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Wyświetlanie 1-15 z 142
Tytuł:
Contextos mitopéicos da prosa de Mia Couto nos romances Varanda do Frangipani, O Último Voo do Flamingo e Terra Sonâmbula
Mythopoeic contexts in the prose of Mia Couto in the novels Varanda do Frangipani, O Último Voo do Flamingo and Terra Sonâmbula
Autorzy:
Trocha, Bogdan
Charchalis, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/43665661.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
mythopoeia
mozambican novel
mozambican litteratute
african novel
Opis:
This paper presents an analysis of mythopoeic elements in three novels by Mia Couto. Starting from Mircea Eliade’s definition of myth, we look for elements of the Living Cosmos with its axis mundi, centre and periphery, chaos and harmony and quest in the novels. Such structure of the analysis allows us to consider the cultural colonization and decolonization of contemporary Mozambique. We conclude that the analysis of the mythopoetic schema in Mia Couto’s novels demonstrates a crisis of cultural harmony in the contemporary Mozambican state and nation. On the other hand, however, the mythopoetic reveals a horizon of cultural and traditional models of persistence that save not only from chaos but above all from the dehumanization of society.    
Źródło:
Studia Romanica Posnaniensia; 2023, 50, 2; 73-91
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Prijevod usmenih strahova u pisanu tjeskobu ili poetički učinci predajnih elemenata u romanima Živi i mrtvi Josipa Mlakića i Črna mati zemla Kristiana Novaka
The transposition of the oral fears into the written anxiety or the poetic effects of the narrative elements of belief legends in the novels Živi i mrtvi by Josip Mlakić and Črna mati zemla by Kristian Novak).
Autorzy:
Rudan, Evelina
Powiązania:
https://bibliotekanauki.pl/articles/951582.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
novel
emotion
fear
belief legend
war novel
anxiety
Opis:
Belief legends, especially those regarding fear and its realization, transformation and embodiment, are important narrative substrate. Forms of belief legends and/or their segments are often, in many ways and functions, intertextually inscribed in Croatian novelistic production. This paper shall analyse the way in which the motifs and topics related to the belief legends, as well as their development: defining and unmasking fear, are employed in the novels Živi i mrtvi (The Living and the Dead) by Josip Mlakić and Črna mati zemla (Black Mother Earth) by Kristian Novak. In the novel Živi i mrtvi, the elements of the belief legends poetically recreate a strong sense of horror of war, here represented through the growing fear felt by a small isolated group made up of a couple of soldiers. A different type of terror, a personal trauma that leaves the under-aged protagonist of Črna mati zemla completely isolated from the world and his loved ones, is poetically recreated especially through some of the elements of the belief legends.
Źródło:
Poznańskie Studia Slawistyczne; 2018, 15; 273-286
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nowe życie Orhana Pamuka i Jeśli zimową nocą podróżny Italo Calvino, czyli o książce w książce
Autorzy:
Młynarczyk, Anna
Powiązania:
https://bibliotekanauki.pl/articles/915265.pdf
Data publikacji:
2015-12-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Turkish novel
Italian novel
reader
postmodernism
Orhan Pamuk
Italo Calvino
Opis:
This article presents two aspects of showing the power of literature. Orhan Pamuk, a Turkish Nobel prize winner, in his book New life is more focused on the content of the novel. Main characters of the story are entirely devoted to one book that totally changes their lives. Italo Calvino is more focused on the structure. His characters take part in a great adventure just to find the end of the story that they are interested in. The main goal of this article is to show differences and similarities in showing the same literary issue. Italo Calvino's novel is more optimistic and positive. Literature has good influence on his characters. On the other side, Orhan Pamuk's novel shows a destructive side of literature. Characters in his book seem to be defeated from the very beginning. Those two books show in a very good way the difference between European optimism and Oriental, especially Turkish, sentimentality, which in Turkish language has its own name – hüzün. It can be translated as 'blues, sadness, spleen'.Both novels present the power of literature and its influence on readers.
Źródło:
Studia Azjatystyczne; 2015, 1; 101-114
2449-5433
Pojawia się w:
Studia Azjatystyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Léo Dex et les romans « aérostatiques »
Léo Dex and the “aerostatic” novel
Autorzy:
Puyo, Jean-Yves
Powiązania:
https://bibliotekanauki.pl/articles/43665644.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
geographical novel
aerostatic novel
Edouard Deburaux
Léo Dex
Jules Verne
Opis:
Between 1895 and 1904, Captain Edouard Deburaux, under the name Léo Dex, wrote several novels that fully embraced the codes of the geographical novel. Most of his writings, following in the footsteps of Jules Verne’s Cinq semaines en ballon (1863), were intended to take the reader mainly to Africa. So, is he a mere imitator? In fact, he differs from Verne in that he himself was a nationally and internationally recognized balloonist. And if he did not invent the “balloon novel”, he was nonetheless the most prolific contributor to the genre.
