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Tytuł:
Od „dna” ku „denku”. Postmodernistyczna aktualizacja dramatu M. Gorkiego
From the bottom to the shallowness. Postmodernism in M. Gorkie’s drama
Autorzy:
Pieczyński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/915273.pdf
Data publikacji:
2018-09-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
postmodernism
intertextuality
transcontextualization
parody
Opis:
Contemporary Russian drama is situated in a dialogue with literary and more precisely dramatic tradition. For example, this thesis clearly confirms a comedy by Igor Shpric On the bottom. The text at the level of its title refers to Maxim Gorky's play  The Lower Depths.  Shpric’s comedy parodies this work by presentingGorky's characters in the social and cultural context of contemporary reality. The main purpose of the paper is the intertextual analysis and interpretation of ironic Shpric’s comedy as the transcontextualization of language, poetics, themes, plot and characters ofGorky's text.
Źródło:
Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2014, 4; 151-158
2391-470X
Pojawia się w:
Kultury Wschodniosłowiańskie – Oblicza i Dialog
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Po mochlos – prolegomena do możliwych jeszcze rozważań o kondycji uniwersytetu
After mochlos – prolegomena to any still possible considerations about the condition of univerisity
Autorzy:
Chojnacki, Marek
Żardecka, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1029605.pdf
Data publikacji:
2020-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
university
mochlos
hauntology
Kant
postmodernism
Opis:
The text tackles the problem of the condition of university, in a world blindly believing that the only possible worth measure is economic in nature and, in the name of this belief, setting in motion a ruthless bureaucratic machinery that throttles all kinds of creativity and nips in the bud all nonstandard actions and creations. The world apparently is “out of joint”, and things are taking an unexpected turn. University is one of the victims, but also one of active accomplices of this despicable situation. How to speak about the university to those who are exclusively in business of calculating balance of profits and losses? How to speak about it after deconstruction, when all great ideas have been already repeatedly and manifoldly dismounted and discredited? How to speak about it, when the university’s men and women have discredited themselves repeatedly as well, oscillating between libido sciendi and libido dominandi? Trying to solve this puzzle, we are following in the footsteps of Derrida, who in his texts about university makes appeal to Kant, and inspired by his invention, we set in motion two opposite traditions, represented by Lyotard, Bourdieu, Bauman and Readings on the one hand, and by Humboldt, Schleiermacher and Jaspers on the other. With Derrida, we make noises about the return of the ideas of truth, of the light of reason, of the autonomy of university. It is, however, a return of the specters of the past, in alignment with Derrida’s hauntology. Humanists are people of academia who see these specters, but at the same time are already specters themselves – even if they still show up here and there, they are almost insignificant. They are onlyallowed to contemplate their negligibility and to confess their habitual helplessness. University always had to defend itself, and it does defend itself today.
Źródło:
Człowiek i Społeczeństwo; 2020, 49
0239-3271
Pojawia się w:
Człowiek i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Art After Democracy, Art Before Democracy
Autorzy:
Mizerkiewicz, Tomasz
Anessi, Thomas
Powiązania:
https://bibliotekanauki.pl/articles/951464.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
democracy
art
book-art
postmodernism
Opis:
The paper describes today’s new situation of art facing antidemocratic processes. The powerful metaphor of Parthenon of books is used, which once was the name of an installation by Marta Minujín presented just after the fall of Argentinian brutal regime in the early eighties and reinstalled again few years ago. The author points that popular “posts” of humanities (postmodernism, postsecularism etc.) need to be replaced by the philosophy of art being after some definite change. The new temporal and public condition of art being after is the result of its dramatic contemporary and future challenges.
Źródło:
Poznańskie Studia Slawistyczne; 2019, 17; 15-21
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między (re)konstrukcją a nostalgią. Współczesny polski i rosyjski neopoganizm w kontekście „postcolonial studies”
Autorzy:
Nakoneczny, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1022763.pdf
Data publikacji:
2019-08-08
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
neopaganism
postcolonial studies
nostalgia
myth
postmodernism
Opis:
The article proposes a look at contemporary neopoganism as a phenomenon that can be described in the context of postcolonial studies. However, analyzing neopaganism through the prism of the classic postcolonial terms seems to be insufficient to the author. Therefore, he proposes to supplement it with the concept of nostalgia. He also disagrees with the view that neopaganism is the part of the postmodern trend of contemporary culture.
