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Wyświetlanie 1-15 z 28
Tytuł:
Zabawa czy afekt? O ideologicznym uwikłaniu twórczości Wiktora Pielewina
Fun or affect? On the ideological entanglement of the works of Victor Pelevin
Autorzy:
Polak, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/2224115.pdf
Data publikacji:
2022-12-25
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Pelevin
ideology
game
postmodern literature
Russian literature
Opis:
The aim of the article is to review Victor Pelevin’s works in terms of their critique of current social and political processes as well as various kinds of ideologies and theories. Despite the writer’s association with the group of postmodern artists he is not only focused on typically postmodern text games and playing with readers, his ambitions are also targeted at shaping their views and behaviors. The author of Generation “P” reacts vividly to the changing reality, he is a keen observer with ambitions to influence the world. He raises issues of universal nature, protesting against all ideological norms, social categories, standardizing fashions and stereotypes that enslave human beings, against all ways of manipulating human consciousness. His approach is constantly met with criticism of both pro-Western and traditionalist circles. The former accuse him of an overly skeptical attitude to the Western model of life, while the latter do not like the writer’s ironic approach to social reality, polemics with Russian values and attempts to discredit them.
Źródło:
Studia Rossica Posnaniensia; 2022, 47, 2; 61-76
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Потенциал иронии в творчестве Людмилы Петрушевской (на примере романа Нас украли. История преступлений)
Autorzy:
Брюханова, Юлия
Powiązania:
https://bibliotekanauki.pl/articles/1022315.pdf
Data publikacji:
2020-10-27
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Russian literature
prose
Lyudmila Petrushevskaya
irony
game
Opis:
Many researchers of Lyudmila Petrushevskaya’s works draw attention to the irony which is the significant element of her prose, drama and poetry. It is important that the ironic principle manifests itself not only as an artistic technique but also as a philosophical aspect. Irony demonstrates the ambivalence of reality. On the one hand, it ridicules and profanes everything. On the other hand, irony gives the certitude of the ontological status of reality. We can see a good example of this function of irony in the novel Nas ukrali. Istoriya prestupleniy (2017). This novel shows the common features of Petrushevskaya’s works – the unity of ironic potential and language. In this case, language is not only the style but first of all the ontological element. This is why the language becomes almost a character in Petrushevskaya’s novel. Irony opens the vital potential of the linguistic personality. As a result, one of the heroes imitates foreign speech but doesn’t speak a foreign language. Irony also helps to reveal the ambivalent nature of life. It shows that our “umora” in Sanskrit and in ancient Indian is “humour” and “death”. So, the game and profanity not only reduce the status of the hero, the image, or the reader’s expectations but, first of all, fill the gap between words, ideas, feelings, and people.
Źródło:
Studia Rossica Posnaniensia; 2020, 45, 2; 105-113
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Медиевалистический текст в современной русской литературе как ответ на поиски идентичности после распада СССР
Autorzy:
Pacyno, Witold
Powiązania:
https://bibliotekanauki.pl/articles/1022703.pdf
Data publikacji:
2019-08-08
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Medievalism
contemporary Russian literature
myth
national identity
Opis:
The aim of the article is defining the cause of popularity of medievalism in contemporary Russian literature as well as describing an impact of the images of the Middle Ages in Russian medievalist texts on the national identity after the collapse of the Soviet Union.
Źródło:
Studia Rossica Posnaniensia; 2019, 44, 1; 201-210
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Motocykl–widmo, czyli meandry współczesnej fantastyki (Oleg Diwow, Рыжий пес иж)
The ghost motorcycle. The meanders of contemporary fantasy literature (Oleg Divov, Рыжий пес иж)
Autorzy:
Zywert, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/915982.pdf
Data publikacji:
2018-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Divov, ghost motorcycle, Russian fantasy literature
Divov
ghost motorcycle
Russian fantasy literature
Opis:
The present paper aims at analyzing one of the most recent Divov’s stories entitled Рыжий пес Иж (2016). The text is interesting both due to its literary genre hybridity (it embraces elements of a melodrama, a horror story, a detective story, urban fantasy and a fairy tale) and the topics it touches upon (especially animalistic issues). Divov deploys the well-known literary and cinematic motif of a soul penetrating an object and creates a story of motorcycle haunted by a dog’s soul. Due to its original solutions (inter alia referring to films) Divov’s story is an interesting work illustrating the permanent interrelations between literatures and movies as well as the author’s exploration within this scope. Moreover, the manner of creating the animal character and placing it within the structure allow for including Divov’s story into the group of contemporary literary works reflecting the proanimal trends in Russian culture.
