature and relevant Yugoslav/Serbian and foreign historiography.
Źródło:
Balcanica Posnaniensia Acta et studia; 2018, 25, 1; 143-159
0239-4278
2450-3177
Pojawia się w:
Balcanica Posnaniensia Acta et studia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The trouble of gender sin in post-Yugoslav film – in the name of the father
Autorzy:
Bogojević, Maja
Powiązania:
https://bibliotekanauki.pl/articles/923151.pdf
Data publikacji:
2018-12-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
gender
film
Yugoslav
post-Yugoslav
war
auteur
gaze
patriarchy
cinematic representation
Opis:
Post-Yugoslav film art is, similarly to Yugoslav cinema, exemplary of masculine cultural domination, approaching socio-national themes in a highly gendered mode and reflecting a return to patriarchy, more brutal than that during the existence of Yugoslavia. A new generation of cinéasts explores, with a backlash mixture of contempt and compassion, the themes of violence, displaying a new assault on female emancipation, which seemed to be in line with the socio-political context of rising nationalist movements that led to the bloody events of the Yugoslav war in 1991. The female character is re-located to a place traditionally assigned to women not as the subject of narrative or discourse, but as the object of love and/or hatred by a masculine subject. The films chosen to be analysed here are full-length auteur feature films – Virgina, Grbavica, Djeca, Bure baruta, with a specific focus on the work by Danis Tanović – are not representative of post-Yugoslav cinema, but as rare exceptions demonstrate that, contrary to the dominant post-Yugoslav public opinion, both the Yugoslav wars and post-war traumatic realities remain cinematically unexplored.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 23, 32
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mono-kronološki ‘post’: sinkronizacija međuvremena nacija u povijestima jugoslavenske književnosti Antuna Barca i Pavla Popovića i (post)-jugoslavenska književnost
Mono-Chronological ‘Post’: Synchronization of the Meanwhiles of Nations in Antun Barac’s and Pavle Popović’s Histories of Yugoslav Literature and the (Post)-Yugoslav Literature
Autorzy:
Mijatović, Aleksandar
Powiązania:
https://bibliotekanauki.pl/articles/635805.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
literature
nation
(post)-Yugoslav literature
temporality
Opis:
In this paper, I approach to the relationship between the art and the democracy via discussion of two histories of Yugoslav literatures. I propose and try to defend a thesis that both accounts of the history of Yugoslav literatures synchronize temporalities of the different national literatures, reducing thereby differences between them. Both histories substantialize Yugoslav literature as a remnant of the lost community. They argue that immediacy of that community had dissolved into the variety of nations, which led separate lives under the rule of empires. In the name of that mythical past, heterogeneous temporalities are synchronized to the single temporal flow. However, the similar substantializing operation and synchronization is present in the more recent concept of (post)-Yugoslav literature.
Źródło:
Poznańskie Studia Slawistyczne; 2019, 17; 127-143
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Confronting recent history: forced mobilization in Serbia during the war in Croatia 1991–1995
Autorzy:
Mladenov Jovanović, Srđan
Powiązania:
https://bibliotekanauki.pl/articles/910255.pdf
Data publikacji:
2020-12-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
forced mobilization
culling
Yugoslav wars
Željko Ražnatović Arkan
Opis:
However much interest the Yugoslav conflicts of the nineties seem to have sparked within the broader academic community, some relevant topics are still found to be missing or underresearched. The forced mobilization during the Milošević regime that culled men of almost all age in order for them to fight for their country is one of them. With the recently published Untold stories of the victims of the forced mobilization, some new light has been shed on the cullings of the 1990s. This article explores those stories, including recently emerged transcripts from the governmental sessions discussing them, and puts them through a historical lens.
Źródło:
Balcanica Posnaniensia Acta et studia; 2020, 27, 1; 167-180
0239-4278
2450-3177
Pojawia się w:
Balcanica Posnaniensia Acta et studia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Simuliranje demokracije: emancipacija demokratske krize u esejistici Dubravke Ugrešić
Simulating Democracy: Emancipation of Democracy Crisis in Dubravka Ugrešić’s Essays
Autorzy:
Marot Kiš, Danijela
Powiązania:
https://bibliotekanauki.pl/articles/635808.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Dubravka Ugrešić
democracy
ideology
post-Yugoslav society
exile
Opis:
One of the central notions of the post-Yugoslav literature is the status of democracy in national states formed after the breakup of Yugoslavia. From the perspective of the exile, not only as banishment, but also as a liberating outside view into the once common social, cultural and political space, the post-Yugoslav writers question the social democracy praxis in their former home states comparing it to the social practices in the states of their current residence. In her books of essays, Dubravka Ugrešić ironizes different forms of social ideology in Croatia from the beginning of nineteen-nineties. Her writing recognizes the standards of European democracy accompanied with the ideological view into the questions of social rights, religion and language as the stumbling block of modern society. Ugrešić describes democracy as a notion hiding different things: the praxis of ruthless capitalist exploitation, loss of media freedom, media manipulation, the censorship of corporate capitalism, production of lies, modern slavery... (Don’t take it personal, 2014), validating in her essays the importance of literature in disclosure of autocracy masked as democracy.
