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    Wyświetlanie 1-5 z 5
    Tytuł:
    Poeta narysowany – o puszkinowskiej trylogii Andrieja Chrżanowskiego
    A Drawn Poet – about Andrei Khrzhanovsky’s A Pushkin Trilogy
    Autorzy:
    Czaja, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1039168.pdf
    Data publikacji:
    2019-03-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Andrei Khrzhanovsky
    A Pushkin Trilogy
    Alexander Pushkin
    Animated Film
    Artist’s Biography
    Opis:
    Czaja Justyna, Poeta narysowany – o puszkinowskiej trylogii Andrieja Chrżanowskiego [A Drawn Poet – about Andrei Khrzhanovsky’s A Pushkin Trilogy]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 357–370. ISSN 1644-6763. DOI 10.14746/ pt.2019.32.19. The subject of the article is an animated film A Pushkin Trilogy directed by Andrei Khrzhanovsky, dedicated to Alexander Pushkin. It comprises the films: Ya k vam lechu vospominanem, I s vami snova ya and Osen. The article attempts to answer the question about the reasons for the director’s interest in this outstanding writer and his work. It also shows the evolution of the ‘Pushkin theme’ in Khrzhanovsky’s work, changes in the content and formalism, and artistic research that led to the creation of the original animated trilogy. The poetics of the work are analyzed, in which the director looks at the work of the Russian writer through the prism of his manuscripts and sketches, while at the same time expanding the formula of the biographical film.
    Źródło:
    Przestrzenie Teorii; 2019, 32; 357-370
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „W cieniu madame się zrazu chował, a potem ją monsieur zluzował”. Rosyjskie wychowanie szlacheckich dzieci w I połowie XIX wieku
    “At first madame gave him tuition, from her monsieur took on the child”. The upbringing of gentry children in the first half of the 19th century in Russia
    Autorzy:
    Wilk, Anna Natalia
    Powiązania:
    https://bibliotekanauki.pl/articles/915260.pdf
    Data publikacji:
    2018-09-22
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Alexander Pushkin
    childhood
    noblemen upbringing
    governess
    private tutor
    Opis:
    In the first half of 19th century in Russia, being a child of parents from upper class, was not enough to earn the name of true nobleman. It was only a beginning of the arduous process. From the cradle the offspring was taught that the aristocrat should excel in courage, Western manners and languages, general education, artistic talents and athletics. A true Russian nobleman could not differ in any way from his Western European counterpart. In this paper we analyze the childhood reminiscences of Alexander Pushkin as well as his works understood as an example of the influence of the Western model  of upbringing on the personality and development of a Russian noble’s child.
    Źródło:
    Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2014, 4; 217-226
    2391-470X
    Pojawia się w:
    Kultury Wschodniosłowiańskie – Oblicza i Dialog
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Aleś Puszkin — czołowa postać białoruskiej awangardy?
    Autorzy:
    Kuleszewicz, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/915772.pdf
    Data publikacji:
    2018-07-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    avant-garde
    Ales Pushkin
    Belarus
    Vitebsk
    performance
    Belarusian modern art
    Opis:
    Avant-garde, a rebellious band of new trends and tendencies in art that appeared in the early 20th century, lasted for years being transformed, yielding the new forms of expression. It is also a trend of art most often associated with contemporaryBelarusian art (partially due to “school of Vitebsk”, Marc Chagall and Kazimir Malevich), still enjoying popularity in the country. One of the most recognizable Belarusian artistsis Ales Pushkin, born in 1965 in Bobr, associated with the Achremczuk’s National Schoolof Music and the Arts in Minsk and Vitebsk artistic environment. Pushkin is known for his indomitable, rebellious attitude towards the state regime. For many observers, art amateurs and even art critics, the character of his work immediately resembles avant-garde. However, as some researchers noted, Pushkins’ art enters a new dimension,paving the way towards new horizons of contemporary (avant-garde?) art of Belarus.
    Źródło:
    Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2017, 7; 87-98
    2391-470X
    Pojawia się w:
    Kultury Wschodniosłowiańskie – Oblicza i Dialog
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Granice ironii – granice iluzji. O ontologii postaci w „Eugeniuszu Onieginie” Aleksandra Puszkina i Piotra Czajkowskiego
    The Borders of Irony – the Borders of Illusion. On the Character Ontology in Alexander Pushkin’s and Pyotr Tchaikovsky’s “Eugene Onegin”
    Autorzy:
    Borkowska-Rychlewska, Alina
    Powiązania:
    https://bibliotekanauki.pl/articles/2135484.pdf
    Data publikacji:
    2022-09-30
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Eugene Onegin
    Alexander Pushkin
    Pyotr Tchaikovsky
    digressive poem
    romantic irony
    stage illusion
    Opis:
    The article presents the characteristics of the romantic irony employed in Alexander Pushkin’s digressive poem Eugene Onegin and Pyotr Tchaikovsky’s opera titled alike. The analysis of selected fragments of the libretto which were based on the verses constituting the digressive (rather than storytelling) layer of Pushkin’s work allow one to conclude that the operatic version of Onegin expresses exactly the same kind of romantic irony which was used by the romantic poet. The authors of the libretto achieved something typical of Pushkin’s irony – a flow of the border between illusion and disillusion and an effortless crossing of the dialectic borders of time and space. They did so by multiplying and splitting into layers the “I” of the main character which functions both in the dramatic plane and beyond it, taking over the functions which in Pushkin’s text were performed by the narrator.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2022, 42; 137-155
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Skazani na imperium. Wizja rosyjskiej drogi dziejowej w Jeźdźcu miedzianym Aleksandra Puszkina
    Doomed to the Empire. A Vision of the Russian Historical Path in Alexander Pushkin’s The Bronze Horseman
    Autorzy:
    Bortnowski, Antoni
    Powiązania:
    https://bibliotekanauki.pl/articles/30148677.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Alexander Pushkin
    The Bronze Horseman
    Russian imperialism
    Russian historiosophy
    the sense of rebellions in Russian history
    Opis:
    The article is an attempt to explore the vision of Russian history in Alexander Pushkin’s The Bronze Horseman. The key role in the poem is played by the figure of Peter I, who is shown as a despot on the one hand, and a bold visionary on the other. In The Bronze Horseman, Pushkin presents a suggestive image of the flood in St. Petersburg, referring to such problems as the clash between an ordinary man and history or the essence of rebellions and revolutions. Deciphering the meaning of individual motifs allows us to perceive Pushkin’s coherent and multidimensional historiosophical vision. The main conclusion of the article is the statement that Russian imperialism in The Bronze Horseman is shown as an organic element of Russianness, without which Russia could not have formed as a strong and modern state. Moreover, the poem can invariably be seen as a key to understanding the essence and vitality of Russian imperialism.
    Źródło:
    Poznańskie Studia Slawistyczne; 2023, 25; 31-46
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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