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Wyszukujesz frazę "MEDIEVAL LATIN" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Antyk w Kronice Polskiej Anonima tzw. Galla i w Translacji św. Mikołaja tzw. mnicha z Lido jako problem badawczy
Autorzy:
Skibiński, Edward
Powiązania:
https://bibliotekanauki.pl/articles/631365.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ANONYMUS SO-CALLED GALLUS
MONK OF LIDO
COMPARATIVE TEXT ANALYSIS
MEDIEVAL LATIN
Opis:
In the article, I have embarked on a discussion of principles according to which medieval texts are compared. A specific case of such studies are the analyses of erudition that may be found in the surviving texts. The case of Gallus is an exceptional one because we have another text at our disposal that either he or someone close to our chronicler wrote. Therefore, the comparison of these texts is a condition of all further studies. In the article, I have managed to determine a common source of a prayer found both in the text of Translation of St. Nicholas, written by the monk of Lido and in Gallus.  On the example of references to work of antique writers, present in both texts, I attempted to demonstrate how these texts are related. 
Źródło:
Studia Europaea Gnesnensia; 2012, 6; 345-359
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Epika „epigramatyczna”. Ekkeharta Versus ad Picturas wobec tradycji poetyckiej
The “epigrammatic” epic. Ekkehart’s IV “Versus ad Picturas” and the poetic tradition
Autorzy:
Smolak, Kurt
Powiązania:
https://bibliotekanauki.pl/articles/1046732.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ekkehart IV of St. Gaull
St. Gaull
Poeta doctus
Medieval Latin Poetry
11th Century Culture
Biblical Epic
Tituli
Mainz-Cathedral
Holy Languages
Archbishop Aribo
MS St. Gaull 393
Opis:
As a consequence of the large variety of poetic genres dealing with biblical material in Christian-Latin literature of Late Antiquity, in the 11th century the two extremely opposite forms of poetic expression were artificially combined, namely continuous epic narration and epigrammatic conciseness of the so called tituli, that is to say metrical inscriptions which were meant to explain wall paintings or mosaics of selected biblical topics. By order of Aribo, archbishop of Mainz, Ekkehart IV of St. Gall composed an “epigrammatic epic”, which was to cover the wide range of the entire Bible from Genesis to Apocalypse, contemporary exegesis partly included. Aribo was supposed to select those “epigrammes” from this “biblical epic” which he needed for a new decoration of the cathedral – a project, however, which was never realised. Ekkehart’s highly manneristic poetic creation, preserved only in his autograph, MS 393 of St. Gall, remained unparalleled. Nevertheless, it is an important testimony of the experimental and innovative character of medieval Latin poetry in the period of transition from monastic literary production of the previous centuries to the golden age of medieval Latin classics, which originated in the cathedral schools, during the late 11th and the 12th centuries.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2015, 25, 2; 73-95
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
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