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Wyszukujesz frazę "Fashion," wg kryterium: Temat


Wyświetlanie 1-11 z 11
Tytuł:
Blogowanie jako forma komunikacji: performatywność zjawiska szafiarzy
Blogs as a form of communication: the performativity of fashion bloggers
Autorzy:
Wasilewska-Stawiak, Anna
Mikołajczyk, Kamila
Powiązania:
https://bibliotekanauki.pl/articles/1045629.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
blog
performativity
fashion blogger
Opis:
This article is dedicated to fashion blogging and its existence in the blogosphere. The authors present the history of fashion blogging in Poland, focusing on the performativity of fashion blogs expressed in the way in which the authors of web logs communicate with their readers, fans and in creating new fashion trends as part of street fashion.
Źródło:
Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2013, 20, 1; 41-54
1233-8672
2450-4939
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
UWAGI DOTYCZĄCE KOSTIUMOLOGII I HISTORII MODY JAKO DYSCYPLIN NAUKOWYCH W POLSCE
NOTES ON COSTUME AND FASHION HISTORY AS SCHOLAR DISCIPLINES IN POLAND
Autorzy:
SZARADOWSKI, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/909857.pdf
Data publikacji:
2017-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Clothing history
fashion history
methodology
Opis:
The author discusses the problem of studying the clothes and fashion history in contemporary Polish science. To assess the role, signifi cance and potential of these studies, the author analyzes selected examples from their history. In addition, the text analyzes the diff erence between the history of clothing and the history of fashion. He concludes indicating the possibilities of the development of these disciplines.
Źródło:
Historia@Teoria; 2017, 2, 4; 199-207
2450-8047
Pojawia się w:
Historia@Teoria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wysokie obcasy i konstrukcje tożsamości kobiet. Dynamika asymetrii płciowej, seksualności i emancypacji
High Heels and Constructions of Women’s Identity. Dynamic of Gender Asymmetry, Sexuality and Emancipation
Autorzy:
Gromkowska-Melosik, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/919882.pdf
Data publikacji:
2019-03-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
high heels
identity
emancipation
sexuality
fashion
androcentrism
Opis:
The article is devoted to the role of high heels in the construction of feminine identity. The various contexts of the main problem are analysed. The first one refers to the use of high heels as a confirmation of men’s domination over the feminine body, and identity. The second one is connected with sexual connotations of high heels. And the third one with the paradoxical use of the high heels as a source of women’s emancipation. The main thesis of the article is based on the assumption that every, even smallest feminine (or masculine) thing is involved into contradictory values and practical consequences.
Źródło:
Studia Edukacyjne; 2019, 52; 61-86
1233-6688
Pojawia się w:
Studia Edukacyjne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wielkomiejskie życie Drugiej Rzeczpospolitej w polskim filmie fabularnym okresu międzywojennego. Wstęp do tematu
Big city life in the Second Commonwealth of Poland in Polish interwar feature films. An Introduction
Autorzy:
Otto, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/920070.pdf
Data publikacji:
2013-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Polish film
society
fashion
culture
interwar period
Opis:
Polish feature films from the interwar period are to a great extent a reflection of the reality of that time. This can be seen mainly in the presentation of particular architectural objects and fashion from that time. The films are also a source of knowledge about the problems of the time: the impoverishment of the society, economic crisis, prostitution, etc. These pictures reflect reality, yet they are subject to numerous transformations, as the result of the conventions of the chosen genre.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2013, 12, 21; 291-305
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Berlin as a creative field: deconstructing the role of the urban context in creative production
Autorzy:
Copercini, Marco
Powiązania:
https://bibliotekanauki.pl/articles/1052880.pdf
Data publikacji:
2016-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
creative field
fashion design
urban context
Berlin
Opis:
The relation between creative activities and the cities in which they are concentrated is that of mutual influence and dependence. This kind of dynamics is well described by the concept of the creative field by Scott (2006, 2008, 2010, 2014). According to this concept, there is a shared relational context among creative actors in a given place, as well as between them and the local socio-economic-institutional context. Consequently, the economic profile and innovation capacity of a city are determined by the main sectors based there. In this paper, I discuss the role of the creative field in developing the relation between the city of Berlin and creative actors of the fashion design sector, as well as elements of the creative field that are considered relevant by fashion designers in their creative work. This perspective allows the underscoring of some relevant drivers that have made Berlin one of the most relevant places for fashion design in Germany and the whole of Europe. This research has been supported by administrative data from the period 1990–2015, along with personal interviews in the fashion design sector. Shown are not only the existing relations between the urban context and the creative activities of designers, but also how the development of the creative field of the city might be influenced. Consequently, the creative work of fashion designers and their location decisions have to be considered in relation to the creative field as a dynamic combination of variable elements that influence, and are influenced by, each other.