Źródło:
Studia Rossica Posnaniensia; 2019, 44, 1; 101-112
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czesław Miłosz i Walt Whitman: przekład jako prawdziwa obecność
Czesław Miłosz and Walt Whitman: translation as an authentic presence
Autorzy:
Van Nieukerken, Arent
Powiązania:
https://bibliotekanauki.pl/articles/1533706.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Czesław Miłosz
Walt Whitman
modernism
postmodernism
Opis:
Miłosz’s later poetry attempts to overcome the (post)modernist gap between the author as a textual effect and the subject of autobiography. An important stage on this road was his poetry book (in fact, a long poem in its own right) Nieobjęta ziemia [Unattainable Earth]. Its form is clearly dialogical. The collection mixes authorial poems with various examples of “heteroglossia”. Particularly striking is the prominent presence of Walt Whitman’s poetry. Whitmanian poetics assume that fully experiencing reality presupposes the existence of a community. The task of poetry consists in conceiving artistic structures that, when they are “concretized”, allow the reader to participate in such a community. Nieobjęta ziemia tries to come to terms with the Whitmanian challenge. The poetical subject in this somewhat modified example of the modern “sylva rerum” experiences its link with the “other” by an individual reception of artifacts that point to the communal essence of humanity. Nieobjęta ziemia , realizing community in the field of poetics “performatively”, incorporates these artifacts into the text. Particularly important seems to be the role played by poems translated by Miłosz himself (they are explicitly labeled as translations), and that represent the human condition called by Whitman “en masse”.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 20; 217-231
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le roman sans événements: 'Oreille rouge' d’Éric Chevillard
The novel without events: Oreille rouge by Éric Chevillard
Autorzy:
Maziarczyk, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1051157.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Chevillard
narration
postmodernism
ludic
parody
minimalism
Opis:
Even though absurd humour and surreal scenes are at first sight the characteristic elements of Eric Chevillard’s style, it is an oversimplification to consider his novels as mere literary jokes. The appeal of this literature stems from the light and witty manner in which it transforms outdated novelistic conventions, deconstructs classic narrative strategies and refuses to fulfill the reader’s expectations. This article seeks to analyse minimal narration, an unusual mode of writing for Chevillard, in Oreille rouge: just like narrative excess, typical of his other works, it results in dematerialisation of the plot and redefinition of the novelistic structure.
Źródło:
Studia Romanica Posnaniensia; 2013, 40, 4; 33-40
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Varijacije, odjeci i tragovi matoševskog flanerizma u izboru iz suvremene hrvatske proze
Variations, Reverbaration and Traces of Matoš’s flâneurism in the Selection of Contemporary Croatian Prose
Autorzy:
Gajin, Igor
Powiązania:
https://bibliotekanauki.pl/articles/635464.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
fl âneurism
transition
postmodernism
mediasphere
strategies
trajectories
Opis:
In his book, Čitanje grada (Reading the City), Krešimir Nemec stated that A.G. Matoš has „modeled after Baudelaire, introduced to the Croatian literature a figure of an idle observer, a curious pedestrian or a flâneur, a typical impressionist product of urban culture and aesthetics of the street”. As a reference and a starting point for reflection on flâneurism’s motifs in contemporary Croatian literature, A.G. Matoš is used as a factor of distinction in outlining one of the most characteristic aspects of the so-called transitional literature. Having said that, a common conclusion is that flâneurism has, in the Croatian contemporary prose, moved from thestreets to the shopping malls. However, contemporary Croatian prose offers the reading of other flâneurism practices as a movement that reflects the changes in categories of urban life, space, daily life and discourse in the transition period from the 20th to the 21st century due to the transformative processes such as a transition, globalization and media revolution. Ultimately, Nemec writes: „If he had experienced the present era of electronics and virtual reality, Matoš probably would have called the tireless surfers of the endless Internet sphere electronic flâneurs”.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Абсурдизация действительности в сатирической пьесе Увидеть Солсбери Виктора Шендеровича
The absurdity of reality in the satirical play To see Salisbury by Viktor Shenderovich
Autorzy:
Vorontsova, Kristina
Powiązania:
https://bibliotekanauki.pl/articles/2224220.pdf
Data publikacji:
2022-06-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Viktor Shenderovich
political satire
absurd
theatre
postmodernism
Opis:
In 2018, the story of the unsuccessful poisoning of the Skripals by Russian special services shocked the world, and the further appearance of “Petrov” and “Boshirov” in an interview with Margarita Simonyan with completely implausible explanations led to the emergence of many memes and humorous works. The satirical play by Viktor Shenderovich To see Salisbury (2019) can be considered as one of the most significant reactions created by Russian-speaking society to the lies of the state. It is successfully performed abroad and, of course, has no chance of being staged in Russia. The author asks the question: what if everything that Petrov and Boshirov told in a scripted interview on the air of on Russia Today is true, and they are not unsuccessful spies, but a couple of gay lovers who are interested in Gothic cathedrals and the Charter of Liberties? Reflections on their own blurry unstable identity led the characters to an existential crisis in the spirit of the Theatre of the Absurd. This paper analyses how the absurdity of reality in the play serves to create a comic effect. Shenderovich grounds his satire based on direct citation of the precedent text of the interview, known a priori to every Russian-speaking recipient, on the intertexts of the Russian linguistic culture, fills the gaps of perception with paradoxes, and answers the questions asked by the audience after the RT broadcast (Why do the passport numbers differ by one digit? Why do the characters know Simonyan’s personal phone number? etc.).