Źródło:
Poznańskie Studia Slawistyczne; 2019, 17; 101-116
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dosezi i granice simboličkog otpora. „Proza u trapericama” u kontekstu jugoslavenskog socijalizma
Reaches and Limits of the Symbolic Resistance. „Jeans Prose” in the Context of Yugoslav Socialism
Autorzy:
Kolanović, Maša
Powiązania:
https://bibliotekanauki.pl/articles/635385.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
jeans prose
resistance
popular culture
Yugoslav socialism
Opis:
The main thesis of the paper implies the historically changeable characteristics of symbolical resistance in the texts of „jeans prose” (Flaker). Using jeans as a symbol of global popular culture, freedom, casualness, the American lifestyle, resistance to forms, rules, and high culture etc., jeans prose had its specific life in Yugoslav socialism which dynamically changed during the last three decades of socialist Yugoslavia. In the early sixties it was a symbolic place of critique of dominant socialist ideology and in later period, in a more commercial orientated Yugoslav society when jeans as commodity became a part of everyday life, jeans prose lost its primal rebel energy and malted into the culutral mainstream.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 6
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
My Four Dogs: Urban Ecology in Vjeran Miladinović Merlinka’s Terezin sin
Autorzy:
Filipović, Andrija
Powiązania:
https://bibliotekanauki.pl/articles/15588115.pdf
Data publikacji:
2022-11-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
urban ecology
animal
infrastructure
queer
( post- )Yugoslav literature
Opis:
In this article, I analyze the relations between humans, non-humans, and infrastructure in Vjeran Miladinović Merlinka’s fictionalized autobiography Terezin sin. I argue that queer humans and non-humans share a particular ontological and axiological space and time in urban ecology in relation to the built environment of cis-heteronormative socius grounded in reproductive heterosexuality.The fictionalized autobiography that is explored in this article offers a particular view of minoritarian relation as it depicts a queer form of relationality that is lived sideways to the cis-heteronormativity and reproductive heterosexuality as an oppressive form of life that creates a specific kind of infrastructural intimacy for itself in the urban built environment. Relations between queer humans andnon-humans under these conditions are decidedly messy, as they are described as both caring and exploitative in Terezin sin.
Źródło:
Poznańskie Studia Slawistyczne; 2022, 22; 141-159
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Her-story”: contemporary female film directors in post-Yugoslav cinema
Autorzy:
Durić, Dejan
Powiązania:
https://bibliotekanauki.pl/articles/923152.pdf
Data publikacji:
2018-12-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
post-Yugoslav cinema
female directors
her story
posttransition
female subjectivity
Opis:
The subject of this paper is a new generation of female directors in former Yugoslav (Croatia, Serbia, Bosnia and Herzegovina) cinematography. It considers the stylistic, narrative and representational strategies in the films Clip (Klip, 2012) by Maja Miloš, Sonja and the Bull (Sonja i bik, 2012) by Vlatka Vorkapić, Our Everyday Life (Naša svakodnevna priča, 2015) by Ines Tanović, Zagreb Cappuccino (2014) by Vanja Sviličić, Trampoline (Trampolin, 2016) by Zrinka Katarina Matijević, You Carry Me (Ti mene nosiš, 2015) by Ivona Juka, and Quit Staring at My Plate (Ne gledaj mi u pijat, 2016) by Hana Jušić. The movies are related through conceptual, thematic and/or stylistic features. They examine the position of female protagonists in a patriarchal society and their daily experiences, wherein they dissect gender, economic and social problems that exist in countries in the territory of former Yugoslavia.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 23, 32
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zmierzch bogów w Dubrowniku
Twilight of the Gods in Dubrovnik
Autorzy:
Pająk, Patrycjusz
Powiązania:
https://bibliotekanauki.pl/articles/635746.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Zafranović
Dubrovnik
Croatian film
Yugoslav film
power
fascism
aristocracy
communism
Opis:
The Croatian film Occupation in 26 pictures (1978), directed by Lordan Zafranović is considered as one of the most controversial vision of the Second World War in Yugoslav cinema. The director uses the ornamental style, modeled on Italian cinema, to portray the change of power in Dubrovnik in 1941 – at the beginning of the fascist occupation of the city. He juxtaposes the licentiousness of Italian, German and Croatian fascists and the fall of the Dubrovnik aristocracy and the rebellion of communists. The political changes in the city are presented against the background of its rich cultural tradition. Zafranović highlights the beauty of Dubrovnik’s architectural and natural landscape that fascists desecrate. Decadent poetics with its aesthetic excess allows him to refresh and deepen the communist interpretation of the fascist occupation.