Źródło:
Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2018, 8; 273-285
2391-470X
Pojawia się w:
Kultury Wschodniosłowiańskie – Oblicza i Dialog
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O HERETYKU MAHOMECIE – OPOWIEŚĆ O NARODZINACH ISLAMU W LATOPISIE HELLEŃSKIM I RZYMSKIM DRUGIEJ REDAKCJI
ON THE HERETIC MUHAMMAD – AN ACCOUNT OF THE ORIGIN OF ISLAM IN THE SECOND REDACTION OF THE HELLENIC AND ROMAN CHRONICLE
Autorzy:
Brzozowska, Zofia A.
Powiązania:
https://bibliotekanauki.pl/articles/1037787.pdf
Data publikacji:
2020-11-04
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Muhammad
Islam
Old Russian literature
Hellenic and Roman Chronicle
Opis:
A piece of writing On the Heretic Muhammad concerning the life of Muhammad, the origin of Islam and the first Arab conquests in the 7th century is included in the second redaction of the Hellenic and Roman Chronicle, a medieval Russian historiographical source containing an outline of universal history. The aforementioned text was edited and translated into Polish following the manuscript of РГБ, собр. Пискарева (228), № 162, from 1485.
Źródło:
Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim; 2020, 61; 101-116
0080-9993
Pojawia się w:
Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rosyjskie. Europejskie. Oświecone. Rozumne. O obecności Rosji w Azji Środkowej (i nie tylko)
Russian. European. Enlightened. Rational. On the presence of Russia in Central Asia (and not only)
Autorzy:
Polak, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/1022181.pdf
Data publikacji:
2020-06-29
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Central Asia
postcolonialism
Russian literature
colonial discourse
Yury Dombrovsky
Opis:
The author of the paper, using tools developed by postcolonial researchers, discusses the works of twentieth-century Russian writers. The setting of these texts is in the territory of Central Asia, Siberia or the Caucasus, constituting one of the factors defining them as the so-called Eastern text of Russian literature. Although most of the writers come from the other parts of Russia and – in most cases – are of Slavic descent, they know these regions quite well. These writers, however, are little interested in the problems of indigenous peoples, as long as they are not related to nationwide issues such as industrialization, collectivization or the labour camp system. The issues of destruction and loss of cultural identity, subordination, enslavement and exploitation of the local population are often omitted. The main characters in the works of Russian writers are invariably Russians, and their reference point is the Russian (Soviet) state.
Źródło:
Studia Rossica Posnaniensia; 2020, 45, 1; 89-98
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obraz wsi wołogodzkiej w powieści Przeddzień Wasilija Biełowa
The description of the Vologda countryside in novel Eves by Vasilii Belov
Autorzy:
Rutkowska, Andżelika
Powiązania:
https://bibliotekanauki.pl/articles/915955.pdf
Data publikacji:
2018-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Vasilii Belov
20th century Russian literature
Vologda region
Opis:
This article is aimed at reviewing of the novel Eves by Vasilii Belov to find a connection between the Vologda's region and the work. The Author devotes a particular attention to the space and the social order that are shown in the novel. He also emphasizes and describes traditions, customs, merits and characters' perception of the world. The analysis demonstrates the description of the Vologda's region in the Belov's novel proves it's special features that make this area different from the other regions of Russia. Also there are some circumstances of the novel's appearance and publication in the article.
Źródło:
Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2018, 8; 185-193
2391-470X
Pojawia się w:
Kultury Wschodniosłowiańskie – Oblicza i Dialog
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Осуществление юнгианской идеи русских как интуитивных интровертов в современной литературной фантастике
Implementation of the Jungian concept of Russian people as intuitive introverts in the contemporary speculative fiction
Autorzy:
Radosz, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2224181.pdf
Data publikacji:
2022-12-25
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Russian national character
depth psychology
Russian speculative fiction
contemporary Russian literature
cultural literary criticism
Opis:
The paper aims at investigating the demonstration of Russian intuition in the contemporary Russian speculative fiction. The research thesis is that the Russians, both presented in literature and within the frames of the national character studies, manifest themselves as the intuitive introvert type according to Carl Gustav Jung’s classification. For validating the thesis, as far as the proposed literary works are concerned, one should use the instruments offered by cultural literary criticism along with the support of non-literary disciplines, such as intercultural communication and ethnopsychology. Moreover, one should consider also notes on Russian national character taken by Jung himself as well as studies on the sociocultural aspect of the analysed works. A wide range of methods and perspectives allows deep research of the “feeling – intuitive” Jungian scale as manifested within literary characters representing the Russian element (also called Russianness) in the selected works, which belong to the most significant and/or popular pieces of contemporary speculative fiction in Russia.
