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Wyświetlanie 1-2 z 2
Tytuł:
Minimalism and Expressivism
Autorzy:
McDonald, Fritz
Powiązania:
https://bibliotekanauki.pl/articles/781408.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Minimalism
Expressivism
Truth
Metaethics
Gibbard
Allan
Blackburn
Simon
Realism
Anti-Realism
Quasi-Realism
Opis:
There has been a great deal of discussion in the recent philosophical literature of the relationship between the minimalist theory of truth and the expressivist metaethical theory. One group of philosophers contends that minimalism and expressivism are compatible, the other group contends that such theories are incompatible. Following Simon Blackburn (manuscript), I will call the former position ‘compatibilism’ and the latter position‘incompatiblism.’ Even those compatibilist philosophers who hold that there is no conflict or tension between these two theories-minimalism and expressivism-typically think that some revision of minimalism is required to accommodate expressivism. The claim that there is such an incompatibility, I will argue, is based on a misunderstanding of the historical roots of expressivism, the motivations behind the expressivist theory, and the essential commitments of expressivism. I will present an account of the expressivist theory that is clearly consistent with minimalism.
Źródło:
Ethics in Progress; 2012, 3, 1; 9-30
2084-9257
Pojawia się w:
Ethics in Progress
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pozorna lekkość bytu - estetyzacja w fotografii dokumentalnej
The simulacre lightness of being – aestheticization in documentary photography
Autorzy:
ZARYCHTA, ANNA M.
Powiązania:
https://bibliotekanauki.pl/articles/921108.pdf
Data publikacji:
2016-10-09
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
lightness
aestheticization
weightiness
beauty
documentary photography
Italo Calvino
Wolfgang Welsch
Georges Merillon
Sebastiao Salgado
Luc Delahaye
Simon Norfolk
Opis:
The starting point for analyzing aestheticization processes in contemporary documentary photography in this text are both the “poetic” images of lightness in literature and culture analyzed in a lecture by Italo Calvino (Six Memos for the Next Millennium) and the critical thought of Wolfgang Welsch on intentional aestheticization processes in the real world. According to Welsch, these processes, through specific procedures of “lavishing lightness”, cease to be a binding image of the world and become part of a culture game (Grenzgange der Asthetik). Examples selected for analysis include award-winning documentary photography, including war photography, represented by the work of Georges Merillon, Sebastiao Salgado, Luc Delahaye, Simon Norfolk and Tim Hetherington. These ‘aestheticization procedures’ are outlined in this text in the context of the history of photography perceived as its “struggle” for a place in the history of art, as well as in the context of the theoretical considerations which accompany these processes.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 317-331
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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