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Wyszukujesz frazę "Nuremberg" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Typhus in Buchenwald: Can the Story Be Told?
Autorzy:
Löwy, Ilana
Powiązania:
https://bibliotekanauki.pl/articles/943809.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ludwik Fleck
human experiments
Buchenwald
typhus
Nuremberg tria
Opis:
Ludwik Fleck is known today primarily as pioneer in the social study of scientific knowledge. However, during World War II he was a prisoner in Buchenwald, where he and other prisoners produced a typhus vaccine for the Nazis, and where he witnessed murderous experiments on human beings. After WW2, Fleck was accused by one of the prisoners who had participated in the vaccine production at Buchenwald of collaborating, either deliberately or due to lack of imagination, with the Nazi experiments. This article critically examines this accusation and its well-documented rebuttal by Fleck. It argues that while sometimes, especially when dealing with emotionally fraught issues, it may be difficult to establish what precisely took place at a given time and site, it is important to restore the original complexity and messiness of past events – in order to open spaces for understanding, reflexivity and compassion.
Źródło:
Ethics in Progress; 2020, 11, 1; 4-19
2084-9257
Pojawia się w:
Ethics in Progress
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mosiężne misy norymberskie w zbiorach Muzeum Archidiecezjalnego w Poznaniu
Nuremberg Brass Bowls in the Collection of the Archdiocesan Museum in Poznań
Autorzy:
Bartkowiak, Bogumiła
Powiązania:
https://bibliotekanauki.pl/articles/1040150.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
artisctic handicraft
Nuremberg
brass bowls
brass bowl coppersmith
decorative motifs
inscriptions on dishes
baptismal bowls
collection of bowls
Opis:
Bowls as artistic metal vessels were already known in antiquity. But only in the Middle Ages the art of Islam gave them an independent artistic expression. In European art we can distinguish two groups of richly decorated metal bowls. Indication of Nuremberg as the centre of producing such bowls follows from the position of the city in those times - a European centre of artistic han- dicraft. The brass bowls from Nuremberg reached wherever the merchant trading in them could get on foot or horseback. They served as interior decorations and rich burghers used them for practical purposes. But they were also sometimes used for collecting alms. They started to be used for sacral purposes, mostly as baptismal bowls, as late as the 17th century. Among an abundance of motifs and decorative representations three dominated both in terms of frequency and length of time when they were in use. Those were: „The Original Sin", „The Annunciation" and a whirling rosette. Since 1500 inscriptions became an indispensable element of the bottom and its decoration. The year 1543 marks the beginning of a decline in the production of brass dishes. In 1550 the production of matrices stopped and in 1618 the craft of brass bowl coppersmith became extinct.
Źródło:
Ecclesia. Studia z Dziejów Wielkopolski; 2012, 7; 333-348
1731-0679
Pojawia się w:
Ecclesia. Studia z Dziejów Wielkopolski
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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