Źródło:
Studia Rossica Posnaniensia; 2022, 47, 2; 77-85
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przeciwko nostalgii… Koncepcja pamięci we wspomnieniach Fiodora Stiepuna „Бывшее и несбывшееся”
Autorzy:
Ziomek, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/1022857.pdf
Data publikacji:
2019-08-08
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Fyodor Stepun
memory
Russian emigration
Russian émigré literature
Opis:
The article offers an introduction into Fyodor Stepun’s culture-making concept of memory. The thinker – one of the most intriguing representatives of the Russian emigration – criticized the emigrant milieu for its excessive traditionalism. Stepun presented the force of memory as a counterbalance to reminiscence and nostalgia, claiming that memory can prevent the Russian cultural heritage from being forgotten and ensure that it will creatively form the future of reborn Russia.
Źródło:
Studia Rossica Posnaniensia; 2019, 44, 1; 35-40
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zwrot polityczny w literaturze rosyjskiej, czyli „Lewy Front Sztuki” według Zachara Prilepina
A Political Turn in Russian Contemporary Literature or „Left Front of the Arts” by Zakhar Prilepin
Autorzy:
Roman, Katarzyna Urszula
Powiązania:
https://bibliotekanauki.pl/articles/636014.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
political turn
contemporary Russian literature
Zakhar Prilepin
politically engaged literature
New realism current
Opis:
The paper concerns Russian contemporary politically engaged literature and takes into consideration the writings of an acclaimed Russian prose-writer, radical anti-Kremlin opposition activist – Zakhar Prilepin. A political turn in Russian contemporary literature is a way of raising an objection to the political authorities, who bring an incessant pressure on the society to reproduce the official public discourse. It is also the act of uniting particularities of aesthetics, existence and politics, as well as breaking with the vision of literature distanced from the public issues. The common ground for Russian writers’ political commitment is a resistance to the postmodernism paradigm connected with an attempt to define the conditions and mechanisms of new ideology (in the „new realism” current). Deeply political writings of Prilepin seem to be an anti-liberal and anti-individualistic rebellion, as well as a thorough critical study of Russian contemporary society. The revolutionary prose-writer is against the doctrine of cultural pluralism, the activities of neo-liberal ruling elite, the growing political authority of Russian middle class and the dominant vision of collective memory.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 6
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Staroruskie Słowo o mądrości przypisywane Cyrylowi z Turowa (edycja i przekład)
Autorzy:
Brzozowska, Zofia
Powiązania:
https://bibliotekanauki.pl/articles/1038271.pdf
Data publikacji:
2015-01-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Cyril of Turov
Old Russian literature
Sophia – Divine Wisdom
Novgorod the Great
Opis:
The Word of Wisdom is a relatively small-sized relic of medieval eastern Slavic literature from what is certainly the oldest period of its existence, i.e. from before the Mongol invasion of Rus. It is attributed usually to Cyril of Turov (who died before 1182), one of the greatest writers of the Old Russian period. The oldest manuscript containing the full text of the Word of Wisdom is the parchment code from the thirteenth century, which is currently stored in the collections of the National Library of Russia in Saint Petersburg. A small fragment of the Word of Wisdom was also written on a birch bark document, found in its entirety in Torzhok near Novgorod the Great. This relic is usually dated to the years 1170-1190.
Źródło:
Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim; 2015, 56; 101-108
0080-9993
Pojawia się w:
Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Po Mannie i Viscontim. Śmierć w Wenecji we współczesnej literaturze polskiej, rosyjskiej i ukraińskiej
After Mann and Visconti. Death in Venice in Polish, Russian and Ukrainian literature
Autorzy:
Siemońska, Olga
Powiązania:
https://bibliotekanauki.pl/articles/916010.pdf
Data publikacji:
2018-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Venice
death
Russian literature
Ukrainian literature
Polish literature
Wenecja
śmierć
literatura rosyjska
literatura ukraińska
literatura polska
Opis:
The article analyzes three pieces of Russian, Ukrainian and Polish contemporary literature on the subject of “the death in Venice”. The authors of the works, by referring to the literary tradition, consciously strengthen the myth of the "the city of death". In their interpretations this myth has two dimensions: the general and the individual. In the general dimension the vision of a dying beauty and fading power encourages reflection on the transitory nature of civilization. The individual dimension is based on the sense of identification of a dying character with a "dying" city, i.e. Venice.
