Temat: Władysław Ślesicki - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: On a construction site – a change of perspectives. Architecture in Polish documentaries of the 1960s.
Autorzy:: Otto, Wojciech
Powiązania:: https://bibliotekanauki.pl/articles/923173.pdf
Data publikacji:: 2019-01-08
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: film documentary
Polish cinema
Władysław Ślesicki
Andrzej Piekutowski
Opis:: Film documentaries: Energia [Energy] by Władysław Ślesicki and Czas przemiany [The Time of Transformation] by Andrzej Piekutowski are film examples of changing perspectives in Polish documentary film of the 1960s. The creators undertook the themes known from the socialist realism cinema, such as industrialization and the value of human labour, but they did so in the poetics of authorial cinema, creating films with a deeper, symbolic message and in a lyrical atmosphere.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 22, 31; 123-134
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: „Takim zapamiętałem Mietka”. Władysława Ślesickiego "Płyną tratwy" (1962)
"Ive remembered Mietek like that" Władysław Ślesicki. "The Rafts Sail" (1962)
Autorzy:: Pławuszewski, Piotr
Powiązania:: https://bibliotekanauki.pl/articles/918030.pdf
Data publikacji:: 2014-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: documentary film
Władysław Ślesicki
The Rafts Sail
documentary portrait
Opis:: The article That’s How I’ve Remembered Mietek aims to throw light on the origins and the final artistic form of Władysław Ślesickis documentary The Rafts Sail (1962). The movie depicts the story of a young Mazurian boy named Mietek, who crosses the line between childhood and adulthood (when, as a raftsman, he floats timber down the river). This film was probably the first time when the director’s poetic attitude towards filmmaking resulted in such a sublime documentary portrait, devoid of any words. Looking back, The Rafts Sail (awarded the Lion of San Marco at the Venice Film Festival in 1962) can be perceived as a clear symptom of Ślesickis masterpieces, such as Before Leaves Fall [1964] or The Family of Man [1966].
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 287-294
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Reżyserskie szlify. Władysław Ślesicki w Szkole Filmowej (1950-1955)
Movie Director Exercise. Władysław Ślesicki and a Film School (1950–1955)
Autorzy:: Pławuszewski, Piotr
Powiązania:: https://bibliotekanauki.pl/articles/920845.pdf
Data publikacji:: 2015-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Władysław Ślesicki
school film
documentary
Kazimierz Karabasz
Gypsies
mise-en-scene
movie style
film school
Opis:: The article discusses Władysław Ślesicki’s studies at the Lodz Film School (1950–1955). The years he spent at Film Directing Department were fruitful not only because of a few worth-while writings, but also due to some of his first directing experiences. Ślesicki was an assistant on the set of Kazimierz Karabasz’s school films, but he also directed his own (debut) short movies (the short feature Kawaler Kubiak; the short documentary Jedzie tabor). The claim is also made that these early works foreshadow his unique cinematic style, which Władysław Ślesicki developed especially within the documentary genre and which gave him a lasting place in the history of Polish cinema.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 282-290
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: View from the inside. The images of the city in the “black series” documentary films in Poland in the 1950s
Autorzy:: Szpulak, Andrzej
Powiązania:: https://bibliotekanauki.pl/articles/923178.pdf
Data publikacji:: 2019-01-08
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: film and architecture
“black series” of Polish documentary
Polish documentary
Jerzy Bossak
Irena Sobierajska
Bohdan Kosiński
Jerzy Dmowski
Kazimierz Karabasz
Władysław Ślesicki
Krystyna Gryczełowska
Maksymilian Wrocławski
Andrzej Munk
Opis:: The article analyses the particular interest that the documentary filmmakers of the late 1950s had in the architectural and urban issues. The reasons for this phenomenon are situated in several plans: they refer to the image of reconstruction from the war devastation and the reaction to its falsification in the period of socialist realism. They refer to the social interests of the filmmakers and to the strategy of metaphorising and allegorising the images of the city, which was handy in the times of censorship as it extended meanings and applied non-literality. The article analyses various film incarnations of this phenomenon.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 22, 31; 113-122
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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