Źródło:
Studia Romanica Posnaniensia; 2023, 50, 1; 55-68
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W hołdzie dla Diderota. Milan Kundera, Kubuś Fatalista i ich pan
In tribute to Diderot: Milan Kundera, Jacques the Fatalist and their Master
Autorzy:
Gawarecka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/635442.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
enlightenment novel
postmodern novel
literary fiction
poetics of variations
meta-literariness
Opis:
In his meta-literary and para-textual statements, Milan Kundera has been frequently turning to the issue of the enlightenment narrative experiments considered as the initial ones for the twentieth-century (post)modern creative strategies. Those experiments resulted from the striving for suppression of the over-prescription characterized the classicist rules, and they managed to direct attention to the literary genres which were undermined by the Enlightenment era that is in other words and above all, novel. In order to reveal this “modernity” of the eighteenth-century prose, the Czech writer in the work entitled Jacques and his master (1971) performed a “cultural translation” (variation) of the famous text by Diderot into the form of drama. Kundera was focused on the devices used by the French encyclopaedist which enabled him to expose the “evidence of trick” regarding the anti-illusion and fictitious character of literary representation of the world. He was, therefore, interested not so much in the philosophical and ideological background of Diderot’s tale dedicated to the romances of Jacques the Fatalist, but in the author’s freedom in his “play with the romance’s conventions” which even then was undergoing the process of fast schematisation.
Źródło:
Poznańskie Studia Slawistyczne; 2018, 15
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Österreichische“ und andere Ironie in den Texten von Olga Flor, Teresa Präauer und Cordula Simon
“AUSTRIAN” AND OTHER IRONY IN THE FICTION BY OLGA FLOR, TERESA PRÄAUER AND CORDULA SIMON
Autorzy:
Kupczyńska, Kalina
Powiązania:
https://bibliotekanauki.pl/articles/910296.pdf
Data publikacji:
2020-04-30
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
contemporary Austrian novel
irony
Opis:
Den Ausgangspunkt für den Artikel bildet die Aussage von Kathrin Röggla, derzufolge „Was in Österreich – nicht nur in der Literatur – Tradition hat, ist Ironie“. Den Gegenstand der Untersuchung bilden Ironie-Konzepte in drei Romanen der österreichischen Autorinnen der Gegenwart Olga Flor, Teresa Präauer, Cordula Simon. Die Fragestellung ist auf die spezifisch „österreichische“ Ironie ausgerichtet, die, so die These, eine besondere Form der Auseinandersetzung mit aktuellen sozialen und politischen Themenkomplexen darstellt.
“There is a tradition of irony in Austria, not only in literature”, said Kathrin Röggla in an interview in 2012; my article considers the assertion as a starting point to an analysis of three novels by contemporary Austrian women authors Flor, Präauer and Simon. The aim is to examine the different patterns of irony by Flor, Präauer and Simon in order to assess what the “Austrian” concept of irony can mean today. Furthermore, I would like to consider the „Austrian“ irony as a specific Austrian cue to express involvement in current political matters.
Źródło:
Studia Germanica Posnaniensia; 2019, 40; 21-36
0137-2467
Pojawia się w:
Studia Germanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zwolennik Bourgeta. Stefan Żeromski i psychologia powieści
The Supporter of Bourget. Stefan Żeromski and the Psychology of the Novel
Autorzy:
Jauksz, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/1042022.pdf
Data publikacji:
2016-11-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
psychological novel
French novel
writing techniques
intimate writings
experience
love and career plots
Opis:
The article presents young Żeromski’s fascination with the writings of Paul Bourget. Basing on the Polish writer’s journal entries concerned with Une crime d’amour and Mensonges one can trace an ambivalent attitude towards those psychological novels developed in the late 1880s. By young Żeromski’s standards Bourget falls behind other masters of prose he admires at the time, namely Turgenev and Dostoyevsky. Still, despite Bourget’s didacticism, the aspiring youth cannot refrain from fascination for the descriptions of characters, whose emotions so often so clearly mirror his own. There are at least a few plots (an aspiring writer’s ambitions in the great world, the memory of a love lost etc.) which could have caught Żeromski’s attention as valid attempts to capture experiences known to him as well. It is therefore the identification process that stands in the way of condemning the moralistic ambitions of Bourget and allows the French writer’s works to remain an important point of reference for the Polish witer’s upcoming writing endeavors.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 103-116
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Financial Crime in Crime Fiction in Socialist Poland
Autorzy:
Skotarczak, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/1390721.pdf
Data publikacji:
2017-02-07
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
crime novel
socialist Poland
financial crime.