Źródło:
Studia Rossica Posnaniensia; 2022, 47, 1; 129-142
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wychowanie obywatelskie a problem nauczania historii – rekonstrukcja zachodniej debaty
Citizenship Education and History – Reconstruction of the Western Debate
Autorzy:
Hejwosz-Gromkowska, Daria
Powiązania:
https://bibliotekanauki.pl/articles/644790.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
history education
citizenship education
critical thinking
postmodernism
Opis:
Some academics claim that history education is a vital component in citizenship education, others say that its role is overestimated. In the postmodern perspective there is “the end of the past” which is, to some extend, a product of consumption society and globalization. The contemporary societies are future-oriented and the rituals, myths and the need of belonging have nearly disappeared. In this context the questions about the purposes of history education and its relation to citizenship education are posed: should history education be nation-orientated to build loyalty and commitment or should it develop skills and knowledge for better comprehension of the present? Is history education oriented towards consensus or con ict? How to talk about history in multicultural societies, without marginalizing particular groups and without imperious imposition of the only version of “the Truth”? In order to answer to these question the reconstruction of the western debate has been made.
Źródło:
Kultura-Społeczeństwo-Edukacja; 2013, 3, 1; 135-154
2300-0422
Pojawia się w:
Kultura-Społeczeństwo-Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postmodernistyczne wymazywanie Zagłady (Raymond Federman, Georges Perec, Anatol Ulman)
Postmodern Erasing of the Shoah [Raymond Federman, Georges Perec, Anatol Ulman]
Autorzy:
Tomczok, Marta
Powiązania:
https://bibliotekanauki.pl/articles/635639.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Holocaust
postmodernism
testimony
play
rhetorical figures
narrative
Opis:
The article presents three strategies elaborated in the seventies of the last century by the postmodern prose, in order to tell us about the genocide. To name these strategies, the authoress makes use of the terms of blurring, patch, and “sous rapture”, which serve discussing Double or Nothing by Raymond Federman, W, or the Memory of the Childhood by Georges Perec, and Cigi de Montbazon by Anatol Ulman. The essential part in the discussion on the genocide is the reception of the above mentioned novels reconstructed among others on the base of works by Susan Rubin Suleiman along with her conception of the “1.5 generation”. The article also aims at a presentation of the interference between Cigi de Montbazon and European postmodernism exposed in Brian McHaleʼs idea of “worlds under erasure”. It is worth adding that the indicated presentation has not been yet considered.
Źródło:
Poznańskie Studia Slawistyczne; 2017, 12; 299-315
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Matoš i postmoderna, A.G.M. kao matrix hrvatske književnosti
Antun Gustav Matoš and Croatian Postmodernism
Autorzy:
Rem, Goran
Powiązania:
https://bibliotekanauki.pl/articles/635782.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
postmodernism
expressionism
dadaism
surrealism
futurism
constructivism
existentialism
Opis:
The article Matoš and Croatian Postmodernism shows that it was Boro Pavlović (1921–2001), the anticipator and „the father” of Croatian postmodernism, the author of fifty collections of poems and numerous media creations of Walter Benjaminʼs provenance in the 50ʼs (exhibition of poems We in 1942, collection News in 1954, the project-exhibition Encyclopedia poetica in 1957/1958, and computer poem MOrpheus in 1978), who figuratively, impressively, but accurately summed up the importance of the impressionist, symbolist and Art Nouveau author A.G.M. for the overall Croatian literature.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Els entra-i-surts del poeta”. Joan Brossa entre la vanguardia y el postmodernismo
Els entra-i-surts del poeta”. Joan Brossa between the avant-garde and the postmodernism
Autorzy:
Kurek, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/1051216.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Joan Brossa
Catalan poetry
avant-garde
postmodernism
Opis:
The poetry of Joan Brossa (1919-1998), because of its complexity and size, testifies the adventures that has lived the Western literature in the second half of the twentieth century: from the depletion of traditional avant-gardes, going through the movements of neo- or transavantgarde, up to the manifestos of the “literature of exhaustion” or postmodern. The present study aims to discuss the collection of seven volumes of poetry of Joan Brossa, written between 1969 and 1975, and published between 1983 and 1989 under the general title "Els entra-i-surts del poeta", which we consider as one of the most consistent editorial and lyrical author’s projects. We put emphasis on the issue of continuation / break up between the modernist concepts of language and the postmodern plurality, treatment of reality as text or writing, free play of imagination: all this not as a picture of disintegrated world but as positive reflection of a polymorphic reality.