Źródło:
Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2018, 8; 219-230
2391-470X
Pojawia się w:
Kultury Wschodniosłowiańskie – Oblicza i Dialog
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Twórcza reinterpretacja mitów narodowych. Próba współodczytania „Trans-Atlantyku” Witolda Gombrowicza i „Małego palca Buddy” Wiktora Pielewina
Creative reinterpretation of national myths. An attempt to co-read „Trans-Atlantic” by Witold Gombrowicz and „Buddha’s Little Finger” by Viktor Pelevin
Autorzy:
Jaworski, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/915567.pdf
Data publikacji:
2018-09-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
national myth
Gombrowicz
Pelevin
Russian literature
Polish literature
mit narodowy
Pielewin
literatura rosyjska
literatura polska
Opis:
The aim of this paper is to depict significant parallels between the works  of Witold Gombrowicz and Viktor Pelevin within the scope of reinterpreting national myths. In their novels, Trans Atlantic and Buddha’s Little Finger, the writers seem to take account of substantial danger related to fixed, ossified forms of understanding the notions of nation and motherland. Despite visible differences in their styles both novelist stay alert to automatized relationship to any phenomenon and make attempts at provoking the reader to rethink their relationship to the abovementioned terms. The author of the present paper finds these issues crucial and very up-to-date in the post postmodern society and culture, in particular in light of the recent geopolitical changes.
Źródło:
Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2016, 6; 75-81
2391-470X
Pojawia się w:
Kultury Wschodniosłowiańskie – Oblicza i Dialog
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Opowieść o zdobyciu Konstantynopola przez uczestników czwartej wyprawy krzyżowej (6712/1204) w średniowiecznej ruskiej tradycji historiograficznej
Autorzy:
Brzozowska, Zofia A.
Powiązania:
https://bibliotekanauki.pl/articles/1038216.pdf
Data publikacji:
2016-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Old Russian literature
Novgorod the Great
Novgorod First Chronicle
Constantinople
Fourth Crusade
Opis:
The Old-Russian account about the siege of Constantinople by participants of the Fourth Crusade in 1204 has survived in several East Slavic historiographical texts and represents primarily an independent literary work. Certainly, the earliest of these texts is the Novgorod First Chronicle. It is an older edition preserved only in one copy – the so-called “Synodal manuscript”, which was written in the middle of the thirteenth century. At that time the story was written. Its author could have taken information about the events he described directly from eyewitnesses. His account of events is characterized by objectivity and credibility and constitutes a valuable resource for the study of the Fourth Crusade
Źródło:
Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim; 2016, 57; 109-152
0080-9993
Pojawia się w:
Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sowiecki dzikus, cuchnący dorsz i Muza – Władysława Chodasiewicza widzenie Petersburga
Soviet savage, stinking cod and Muse – Vladislav Khodasevich’s vision of Saint Petersburg
Autorzy:
Brzykcy, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/52676827.pdf
Data publikacji:
2024
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Russian émigré poetry
Saint Petersburg in Russian literature
hometown theme
Petersburg text
civil war in Russia
Opis:
The aim of this article is to analyze and interpret Vladislav Khodasevich’s poem Petersburg (Петербург, 1925), in which the poet evokes the image of the city during the war communism period from the distance of emigration. The poet presents the city in many dimensions: as a place of struggle for physical survival in an era of crisis caused by the Russian Civil War; as a space where high culture clashed with the barbarism of Bolshevism; and in an autobiographical key – as a time in which his own creative forces flourished. The cityscape is based on a series of antinomies: past – present, tradition – innovation, spirituality – materiality, sacrum – profanum, the real world – the surreal world, the culture of old Russia – the primitivism of new times. This allows us to look at the poem simultaneously from several perspectives: historical-literary (cultural life in St. Petersburg during the Civil War), biographical (the poet’s stay in the city in the years 1920–1922), intertextual (assignment of the poem to the Petersburg text) and metatextual/self-referential (Khodasevich’s aesthetic views).
Źródło:
Studia Rossica Posnaniensia; 2024, 49, 1; 177-190
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
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