Opis:
Financial crime was one of the recurring themes in crime stories written in the period of socialist Poland. The writer who first undertook this subject was Leopold Tyrmand in his book “The Man with the White Eyes” (1955). The publication of this book is considered one of the symptoms of the cultural “thaw” and the end of real socialism. Tyrmand shows crime which develops when the state, cooperative and private businesses meet, but also the corruption and powerlessness of Citizen’s Militia. During Władysław Gomułka’s administration (1956–1970), this problem often recurred e.g. in the books written by Anna Kłodzińska and Barbara Gordon. Very often the villain was the “fraudulent director”. Both the meat scandal and the leather scandal were described in crime novels. Edward Gierek’s administration (1970–1980) was the time when the theme of financial crime was abandoned, but it returned after the introduction of martial law in 1981. This time, it was pointed out that it was the previous administration that had committed frauds. Crime novels accurately described the economic abnormalities of socialist Poland, the hampering of individual initiatives and the omnipresent corruption, but they also reflected the state’s policy towards the people in power who were illegally gaining wealth.
Źródło:
Studia Historiae Oeconomicae; 2016, 34; 33-44
0081-6485
Pojawia się w:
Studia Historiae Oeconomicae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poetyka (nie)wyrażalnego pożądania, czyli zarys historii powie- ści gejowskiej w Polsce na tle socjologiczno-kulturowym
Autorzy:
Jackowiak, Adrianna
Powiązania:
https://bibliotekanauki.pl/articles/630805.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
interdisciplinarity
gay novel
homosexuality
Berek
Lubiewo.
Opis:
The aim of the paper is to show the history of Polish gay novel and explain the very term. However, the essence of the research problem is not the history itself, but drawing attention to the need of adopting a multidimensional perspective in the deliberations concerning homosexuality in general (including gay novel). An interdisciplinary approach to the issue enables one to make observations concerning the impact of social and political realities on literature, while at the same time to analyse a work of art as a statement in public debate on homosexuality and homosexuals.
Źródło:
Studia Europaea Gnesnensia; 2014, 10; 169-194
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Eugène Savitzkaya: une quête formelle pour savourer la vie
Eugène Svitzkaya: formal experiments in an effort to make the most of life
Autorzy:
Teklik, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1051166.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Belgium
contemporary novel
Savitzkaya
formal experiments
Opis:
Savitzkaya, hardly known to French public, delights contemporary readers with his style, displaying both peculiar and variegated characteristics. Although he dispenses with the matters of genre, his latest texts (Célébration d’un mariage improbable et illimité, 2002, Exquise Louise, 2003, Fou trop poli, 2005) are still thought to represent the novel. His peculiarity lies in that he contrasts a daily routine with brilliantly worked form, nevertheless well suited to depict it. His predilection for language is pervasive in his style, showing strong preference for details (still, it stands in a stark contrast to the practice of the Nouveaux Romanciers of the 20th century). Savitzkaya asserts himself with the aid of conciseness, draws to a large extent upon surprising stylistic devices, juggles with words, even if paying careful attention to their precision. Finally, he acts as a genuine poet, reviving fragrances and colors of childhood. All in all, the whole of his work is designed to bring his readers to take pleasure in living.
Źródło:
Studia Romanica Posnaniensia; 2013, 40, 4; 67-75
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kryminał akademicki
The academic murder mystery
Autorzy:
Kraskowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1365014.pdf
Data publikacji:
2018-10-10
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
crime novel
academic novel
Dorothy L. Sayers
Amanda Cross
Eliza Showalter
intertextuality
intertekstualność
kryminał
powieść akademicka
Opis:
Artykuł charakteryzuje specyficzną kombinację powieści akademickiej i powieści kryminalnej, jaką jest kryminał akademicki. Gatunek ten rozwijał się od lat trzydziestych XX wieku w literaturze anglosaskiej i wciąż zyskuje na popularności. Również w Polsce podejmowane są od niedawna próby uprawiania tego rodzaju beletrystyki.
