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    Wyświetlanie 1-5 z 5
    Tytuł:
    Ta „poważna drobnostka”. Nowe wydanie Baśni Johanna Wolfganga Goethego
    “Blessed are those who write fairy tales”. The new edition of The Green Snake and the Beautiful Lily of Johann Wolfgang Goethe
    Autorzy:
    Ćwiklak, Kornelia
    Powiązania:
    https://bibliotekanauki.pl/articles/1041230.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Johann Wolfgang Goethe
    German romantic fairy tales
    scientific interpretations
    reception
    Opis:
    In this article, the author discusses and reviews the first Polish critical edition of Johann Wolfgang Goethe’s The Green Snake and the Beautiful Lily (2015). The literary text was preceded by two elaborate scientific descriptions which the author of this article refers to. The primary focus is on the extensive German tradition of interpreting The Green Snake and the Beautiful Lily (Das Märchen, 1795), because the main spur of its development is the difficulty or inability to obtain its unambiguous interpretation due to the high degree of symbolism and the esotericism of this literary work. Both critical texts feature the following interpretation grounds: historic-literary – emphasizing the role of the literary circle of the Weimar Goethe and Schiller; historical – stressing the importance of the events associated with the French Revolution and its impact on the situation in Germany; philosophical – represented by Rudolf Steiner and his anthroposophic reading of this work; and poetological – focusing on the properties and functions of its poetics. Among the existing explication there is a lack of genology of the fairy tales and a lack of the placing the work in a broader context of ideas and works of Goethe, which, if taken into account could help to clarify its meanings.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 34; 309-324
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Od Valerie do Fausta i Wolnego strzelca: kilka uwag o intertekstualnej strategii I części Dziadów
    From Valerie to Faust and The Marksman: several remarks on intertextual strategy in the first part of Forefathers’ Eve (Dziady)
    Autorzy:
    Fiećko, Jerzy
    Powiązania:
    https://bibliotekanauki.pl/articles/1039662.pdf
    Data publikacji:
    2019-04-16
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Romanticism
    intertextuality
    Mickiewicz’s “Forefather’s Eve”
    Baroness de Krüdener
    Goethe
    Klingemann
    Opis:
    The author analyses intertextual relations in the first and final section of part of “Forefathers’ Eve” (Dziady), and treats them as an element of Mickiewicz’s strategy of anchoring his own work in the system of dialogue with renowned Western cultural works of the time. This dialogue takes the form of a polemic against the sentimental French models akin to de Krüdener’s “Valerie” and the Sturm und Drang movement, which was open to issues of characterisation and early German romanticism. In the first part of the book, which focuses on an analysis of the Maiden’s monologue, the author discerns a mechanism of references to Barbara Julianna de Krüdener’s novel “Valerie” and “The Sorrows of Young Werther”, with which the baroness engaged in an open dispute. The second part focuses on the character of Gustaw and his conversation with the Black Hunter, with an analysis of likely connections with the Weber/Kind’s opera “The Marksman” and the plays of Goethe and Klingemann with the same main title “Faust”.
    Źródło:
    Przestrzenie Teorii; 2018, 30; 17-48
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Motywy faustyczne w twórczości Czesława Miłosza
    Faustian Motifs in the Works of Czesław Miłosz
    Autorzy:
    Ćwiklak, Kornelia
    Powiązania:
    https://bibliotekanauki.pl/articles/29432363.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Miłosz
    Goethe
    Faust
    Faust warszawski
    Warsaw Faust
    Faustian motifs
    Polish post-WWII literature
    Opis:
    The article discusses the references to Faust by Johann Wolfgang Goethe present in the works of Czesław Miłosz. They appear in his poems, as well as in essays and non-literary texts, e.g. interviews. The references to Goethe in Miłosz’s work are also of interest, especially included in autobiographical statements. The article attempts to indicate certain regularities concerning the occurrence of intertextual references to Goethe’s tragedy, related to the poet’s worldview, his aesthetic choices and biographical context. The considerations included in the article lead to the conclusion that the hero of the tragedy symbolises the content which, after World War II, made it possible to name and understand the processes that led to the catastrophe of war and the rejection of humanity. Faust can be a tool for self-characterisation or an accusation against German culture and the cult of science and progress, leading to the alienation of the individual.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2023, 44; 227-250
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Comics, Adoptionen oder doch das Original? – Goethes Faust im kompetenzorientierten Deutschunterricht.
    Autorzy:
    Kuzminykh, Ksenia
    Powiązania:
    https://bibliotekanauki.pl/articles/915102.pdf
    Data publikacji:
    2015-12-14
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Goethe
    comics
    children literature
    history of German- literature-lessons
    world literature
    reading comprehension
    methods
    cross cultural reading.
    Opis:
    Goethe’s Faust was long defined in Germany as an established part of literature lessons and as a part of canon, but a paradigm change in didactics and in literature science has challenged both. This essay takes a brief look at history of German-literature-lessons and at different methods of teaching and reading literature, especially Goethe’s Faust – analytical, productive and creative. It gives a survey about children’s books to Faust, comics and summaries and demonstrates the correlation between knowledge and reading comprehension.
    Źródło:
    Glottodidactica. An International Journal of Applied Linguistics; 2015, 42, 2; 153-167
    0072-4769
    Pojawia się w:
    Glottodidactica. An International Journal of Applied Linguistics
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The ‘Faust’ or ’Lucifer’ Sonata? On Liszt’s idea of programme music as exemplified by his Piano Sonata in B minor
    Autorzy:
    Polony, Leszek
    Powiązania:
    https://bibliotekanauki.pl/articles/780369.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Franz Liszt
    Piano Sonata in B minor
    programme music
    Tibor Szasz
    Marta Grabocz
    John Milton
    Paradise Lost
    Johann Wolfgang Goethe
    Faust
    Opis:
    The musicological tradition places Liszt’s Sonata in B minor within the sphere of compositions inspired by the Faustian myth. Its musical material, its structure and its narrative exhibit certain similarities to the ‘Faust’ Symphony. Yet there has appeared a different and, one may say, a rival interpretation of Sonata in B minor. What is more, it is well-documented from both a musical and a historical point of view. It has been presented by Hungarian pianist and musicologist Tibor Szasz. He proposes the thesis that the Sonata in B minor has been in fact inspired by Milton’s Paradise Lost, with its three protagonists: Adam, Satan and Christ. He finds their illustrations and even some key elements of the plot in the Sonata’s narrative. But yet Milton’s Paradise Lost and Goethe’s Faust are both stories of the Fall and Salvation, of the cosmic struggle between good and evil. The triads of their protagonists - Adam and Eve, Satan, and Christ; Faust, Mephisto and Gretchen - are homological. Thus both interpretations of the Sonata, the Goethean and the Miltonian, or, in other words, the Faustian and the Luciferian, are parallel and complementary rather than rival. It is also highly probable that both have had their impact on the genesis of the Sonata in B minor.
    Źródło:
    Interdisciplinary Studies in Musicology; 2014, 13; 17-28
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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