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    Wyświetlanie 1-6 z 6
    Tytuł:
    Kreatywność za drutem kolczastym: archeologia i sztuka okopowa z pierwszowojennego obozu jenieckiego w Czersku (woj. pomorskie)
    Creativity behind barbed wire: archaeology and trench art from a prisoner of war camp in Czersk (Pomeranian province)
    Autorzy:
    Kobiałka, Dawid
    Powiązania:
    https://bibliotekanauki.pl/articles/1023861.pdf
    Data publikacji:
    2019-09-16
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    the Great War
    prisoner of war camp
    Czersk
    trench art
    archaeology
    Opis:
    This article discusses the results of archaeological and anthropological research concerning material remains of a prisoner of war camp in Czersk (Pomeranian province, Poland) (Kriegsgefangenenlager Czersk). In the first part, I sketch a broader historical context related to building and functioning of the camp in forests around Czersk between 1914–1919. After that, the role and meaning of  archaeological research on such type of archaeological sites are presented. In the third part, I focus on a very special category of the camp heritage which is called trench art. The last part of this paper is a case study where an assemblage of objects classified as trench art that was found at the camp is described and interpreted. This text aims at highlighting the value of such prisoners and camp’s heritage. Such material culture is a material memory of extraordinary prisoners’ creativity behind barbed wire. It makes one aware of how every piece of trash, rubbish was re-cycled during day-to-day life behind barbed wire.
    Źródło:
    Folia Praehistorica Posnaniensia; 2018, 23; 105-136
    0239-8524
    2450-5846
    Pojawia się w:
    Folia Praehistorica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Gry pamięci. Valiant Hearts: The Great War i My Memory of Us w perspektywie kultury historycznej
    Games of Memory. Valiant Hearts: The Great War and My Memory of Us in the perspective of historical culture
    Autorzy:
    Pigulak, Marcin
    Powiązania:
    https://bibliotekanauki.pl/articles/1955333.pdf
    Data publikacji:
    2021-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Valiant Hearts: The Great War
    My Memory of Us
    historical games
    historical culture
    collective memory
    game studies
    Opis:
    The paper aims to outline how video games Valiant Hearts: The Great War (Ubisoft Montpellier, 2014) and My Memory of Us (Juggler Games, 2018) use narrative and ludic structures to create commemorative stories about the First World War and the Second World War. The author refer to the concept of historical culture (among others, in Jörn Rüsen’s interpretation) and examine the connections between the two video games focusing on the issue of designers’ intentions (digital games as examples of the commemoration of the past), the genre similarity (2D platform games), the intermedial convergence and the press reception. He discusses the strategy of the cultural agreement between designers and users, analyzes historical narratives as a part of the gameplay, examines relations between the individual and collective’s perspective and characterizes immersion’s mechanisms which reinforce players’ identification with the victims of both wars.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 29, 38; 144-160
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Czysto ludzka sprawa? Archeologiczne przywracanie pamięci o trudnej przeszłości przez tropienie naturo-kulturowych przemian cmentarzy wojennych
    Simply human case? Archaeological revival of the memory about the difficult past, through the tracing of nature-cultural transformations of the war cemeteries
    Autorzy:
    Zalewska, Anna
    Cyngot, Dorota
    Czarnecki, Jacek
    Kiarszys, Grzegorz
    Powiązania:
    https://bibliotekanauki.pl/articles/1023862.pdf
    Data publikacji:
    2019-09-16
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    war cemeteries
    the Great War
    central Poland
    creation
    transformation
    decay
    destruction
    history
    archaeology
    remote sensing
    natural-cultural phenomena and processes
    difficult past
    material warnings
    contemporaneous archaeology
    Opis:
    In this article the outcomes of historical, archaeological, spatial and anthropological research concerning material remnants of the war cemeteries left by the Great War in Central Poland, in the area of Rawka and Bzura are presented. On the example of one of the four communes (Nowa Sucha) subjected to research under the project Archaeological Revival of Memory of the Great War (ARM), the processes of creation, transformation, decay, destruction and re-making present the resting places of the soldiers fallen between December 1914 and July 1915 are shown. In the first part, we sketch the output atmosphere that accompanied the primary context in which war cemeteries were established and place the war cemeteries in the network of social, formal and legal determinants. In the second part, we frame the historical and social contexts in which the resting places of the fallen soldiers of the German and Russian armies were massively created. Than, we show the difficulties associated with locating particular war cemeteries and signal strengths and obstacles in correlating results of archival research and use of remote sensing and archaeological methods in order to restore the memory of war cemeteries and establish their current and future condition as material warnings. Also we stress the looping of cultural and natural factors both in the process of protecting and destroying material condition of war cemeteries. Finally, on the example of one of the cemeteries we show how slow and arduous but at the same time promising can be the process of transformation from a forgotten/plowed cemetery into a place of/in memory, and as an agent struggling with the continuous nature-cultural transformations.