Źródło:
Poznańskie Studia Slawistyczne; 2013, 5
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Of bees, birds, trees, and women: iconography, superstition and victimization of female characters in Yugoslav New Film
Autorzy:
Vuković, Vesi
Powiązania:
https://bibliotekanauki.pl/articles/1047427.pdf
Data publikacji:
2021-03-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
iconography
Yugoslav New Film
female characters
Bechdel test
‘reversed masquerade’
‘crypto- matriarchy’
Opis:
This study investigates how the directors of two selected case study films criticise the real-life remnants of patriarchy in the family sphere, in nominally gender-equal Yugoslavia. I argue that they do this by transposing their stories from socialist Yugoslavia to the pre-socialist times: during Ottoman rule and monarchist Yugoslavia. The selected period films Breza/The Birch Tree (Ante Babaja, 1967, Yugoslavia) and Roj/The Beehive aka The Swarm (Miodrag ‘Mića’ Popović, 1966, Yugoslavia), both belonging to the Yugoslav novi film (New Film) movement (1961-1972), refract the workings of the vestiges of patriarchy in a family domain of Yugoslav socialist society. In these two costume dramas, patriarchy is portrayed to its fullest extent, due to their stories being set in the past, ostensibly unrelated to contemporary Yugoslav society and thus uninhibited by the drive to cater to the official discourse of female emancipation. Applying a critical film feminist perspective, by formal analysis via close readings of these two selected films, this article examines the iconography linked to fictional depictions of heroines and delves into the representation of victimisation of women. I investigate whether the depiction of the female sorceress(es) embody the primitiveness, ignorance, and/or poverty of economically disadvantaged and historically oppressed pre-socialist village. In order to peruse not only the individual portrayal of female protagonists but the dynamics of their interaction, the Bechdel test is applied and complemented with concepts such as the ‘reversed masquerade’ and ‘cryptomatriarchy’, which sheds light on the relationship between women and the presence or absence of female solidarity.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 285-307
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mała wielka kinematografia. Patrycjusz Pająk, Arcydzieła chorwackiego filmu fabularnego, Wydział Polonistyki Uniwersytetu Warszawskiego, Warszawa 2018, 395 s..
Little Big Cinematography
Autorzy:
Darasz, Zdzisław
Powiązania:
https://bibliotekanauki.pl/articles/635953.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Croatian cinematography
Yugoslav cinematography
Croatian film canon
film modernism
cinematic language
Opis:
In his book, Patrycjusz Pająk composes a Croatian film canon. His top list of the best Croatian feature films contains 15 pictures: Concert (1954) by Branko Belan, H–8... (1958) by Nikola Tanhofer, Train Without a Timetable (1959) by Veljko Bulajić, Rondo (1966) by Zvonimir Berković, The Birch Tree (1967) and Gold, Frankincense and Myrrh (1971) by Ante Babaja, Kaya (1967) and An Event (1969) by Vatroslav Mimica, Handcuffs (1969) by Krsto Papić, Occupation in 26 Pictures (1978) by Lordan Zafranović, The Rhythm of Crime (1981) by Zoran Tadić, The Melody Haunts My Memory (1981) by Rajko Grlić, What Iva Recorded (2005) by Tomislav Radić, Buick Riviera (2008) by Goran Rušinović, The Blacks (2009) by Goran Dević and Zvonimir Jurić. As a main criterion for building his own canon, the author takes the innovative character of the cinematic language and the rich symbolic imagery of the story.
Źródło:
Poznańskie Studia Slawistyczne; 2018, 15
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Između zvanične istine i ličnog sećanja: Usmene istorije civila i vojnika o post- -jugoslovenskim ratovima 1991–1995
Between Official Truth and Personal Memory: Oral Histories of Civilians and Soldiers in the Post-Yugoslav Wars 1991–1995
Autorzy:
Petrović, Nebojša
Lazić, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/636143.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
oral history
post-Yugoslav wars
reconciliation
rehumanization
collective memory
thematic analysis
Opis:
In times of violent conflicts, societies tend to promote narratives that enable successful coping with the situation. Official collective memory can thus provide foundation for a group’s belonging, mobilization, persistence. On the other hand, it often perpetuates the animosity by, for example, delegitimizing (and often dehumanizing) the other side. In this article, we explore whether unofficial personal memories of a violent conflict could mitigate the damage in intergroup relations done by the dominating narratives. We conducted a secondary thematic analysis of 38 interviews with civilians and soldiers in the Post-Yugoslav wars (1991–1995). The themes we report here offer deeply personal and humanizing accounts of the war experience, which have largely remained outside traditional historiography.