This article describes the academic murder mystery as a particular hybrid of the campus novel and crime novel. The genre began to evolve in the 1930s in English-language literature and continues to enjoy popularity today. Attempts to write in this genre have recently been taken up in Poland as well.
Źródło:
Forum Poetyki; 2018, 13; 94-99
2451-1404
Pojawia się w:
Forum Poetyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Интердискурзивни варијации: односот книжевност – теорија
Interdiscursive variations: the literature – theory relation
Autorzy:
Ѓорѓиева Димова, Марија
Powiązania:
https://bibliotekanauki.pl/articles/635887.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
interdiscursivity
novel
genre hybridization
fiction-theory
Opis:
The subject of this paper is the theoretical fiction genre as a manifestation of interdiscursive relations between fiction and theory/criticism. Firstly, this paper offers a brief overview of the  constitutive features  of  the  theoretical  fiction  genre;  and  secondly,  these  features  are interpretatively confirmed through the novel  Papokot na svetot (Navel of the World) by the Macedonian writer, Venko Andonovski.
The subject of this paper is the theoretical fiction genre as a manifestation of interdiscursive relations between fiction and theory/criticism. Firstly, this paper offers a brief overview of the  constitutive features  of  the  theoretical  fiction  genre;  and  secondly,  these  features  are interpretatively confirmed through the novel  Papokot na svetot (Navel of the World) by the Macedonian writer, Venko Andonovski. 
Źródło:
Poznańskie Studia Slawistyczne; 2012, 2
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z punktu widzenia literatury
A Literary View
Autorzy:
Donald, Merlin
Powiązania:
https://bibliotekanauki.pl/articles/1041197.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
mind
consciousness
novel
multitasking
Henry James
Opis:
Based on the analysis of a fragment of Henry James’s novel The Bostonians, the article deals with the ways in which literary fiction explores and reveals how human consciousness works.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 34; 265-273
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
India in the Imagination of 20th and 21st Century Croatian Literature
Autorzy:
Molvarec, Lana
Powiązania:
https://bibliotekanauki.pl/articles/15582250.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
India
Croatian literature
historical novel
travel
counterculture
Opis:
The purpose of this paper is to study perceptions of India in three literary works, from the 20th and 21st century. The first part looks into the tenets of postcolonial theory and literary imagology as a possible methodological framework. Subsequently, premodern perceptions of India in the Croatian literary and cultural space are summarised. The central analysis focuses on the historical novelJaša Dalmatin (Jaša Dalmatin, Viceroy of Gujarat) by Ivana Brlić-Mažuranić, the travelogue U potrazi za staklenim gradom (In Search of the Glass City) by Željko Malnar and Borna Bebek, and the short story Indija (India) by Bekim Sejranović. The analysis demonstrates that each of these writings reconstructs premodern perceptions to some extent, but primarily introduces new perceptions that are linked to the specific social, cultural and ideological context in which these works were written. This indicates that literary perceptions are at the same time always acts of literary fiction as well as a socially and culturally construed production of meaning.
Źródło:
Poznańskie Studia Slawistyczne; 2022, 23; 93-110
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wieczór na Missisipi, czyli przyjaźń jako wstrząs
An evening on the Mississippi River, or friendship as a shakeup
Autorzy:
Sławek, Tadeusz
Powiązania:
https://bibliotekanauki.pl/articles/1535121.pdf
Data publikacji:
2010-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Herman Melville’s novel
dialogues
interpretation
friendship
Opis:
The present text is an interpretation of two dialogues taken from Herman Melville’s novel The Confidence-Man. His Masquerade. One of the main topics prevailing in the conversations of the main characters from the novel traveling on the Mississippi River onboard of the steamboat “Fidéle” is friendship. Friendship, placed within the context of such notions as confidence, identity, feeling of alienation and authority, can be defined as a pre-social relation taking shape not between members of a community, but on a person-to-person plane. Another important reference point is the term “utility”, important in the capitalist “world-system” (the term coined by I. Wallerstein), which requires us to consider friendship within the framework of economic and legal circumstances and the categories of gain and loss. A juxtaposition of friendship with nature makes it finally possible to show that the former notion originates in the latter one, but exceeds it. Scientific tools used for a description of the order of nature are not precise enough to define or determine friendship between people.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2010, 17; 127-147
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
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