    In this article the outcomes of historical, archaeological, spatial and anthropological research concerning material remnants of the war cemeteries left by the Great War in Central Poland, in the area of Rawka and Bzura are presented. On the example of one of the four communes (Nowa Sucha) subjected to research under the project Archaeological Revival of Memory of the Great War (ARM), the processes of creation, transformation, decay, destruction and re-making present the resting places of the soldiers fallen between December 1914 and July 1915 are shown. In the first part, we sketch the output atmosphere that accompanied the primary context in which war cemeteries were established and place the war cemeteries in the network of social, formal and legal determinants. In the second part, we frame the historical and social contexts in which the resting places of the fallen soldiers of the German and Russian armies were massively created. Than, we show the difficulties associated with locating particular war cemeteries and signal strengths and obstacles in correlating results of archival research and use of remote sensing and archaeological methods in order to restore the memory of war cemeteries and establish their current and future condition as material warnings. Also we stress the looping of cultural and natural factors both in the process of protecting and destroying material condition of war cemeteries. Finally, on the example of one of the cemeteries we show how slow and arduous but at the same time  promising can be the process of transformation from a forgotten/plowed cemetery into a place of/in memory, and as an agent struggling with the continuous nature-cultural transformations.
    Źródło:
    Folia Praehistorica Posnaniensia; 2018, 23
    0239-8524
    2450-5846
    Pojawia się w:
    Folia Praehistorica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Filmowy Mińsk (1915–1918) – polskie doświadczenie podczas Wielkiej Wojny
    Cinematic Minsk (1915–1918) – Polish experience during the Great War
    Autorzy:
    Guzek, Mariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/923310.pdf
    Data publikacji:
    2019-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Polish film
    Great War
    film in the Russian Empire
    silent cinema
    Opis:
    Polish film life in the Eastern Borderlands of the former Republic of Poland is replete with numerous white spots. During World War One, however, activity was quite intense, as evidenced by book-length studies on Vilnius, Lviv and even Kiev. Minsk, the future capital of Belarus, also had its own film-related Polish culture. The article focuses on the functioning of Minsk cinemas and their repertoire, as well as the Polish accents associated with them, which repeatedly had a mobilizing and identitarian character around which the national community of this provincial city was organized. Minsk’s border status means its cinematographic ancestry can be claimed by various national cinematographies, including Russian and Belarusian, but the source query and resulting findings clearly indicate that in the years of the Great War, this center was most strongly associated with Polish culture
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2019, 26, 35; 147-158
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Collapse Of The SVD Togo Mission (1914-1921)
    Autorzy:
    Miotk, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/1398542.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    SVD Togo-Mission
    colonialism
    Great War 1914-1918
    Expulsion and Internment
    the Treaty of Versailles
    the fate of missionaries
    Opis:
    This case-study is a study of the three stages of “The Collapse of the SVD Togo Mission (1914-1921)”: the Anglo-French Occupation (1914-1917); the Expulsion and Internment of the SVD Missionaries (1917-1918) and the Definitive Loss of the SVD Togo Mission (1918-1921). The investigation, based on archival sources of the SVD Generalate Archives in Rome (AG SVD) traced the unfolding of events within the international efforts to save the mission in the thriving Protectorate of Togo. The collapse of the SVD Togo Mission driven by rampant nationalism was brought about by the expulsion of its 53 missionaries in seven groups within three months. Even if the expelled German missionaries were pervaded by a deep spirit of patriotism, they were first and foremost religiously motivated men. In the end, they wound up as victims of the political entanglements. The Treaty of Versailles deprived the missions of significant apostolic forces. More than 1,000 German missionaries, including 130 Divine Word Missionaries, were thus excluded from mission territories as victims of political calculations. The SVD missionaries were released from internment within the year due to the urgent actions of their Superior General, Fr. Nikolaus Blum. They accepted the course of events in a truly apostolic spirit and received new assignments, mainly to the Dutch East Indies (Indonesia).
    Źródło:
    Annales Missiologici Posnanienses; 2016, 21; 117-148
    1731-6170
    Pojawia się w:
    Annales Missiologici Posnanienses
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    En ensom norsk grav i Poznań
    Autorzy:
    Lange, Tadeusz Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/1163416.pdf
    Data publikacji:
    2015-11-20
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Halldor Espelid
    andre verdenskrig
    Sagan krigsfangeleir
    Den store flukten
    Hærens flygevåpen
    331 skvadron
    Sagan P.O.W. camp
    the great escape
    royal norwegian air force
    331 squadron
    World War II
    Opis:
    The article is an account of the life and death of Halldor Espelid, a young Norwegian RAF pilot born in Bergen, trained at “Little Norway” in Canada, shot down over occupied France, put in the POW camp for airmen in Sagan (now Żagań in Poland), arrested near Flensburg while taking part in the so-called Great Escape, and murdered at the age of 24 by the Kiel Gestapo. His body was cremated, his ashes buried at Sagan and later moved to the Old Garrison Cemetery in Poznań, Poland, together with the remains of 47 other participants of the famous Great Escape murdered at Hitler’s personal order.
    Źródło:
    Folia Scandinavica Posnaniensia; 2015, 17; 48-55
    1230-4786
    2299-6885
    Pojawia się w:
    Folia Scandinavica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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