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Wyszukujesz frazę "John of Damascus" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
Chrystologiczna argumentacja w Mowach obronnych przeciw tym, którzy odrzucają święte obrazy Jana Damasceńskiego
Christological Arguments in The Defence Speeches against Those who Reject Sacred Icons by John of Damascus
Autorzy:
Pyc, Marek
Powiązania:
https://bibliotekanauki.pl/articles/607141.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
icons of Christ
the veneration of icons
iconoclasm
John of Damascus
incarnation
tradition
Opis:
In the face of the escalating Iconoclast heresy in the 8th century there appeared the necessity of establishing whether the veneration of icons is justifiable from the Christian viewpoint. The debate primarily concerned the Christological question of venerating Jesus Christ’s icons. St. John of Damascus (675–749) is considered to be one of the most outstanding defenders of sacred icons. We owe to him the first Catholic theology of the icon. His work, „The Defence speeches against those who reject sacred icons” constitutes the answer given to the iconoclasts. The most important argument justifying the veneration of icons is the mystery of the incarnation of the Son of God being the image of the invisible God. The incarnation which liberates one from idolatry lies at the root of a positive vision of matter. John of Damascus refers to the ancient Christian tradition of icon veneration recognizing the word and the image as its essential elements. His teaching would play a key role during the Council of Nicaea in 787.
Źródło:
Poznańskie Studia Teologiczne; 2011, 25; 159-171
0209-3472
Pojawia się w:
Poznańskie Studia Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Contemporary composer Vladimir Jovanović and his role in the renewal of church Byzantine music in Serbia from the 1990s until today
Autorzy:
Blagojević, Gordana
Powiązania:
https://bibliotekanauki.pl/articles/780111.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
composer Vladimir (Vlada) Jovanović
church Byzantine music
modal music
St. John of Damascus choir
Opis:
This work focuses on the role of the composer Vladimir (Vlada) Jovanović in the renewal of church Byzantine music in Serbia from the 1990s until today. This multi-talented artist worked and created art in his native Belgrade, with creativity that exceeded local frames. This research emphasizes Jovanović’s pedagogical and compositional work in the field of Byzantine music, which mostly took place through his activity in the St. John of Damascus choir in Belgrade. The author analyzes the problems in implementation of modal church Byzantine music, since the first students did not hear it in their surroundings, as well as the responses of the listeners. Special attention is paid to students’ narratives, which help us perceive the broad cultural and social impact of Jovanović’s creative work.
Źródło:
Interdisciplinary Studies in Musicology; 2019, 19; 11-30
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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