Źródło:
Poznańskie Studia Slawistyczne; 2019, 16; 227-241
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pamięć i zapomnienie a dziedzictwo Jugosławii. Przypadek chorwackiej i serbskiej literatury emigracyjnej - rozpoznania wstępne
Memory and Oblivion versus the Jugoslavian Heritage. the Case of Serbian and Croatian Emigrant Literature – Preliminary Diagnosis
Autorzy:
Nowak-Bajcar, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/1182411.pdf
Data publikacji:
2014-12-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
exile literature
titoism
memory
forgetting
post-Yugoslav discourses
literatura emigracyjna
titoizm
pamięć
zapomnienie
dyskursy postjugosłowiańskie
Opis:
Analiza losów pisarzy, którzy podczas ostatnich wojen w byłej Jugosławii opuścili swoje ojczyzny, posłuży do rozważań nad problemem zasadności istnienia współcześnie kategorii „emigracyjności”. Próba rozwiązania tego dylematu stanie się punktem wyjścia do refleksji nad strategiami pamiętania i zapominania dziedzictwa SFRJ.
Analysis of biographies of writers who, during the recent wars in the former Yugoslavia, have left their homeland, will serve to debate on the problem of the legitimacy of the contemporary category „exile literature”. An attempt to solve this dilemma becomes a starting point for discussion on strategies of remembering and forgetting the heritage of Socialist Federal Republic of Yugoslavia.
Źródło:
Porównania; 2014, 15; 267-280
1733-165X
Pojawia się w:
Porównania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od postkolonijalizma do transnacionalizma: izazovi postsocijalističke feminističke teorije
From Post-Colonialism to Transnationalism: the Challenges for Post-Socialist Feminist Theory
Autorzy:
Jambrešić Kirin, Renata
Powiązania:
https://bibliotekanauki.pl/articles/635612.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
postcolonial studies
transnational feminism
post-Yugoslav feminisms
Madina Tlostanova
Biljana Kašić
Marina Gržini
Opis:
The article offers a reflection on the utility of postcolonial studies and transnational feminism for the analysis of women’s post-socialist experiences, with a special emphasis on Croatian academic and social space. After general considerations about the epistemological profile and etico-political agenda of transnational feminism – as illustrated by the results of the feminist seminar in Dubrovnik (2007–2015) – the author presents three theoretically most challenging feminist authors: Madina Tlostanova, Biljana Kašić and Marina Gržinić. Each of them in its own way demonstrates that theoretical voices from the “global South” are the most productive tool to oppose academic “global feminism” and to inspire “women’s struggles for sociopolitical justice, especially in colonial and neocolonial contexts” (Swarr, Nagar 2010: 4). The radical call for the decolonization of gender, human being and knowledge (Tlostanova 2013), the appreciation of woman’s public voices and counter-discourses (Kašić), and the critique of racialization in the production of knowledge (Gržinić 2015) are intertwined and linked to the final thesis about the importance of distinguishing the biopolitical form of women’s memory vs. the necropolitical formation of institutionalized history in post-socialist context.
Źródło:
Poznańskie Studia Slawistyczne; 2016, 11; 23-41
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Localised dystopia in Croatian and Serbian cinema
Autorzy:
Gilić, Nikica
Powiązania:
https://bibliotekanauki.pl/articles/923160.pdf
Data publikacji:
2018-12-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
The Show Must Go On
Unknown Energies
Unidentified Feelings
dystopian cinema
post-yugoslav cinema
Opis:
Genre production is often easily localised in various cultures, but localisations of science fiction seem particularly interesting, due to the technological sources of the genre imagery and typical narrative structures. Localisation to a less technologically-oriented society, such as post-yugoslav Croatia and Serbia, are a very good example, since in such films as The Show Must Go On (by Nevio Marasović) and Technotise – Edit & I (by Aleksa Gajić and Nebojša Andrić) allegorical science fiction deals directly with local problems and narrations, such as Croatia’s obsession with modernisation and Western-European identity (in Marasović’s film) and Serbia’s traumatic relation with Slobodan Milošević’s regime and national pride (in Gajić’s and Andrić’s animated feature film). The experimental concept of Unknown Energies, Unidentified Feelings (by Dalibor Barić and Tomislav Babić) provides another model of dealing with genre structures in a local context, since it directly develops the early-1970s model of connecting experimental cinema with the technological obsessions of the era (important for entire Yugoslavia through the GEFF festival) into a contemporary experimental animated dystopia.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 23, 32
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 19

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies