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Tytuł:
Kriegsliteratur aus der DDR und die Zensur in der Volksrepublik Polen in den ersten Nachkriegsjahren
GDR war literature and censorship in Peoples Republic of Poland in the early postwar years
Autorzy:
Rajch, Marek
Powiązania:
https://bibliotekanauki.pl/articles/927453.pdf
Data publikacji:
2017-04-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Germane literature
war literature
censorship
socialist realism
GDR
Polish People's Republic
Opis:
From all of the German literature distributed in Poland during the first half of the nineteen fifties, that of the GDR was the most strongly represented, because like the People's Republic, it was part of the Eastern Bloc. A substantial part of this literature touched upon the themes of the Second World War. As some prominent Eastern German authors had taken part in the Spanish Civil War in 1936-1939, this subject also couldn't be ignored.The introduction in 1949 of socialist realism as the most important criterion of art, and particulary strong political pressure, led to a great deal of confusion and insecurity, not only for Polish publishing houses, but also among the censors, whose task was to take decisions about what literature could be printed. Censors’ opinions in this period often differed, not only in terms of detailed matter, but also in the final decisions about the eventual fate of the title submitted for evaluation.
Źródło:
Studia Germanica Posnaniensia; 2016, 37; 253-262
0137-2467
Pojawia się w:
Studia Germanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dolus eventualis jako remedium na braki legislacyjne ustawodawstwa karnego Polski Ludowej 1944–1969 – analiza prawna
Dolus eventualis as a remedy for the legislative shortcomings of the criminal legislation of the Peoples Republic of Poland between 1944 and 1969 – a legal analysis
Autorzy:
Szczygieł, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/2046208.pdf
Data publikacji:
2021-12-21
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
criminal law
Polish People's Republic
dolus eventualis
prawo karne
Polska Rzeczypospolita Ludowa
Opis:
Artykuł prezentuje wykorzystywanie w doktrynie i praktyce orzeczniczej Polski Ludowej 1944–1969 konstrukcji zamiaru ewentualnego (dolus eventualis) do kształtowania – a de facto zaostrzania – polityki karnej w sprawach o czyny objęte nieumyślnością. Autor koncentruje swoje rozważania w szczególności na sprawach przeciwko interesom politycznym i gospodarczym państwa, przestępczości komunikacyjnej oraz dotyczących przeciwdziałania negatywnym skutkom alkoholizmu. Przeprowadzone analizy wskazują, że we wszystkich tych obszarach braki systemu prawa karnego oraz subtelna (dowodowa) różnica między świadomą nieumyślnością (lekkomyślnością) a zamiarem ewentualnym były wykorzystywane na niekorzyść potencjalnych sprawców. Fakty te dobitnie potwierdzają znaną powszechnie właściwość ówczesnego systemu, a więc jego instrumentalizm w wykorzystywaniu prawa karnego, do kształtowania – zwalczania – negatywnych aspektów rzeczywistości społeczno-gospodarczo-politycznej.
The article presents the use of the construct of recklessness (dolus eventualis) in the doctrine and judicial practice of the People's Republic of Poland between 1944 and 1969 in order to shape – and de facto tighten – the penal policy in cases which involved acts which were classified as unintentional. The paper focuses its ruminations in particular on cases against the political and economic interests of the state, traffic offences and counteracting the negative effects of alcoholism. The conducted analyses indicate that in all these areas the shortcomings of the criminal law system and the subtle (evidence) difference between the deliberate inadvertence (recklessness) and possible intention were used to the detriment of potential perpetrators. These facts clearly confirm the well-known feature of the contemporary system, namely its instrumentalism in the use of criminal law to shape – fight – the negative aspects of the social, economic, and political reality.
Źródło:
Czasopismo Prawno-Historyczne; 2021, 73, 2; 141-157
0070-2471
Pojawia się w:
Czasopismo Prawno-Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Book Review: Housing Problems in Poland in the 1970s in the Light of Personal Documents [Problemy mieszkaniowe w Polsce w latach siedemdziesiątych XX wieku w świetle dokumentów osobistych]
Autorzy:
Kujawa, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/2817801.pdf
Data publikacji:
2022-12-08
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Polish People's Republic
shortage of flats
Edward Gierek’s decade
housing Problems
Opis:
This review discussed the book by Michał Jacek Jarmuż (2020), entitled Housing Problems in Poland in the 1970s in the Light of Personal Documents [Problemy mieszkaniowe w Polsce w latach siedemdziesiątych XX wieku w świetle dokumentów osobistych] which was published in 2020 by the Institute of History of the Polish Academy of Sciences in Warsaw. This publication is the result of the doctoral dissertation defended in 2014, written under the supervision of prof. Dariusz Jarosz at the Institute of History of the Polish Academy of Sciences in Warsaw, who has specialized and researched for many years, inter alia, housing issues in 20th-century Poland, doing so both through the lens of classic archival files and personal documents (Jarosz, 1996; 2006; 2008; 2010; Miernik, 2006). This fact undoubtedly influenced the choice of research topics and the type of historical sources used in the work.
Źródło:
Studia Historiae Oeconomicae; 2022, 40, 1; 143-154
0081-6485
Pojawia się w:
Studia Historiae Oeconomicae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Najkrótszy kurs tragikomedii PRL: Rejs Marka Piwowskiego
The shortest course of the PRL tragicomedy: The Cruise by Marek Piwowski
Autorzy:
Obremski, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/1039410.pdf
Data publikacji:
2019-12-06
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
The Cruise
tragicomedy
Polish People’s Republic
comedy
Opis:
The tragicomic finale to a costume ball on a ship sailing into night-time darkness was already ‚conceived’ when passengers first stepped onto the gangway. The Cruise is a mix of genres (as was known from the ancient geneological theory of genus mixtum), because situational comedy and sociodrama co-create a genre as broken as tragicomedy, hence „If Rejs is considered a comedy, do not forget that it is a mocking comedy, streaked with despair, as bitter as gall” (Marek Hendrykowski).
Źródło:
Przestrzenie Teorii; 2019, 31; 345-356
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Report From Beyond the Event Horizon
Autorzy:
Bednarek, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1009569.pdf
Data publikacji:
2019-05-08
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
feminism
Polish People’s Republic
Women’s League
Opis:
This is a review essay discussing Magdalena Grabowska’s book: Zerwana genealogia: Działalność społeczna i polityczna kobiet po 1945 roku a współczesny polski ruch kobiecy (Warszawa: Wydawnictwo Naukowe SCHOLAR, 2018).
Źródło:
Praktyka Teoretyczna; 2019, 31, 1
2081-8130
Pojawia się w:
Praktyka Teoretyczna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Biuro, natura, wyobraźnia, wiejska chata, fabryczna hala. Wizerunki artystycznej pracowni w dokumentalnym filmie o sztuce czasów PRL-u
Autorzy:
Juszkiewicz, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/909469.pdf
Data publikacji:
2018-09-19
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Polish film on art
documentary film
representation of artists
medium of film
Polish People's Republic
Opis:
Artists’ studios turned into museums are always specific representations of thepast – spatial images reflecting some idea of art and the artist, as well as his or herworks, and even the position of the spectator imagined as a visitor, admirer, insider,outsider or pilgrim.When a studio is shown through a film, its status of representation comes to theforeground very distinctly just because of the properties of the medium. A filmic representationof the studio is a result of combining images into a sequence, while individualimages attract the spectator’s attention to particular places, areas or aspectsof the space of creation, thus making him or her follow a certain trajectory of meaning.What is more, such a sequence does not have to be limited to the studio’s interiorsince the cinematic montage allows the director to expand it freely by adding somehistoricizing or contextualizing frames. Finally, film allows one to meet the artist inhis or her space through an interview, representation of the creative process or anactor-impersonator.In the first I discuss briefly three issues: the general idea of the present paperand its historical and theoretical contexts.First, my objective is to provide information on my research on Polish documentaryfilm on art in 1948–1989, which was financially supported by the Ministry ofScience and Higher Education. I was doing this research with help of a small team ofyoung scholars – phd students and a younger collegue from Institute of Art History atAdam Mickiewicz University in Poznań. In this article I will not address generalproblems related to the filmic representation of artists’ studios, but discuss severalindividual cases.Second, the historical context is connected with the hopes of totalitarian statesto use mass culture, and particularly film, to manipulate the masses. Even though inparticular decades of the 20th century, and in different countries, those hopes wereput into practice in different ways, their ideological and practical implementation hada common basis. That basis can perhaps be best described by Walter Benjamin’s ideathat a modern wish to regenerate the world requires the destruction of the auratic artand influencing the masses with some other kind of artistic creation that could organizethem according to a fixed political purpose. Benjamin believed that the most usefulin that respect would be film, which in his opinion was both technical and massoriented.The masses could receive film with little effort so that it would imperceptiblyform their mental and imaginative habits, and therefore also a political bias.My point is that the filmic representations of artists’ studios must be approachedin the general context of the role assigned to film in the communist Poland, eventhough one should also remember that artists had various attitudes and censors keptchanging their criteria of appropriateness. Still, the research focused on the representationof the artist, his or her studio, and the ideas of art will reveal an officially acceptedpicture to be transmitted into the public space. One the other hand, oneshould remember that within precisely defined political limits Polish documentary(and other) filmmakers could ignore commercial aspects and refer to the acknowledgedhigh position of art, experimenting in different ways with a relationship betweenfilm and the visual arts.Third, my theoretical context is related to the status of the documentary or, thatof reality represented in documentary films. In my view, shared also by a number ofscholars, documentaries have an element of creation and their reality is alwaysprocessed in one way or another. My examples will include studio as office, nature,space of imagination, village hut or cottage, and engine room.
Źródło:
Artium Quaestiones; 2015, 26; 149-169
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fantastyka naukowa w polskim piśmiennictwie krytycznofilmowym przełomu lat pięćdziesiątych i sześćdziesiątych XX wieku
Science fiction in Polish film journalism at the turn of the 1950s and 1960s
Autorzy:
Dudziński, Robert
Powiązania:
https://bibliotekanauki.pl/articles/1047440.pdf
Data publikacji:
2021-03-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
science fiction
Polish People’s Republic
film criticism
reception
Opis:
The article is devoted to the Polish reception of science-fiction cinema; the statements of film critics from 1956–1965 were analysed. During this period, science fiction, previously absent from the screens of Polish cinemas for ideological and censorship reasons, returned to the repertoire and became the subject of press discussions and reviews. The analysis of articles devoted to this genre and published at the time allows reconstruction of the cultural context in which science-fiction productions operated. The article consists of three main parts. In the first of these, the author describes which science fiction films were present in Polish cinemas at the turn of the 1950s and 1960s. In the second part, he analyses press statements devoted to the history and aesthetics of the genre. The subject under consideration in the third part is the reception of two productions, which at the time enjoyed the greatest interest from contemporary critics: Godzilla (Gojira, 1954, dir. Ishirō Honda) and The Silent Star (Der schweigende Stern 1960, dir. Kurt Maetzig).
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 99-125
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
New Reality – New Problems. Financial Crime in Greater Poland in the Years 1945-1970
Autorzy:
Jankowiak, Stanisław
Powiązania:
https://bibliotekanauki.pl/articles/1390750.pdf
Data publikacji:
2017-02-07
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
financial crime
Polish People’s Republic
society
clique
nomenklatura
Opis:
Systemic transformation in Poland after the Second World War led to deep transformations within the economy. It did not, however, change the way people thought. Despite the chaos of the post-war period, in which all the negative features shaped in the period of occupation manifested themselves, it seemed that the conceptual leaders of the Polish political and economic life would create new quality. However, it soon turned out that old habits die hard and the system created by communists opened a field for many abuses. This was accompanied by a sense of impunity, as the most prominent personalities in a given region were also involved in economic scandals. All this resulted in the creation of “cliques” in which both prominent Party activists and people put by the Party in high positions (usually also members of the Polish United Workers’ Party, PUWP) played important roles. On the one hand, after 1956, surveillance by the Security Office (UB) or Security Services (SB) was not that strict anymore, and on the other, the so-called “private initiative” started to develop fast – therefore the more “entrepreneurial” individuals started to exploit the situation and gain wealth. Abusing one’s position to organize large-scale thefts was considered relatively normal. This happened in various forms: sometimes directly, but more often by supporting or even organizing private projects with the use of the national, though unsupervised, supply of raw materials or products. This way, the Party members grew richer at the expense of the companies they worked for. This business was relatively widely tolerated by ordinary citizens, who saw it as an excuse to also “organize” goods individually for their own purposes in the companies which employed them. This common belief that “everybody steals” allowed people to justify their own dishonesty. Any attempts to fight this problem failed to produce satisfactory results. The diagnosis, even if correct, had to face reality, in which the pursuit of a better quality of life by the Party elites collided with the officially promoted ascetic lifestyles of the “ideological communists”, who, like Władysław Gomułka, did not understood the new times.
Źródło:
Studia Historiae Oeconomicae; 2016, 34; 105-128
0081-6485
Pojawia się w:
Studia Historiae Oeconomicae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“In Order to Adapt the Consumption...”. The Creation of a Rationing System for Petrol in the Polish People’s Republic in the 1980s
Autorzy:
Zawistowski, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/1390803.pdf
Data publikacji:
2018-03-28
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Polish People’s Republic
rationing system
controlled distribution
petrol
Opis:
In post-war Poland, rationing was introduced on three occasions: right after the war in 1945, then in 1951, and at the turn of the 1980s. In 1976, rationing cards for sugar were introduced, in 1981 - for meat, fats, cereal products, cleaning products and many other goods. Fuels were the last product added to this list. This article describes the process of introducing a rationing system for petrol in the Polish People’s Republic. Though the supply system crashed as early as 1981, it took several years to organize a rationing system for petrol. Its evolution did not end until 1984. This delay was caused by the long discussions on how the system should be built. This forced the authorities to introduce a whole range of temporary solutions which limited the demand in the short run, but had no soothing effect whatsoever on the society. To the contrary - the chaos they created intensified negative tendencies (such as speculation), led to market insecurity, and increased mistrust of state regulations.
Źródło:
Studia Historiae Oeconomicae; 2017, 35; 81-96
0081-6485
Pojawia się w:
Studia Historiae Oeconomicae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Powieść Popiół i diament Jerzego Andrzejewskiego a cenzura w NRD
Jerzy Andrzejewski’s novel Ashes and Diamonds and the censorship in the GDR
Autorzy:
Rajch, Marek
Powiązania:
https://bibliotekanauki.pl/articles/29432332.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Jerzy Andrzejewski
novel
censorship
Polish People’s Republic
German Democratic Republic
Opis:
The article presents how the Polish novel Popi.ł i diament (Ashes and Diamonds) by Jerzy Andrzejewski was received by censors in the German Democratic Republic. The novel was first published in East Germany in the 1960s, although attempts to release it were made as early as sixteen years earlier. The author of the article recalls the reviews by German censors who refused to give consent to the novel’s publication on the East German market and whose decisions were affected not by the content of the book alone, but also by the social and political situation in both the Polish People’s Republic and the German Democratic Republic.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2023, 44; 287-301
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Współpraca naukowa PRL z drugą Jugosławią
Scientific Cooperation Between Polish People’s Republic and the Second Yugoslavia
Autorzy:
Małczak, Leszek
Powiązania:
https://bibliotekanauki.pl/articles/1068101.pdf
Data publikacji:
2021-02-23
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
scientific cooperation
institutions
Polish People’s Republic
The Second Yugoslavia
Opis:
Scientific connections between Polish People’s Republic and The Second Yugoslavia were a very important element of the bilateral relations between both countries. The mechanisms and rules of the scientific cooperation were similar to the rules and mechanisms of the cultural cooperation and faced the same constraints and possibilities. Types of institutions existing in the field of culture had their correspondences in the field of science and education. Developing of the scientific cooperation was not a strategic aim for both countries in the interwar period as well as during the Communism due to the situation on the international political scene. In the era of globalization, in the context of international scientific cooperation, interslavic relations has become the weakest in the last two centuries. Nowadays, even more than before, the scientific cooperation between all Slavic countries depends on individuals and their involvement.
Źródło:
Poznańskie Studia Slawistyczne; 2020, 19; 117-133
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przemiany pozycji kobiety w PRL-u – wybrane konteksty
Transitions of Women’s Position in the Polish People’s Republic – Selected Contexts
Autorzy:
Mrozek, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/916784.pdf
Data publikacji:
2019-09-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
woman
Polish People’s Republic
equality of men and women
Opis:
The position of women in the Polish People’s Republic changed with respect to earlier historical periods. In this article the author analyzes four aspects of women’s lives: education, professional work, family and public sphere. The position of women is compared to the situation of men in each aspect. The analysis shows that there was no legal equality of men and women.
Źródło:
Studia Edukacyjne; 2019, 54; 257-282
1233-6688
Pojawia się w:
Studia Edukacyjne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Professional Work of Women in State Agricultural Farms (1949–1989) — an Overview
Autorzy:
Machałek, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1390642.pdf
Data publikacji:
2019-12-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
State Agricultural Farms
agriculture
women
work
Polish People’s Republic
Opis:
Women employed in State Agricultural Farms (SAF) were blue- and white-collar workers, the former group being more numerous. However, the blue-collar workers mainly worked seasonally, during the period of intensive field work. When it comes to fulltime work, it was usually related to animal production. The demand for this type of work decreased with the progress of mechanization. Meanwhile, the demand for white-collar workers, especially those with agricultural education and experience, increased. Since the 1960s, the SAFs increasingly employed women qualified in agronomy, animal production, and veterinary medicine. However, they were not always accepted in positions traditionally considered “masculine”. For most women, work in SAFs was not attractive due to difficult working conditions and low prestige. If a woman decided to work there, it was usually for economic reasons. Most women did not take up professional activity and performed the traditional roles of wives and mothers.
Źródło:
Studia Historiae Oeconomicae; 2019, 37; 177-190
0081-6485
Pojawia się w:
Studia Historiae Oeconomicae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Employee privileges in the Polish tobacco industry in a period of Polish People’s Republic
Autorzy:
Synowiec, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/1683711.pdf
Data publikacji:
2016-04-09
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
privileges
tobacco industry
Kraków plants
Polish People’s Republic
employee issues
Opis:
Described privileges of determined employee groups in the Polish tobacco industry in a period of Polish People’s Republic on example of Kraków plants arose largely from the statute law, although not without meaning carried out its interpretation, by workers self-management and Company’s Dispute Adjudication Boards (CDAB). It was possible to notice the sign of appropriating privileges by determined employees groups not-arising from the existing law, but being a sign of aspirations to ensure a higher position for oneself in the unit through certain acquaintances and in consequence achieving common benefits, etc. informally. The article constitutes only a starting point for further in-depth studies covering employee issues in all tobacco industry in Poland.
Źródło:
Studia Historiae Oeconomicae; 2015, 33; 85-106
0081-6485
Pojawia się w:
Studia Historiae Oeconomicae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Aktorzy i Szekspir. O pewnym motywie w polskim filmie
Actors and Shakespeare or About a Certain Motif in Polish Film
Autorzy:
Jazdon, Mikołaj
Powiązania:
https://bibliotekanauki.pl/articles/1039039.pdf
Data publikacji:
2019-03-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Shakespeare
Polish film
actor
adaptation
theater in film
Polish People’s Republic
Opis:
Jazdon Mikołaj, Aktorzy i Szekspir. O pewnym motywie w polskim filmie [Actors and Shakespeare or About a Certain Motif in Polish Film]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 15–44. ISSN 1644-6763. DOI 10.14746/pt.2019.32.1. This article deals with various references to William Shakespeare’s plays in Polish postwar films, both theatrical and television ones. There are no Polish film adaptations of Shakespeare’s works except for television dramas made for the Television Theater on state TV. There are, however, Polish films (mainly from 1962–1989) about actors and performing arts with fragments and motifs from Shakespeare plays. Their characters are often actors deprived by fate (or History) of the chance to play a Shakespeare role on stage and forced to play it in life instead.
Źródło:
Przestrzenie Teorii; 2019, 32; 15-44
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
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