Temat: Novalis - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Seelische Unbefangenheit - das Kind als wahrer Mystiker im Zeichen der „Blauen Blume” bei Novalis und Philipp Otto Runge
Duchowa bezstronność — dziecko jako autentyczny mistyk w symbolice ‘niebieskiego kwiatu’ w pismach Novalisa i sztuce Philippa Otto Rungego
Autorzy:: Sebesta, Jadwiga
Wawrzynek, Karin
Powiązania:: https://bibliotekanauki.pl/articles/964126.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: child
innocence
mysticism
blue flower
german age of romanticism
Novalis
Philip Otto Runge
Opis:: The aim of this article is to show the role of an innocent child as the true mystic, which formally represents the completion of the “Blue Flower”, the main symbol of the German Age of Romanticism, the epoch of yearning for the infinity, inner unity, love and redemption. These aspirations, encapsulated in the notion of the innocent child as the true mystic is particularly manifest in the literary works of Novalis and the paintings of Philipp Otto Runge.
Źródło:: Studia Europaea Gnesnensia; 2014, 9; 9-21
2082-5951
Pojawia się w:: Studia Europaea Gnesnensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Koniec wieku poetów? O zszyciach literatury i filozofii
The End of the Age of Poets? Stitching Together Literature and Philosophy
Autorzy:: Zawadzki, Andrzej
Powiązania:: https://bibliotekanauki.pl/articles/32049694.pdf
Data publikacji:: 2022
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: logos and mythos
categories of philosophy
poetics
transcendentalism
dialectics
hermeneutics
deconstruction
Plato
Aristotle
Kant
Hegel,
Hegel
Dilthey
Nietzsche
de Unamuno
Heidegger
Adorno
Blanchot
Derrida
De Man
Ricoeur
Schegel
Novalis
Mallarmé
Opis:: The article presents an attempt to outline, from a mainly typological and partly historical perspective, what the author considers the most important varieties of the relationship between philosophy and literature (which is, of course, understood here in a working and broad sense, as poesis). In the first of these varieties, for which the fundamental significance is Plato’s gesture of excluding poets from the state, the philosophical logos defines itself in opposition to literature, or mythos. In the second, which appears to predominate from Aristotle to the 18th century, the relationship between philosophy and literature takes on a more neutral character: the former provides the latter with motifs, themes, topics, mainly related to moral philosophy in the broadest sense, while the latter provides the former with discursive modes, such as genre. Modern aesthetics and the philosophy and theory of literature (fundamentally different from the tradition of the great poets and rhetoricians of the 16th and 17th centuries), which emerged together with transcendental philosophy and its reception in German Romanticism, contributed both to the increased interest among philosophers in literature and to a clear embedding, or even closing, of literature in philosophical notions, which originated mainly in the tradition of transcendentalism and dialectical thought. Finally, the beginning of the twentieth century is distinguished, in most of the major continental philosophical traditions, by a tendency to seek, or to find, in literature the most important partner of philosophical thinking, and sometimes even the identity of philosophy.
Źródło:: Przestrzenie Teorii; 2022, 37; 121-144
2450-5765
Pojawia się w:: Przestrzenie Teorii
Dostawca treści:: Biblioteka Nauki

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