Źródło:
Studia Romanica Posnaniensia; 2013, 40, 2; 91-104
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„…читая в ногу души прекрасные порывы”: смех аутсайдера и русский ХХ век в Неизвестных письмах Олега Юрьева
„…reading apace with the soul’s beautiful impulses”: Outsiders’ laughter and the Russian twentieth century in Oleg Yuryev’s Unknown letters
Autorzy:
Voloshchuk, Ievgeniia
Powiązania:
https://bibliotekanauki.pl/articles/2224210.pdf
Data publikacji:
2022-06-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
intercultural literature
outsider
postmodernism
literary canon
comic
Yuryev
Opis:
The paper deals with the specifics of outsiders’ laughter in the book Unknown letters (Неизвестные письма/Unbekannte Briefe, Russian 2014, German 2017) by a Russian-German writer Oleg Yuryev. In particular, it analyzes how Russian cultural and historical traumas of the 20th century were reinterpreted in the book from the perspective of an ironical outsider. In doing so, it focuses on a fictional letter by the writer Leonid Dobychin, which is contextualized with fictional letters of Jakob Michael Reinhold Lenz and Ivan Pryzhov, representing previous historical and cultural periods. Yuryev’s ironic reflections on the Russian historical reality and literary scene of the 20th century manifest themselves at different levels, from the positioning of outsiders’ laughter in relation to the official and marginal hierarchies of the literary canon to the postmodernist play with the traditions of literary classics. In addition, the paper addresses the inter- and/or transcultural aspect of outsiders’ laughter in Yuryev’s book.
Źródło:
Studia Rossica Posnaniensia; 2022, 47, 1; 111-128
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O (nad)używaniu przedrostka „post” w czasach (po)nowoczesnych
On (Over)using the Prefix "Post" In (Post)modern Times
Autorzy:
Stachewicz, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/1047913.pdf
Data publikacji:
2012-01-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
postmodernity
postmodernism
“post”
homo videns
ponowoczesność
postmodernizm
„post”
Opis:
Artykuł podejmuje problem współczesnego nadużywania przedrostka „post” w dyskursie z zakresu nauk społecznych i humanistycznych oraz w języku publicznym i potocznym. Zdaje się, że sytuacja człowieka epoki (po)nowoczesnej jest sytuacją postczłowieka, żyjącego w postrzeczywistości. Opisywane w artykule klimaty nie mogą nie wpływać na rozumienie, ale i przeżywanie rzeczywistości małżeństwa i rodziny. W każdym razie warto przyglądać się implikacjom płynącym z nadreprezentacji prefiksu „post” we współczesnych narracjach.
The article deals with the problem of overusing the prefix “post” in social studies discourse and humanistic discourse as well as in public and colloquial language in contemporary times. The situation of a human being in the (post)modern epoch seems to be the situation of a post-human being living in post-reality. Trends discussed in the article must influence not only the understanding but also the experiencing of the reality of marriage and family. It is certainly worthwhile to analyze the implications arising from an over-representation of the prefix “post” in contemporary narrations.
Źródło:
Teologia i moralność; 2012, 7, 1(11); 127-137
1898-2964
2450-4602
Pojawia się w:
Teologia i moralność
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Interpretacja jako samozbawienie. O Gnieździe światów M.S. Huberatha
Interpretation as Self-Salvation. About Gniazdo światów (‘Nest of Worlds’) by M.S. Huberath
Autorzy:
Gorliński-Kucik, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/32051048.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
gnosis
dystopia
Polish prose
postmodernism
Marek S. Huberath
Opis:
This article is an attempt to interpret the novel Gniazdo światów (Nest of Worlds) by Marek S. Huberath. Contrary to appearances, this novel does not fit into the science fiction convention, nor does it implement dystopian schemes without reservations. Instead, the novel uses a repertoire of postmodern tricks and emphasizes the cryptotheological background. These themes can be read through the reference to transhistoric, gnostic world-feeling, and hermetic speculation. Therefore, Huberath’s novel appears as a meta-dystopia from which self-salvation can be an appropriate interpretation of the world around us.
Źródło:
Przestrzenie Teorii; 2022, 37; 159-177
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
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