Źródło:
Quaestiones Geographicae; 2016, 35, 4; 121-132
0137-477X
2081-6383
Pojawia się w:
Quaestiones Geographicae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gwarowy leksem gryfny jako modny komponent kultury konsumpcyjnej
The dialectal lexeme gryfny as a fashionable component of Polish language of consumption
Autorzy:
Łuc, Izabela
Powiązania:
https://bibliotekanauki.pl/articles/1044600.pdf
Data publikacji:
2019-09-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
language fashion
dialect
Polish language of consumption
Upper Silesia
Opis:
The object of the analysis is the way of creating commercial utterances and functional names in which the formal indicator is the dialectal lexeme gryfnie recognized as a fashionable component of Polish language of consumption. According to the communicative practice of the creators of cultural texts, the use of the gryfny component valorizes products, identifies service objects, assesses offers and highlights the speakers of the language living in the Upper Silesia region. The analytical material coming from the advertisements spread by media and on the Internet was described from the perspective of cultural linguistics and pragmalinguistics. The references to cognitive conception of meaning fields were made taking into account the appropriate methodological solutions and the complex polisystem of commercial conditions.
Źródło:
Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2019, 26, 1; 85-100
1233-8672
2450-4939
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ciało, moda i tozsamosc kobiety epoki wiktorianskiej – dyskursy piekna i przemocy
Body, Fashion and Identity of a Victorian Age Woman – Discourses of Beauty and Violence
Autorzy:
Gromkowska-Melosik, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/644928.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ideal of beauty
fashion
identity
symbolic violence
Victorian femininity
Opis:
The article is devoted to the analysis of the dominant ideal of beauty in the Victorian period. The author defi nes mechanisms of repression and symbolic violence over the body of the Victorian upper-class woman, connected with the phenomenon of social control over the woman’s body and identity. The author assumes that the desire to achieve physical beauty has always been a source of a biographical experience that was constitutive for a woman, a source of a separate identity for her in comparison with a man. The historical changes of the ideals of the beautiful body are expressive of the complex interactions between the social roles of women and the dominant ideology of femininity as well as scientifi c and medical knowledge.
Źródło:
Kultura-Społeczeństwo-Edukacja; 2012, 2; 17-30
2300-0422
Pojawia się w:
Kultura-Społeczeństwo-Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Youth and the Cult of Youth?
Autorzy:
Smolík, Josef
Powiązania:
https://bibliotekanauki.pl/articles/644913.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
youth culture
cult of youth
fashion industry
lifestyle
social education
Opis:
This text deals with one of the neglected topics of contemporary social pedagogy which extends to developmental psychology and sociology. This topic is so-called cult of youth which is often mentioned in the academic literature, but has not been precisely conceptualized. This text was therefore focused on the definition of basic category, i.e. youth, and then discussed the relationship to the cult of youth and the individual elements that helps to form it. The cult of youth is associated with so called youth culture, which has been spread and produced by global media. The influence of the media has been already evident from the 60’s of the 20th century, when we often talk about American cultural hegemony which presents within its production the popular culture and youthful lifestyle, which is then presented in magazines, music media, fashion industry, etc. For contemporary capitalist society the concept of the cult of youth is a useful concept as only successful, young and efficient individuals can consume new and new products (as well as use the services) typical for this still-rising imaginary phase of human life. Therefore the cult of youth is the domain of successful people who do not want to lose their success. Only socially successful can try to be “forever young”.
Źródło:
Kultura-Społeczeństwo-Edukacja; 2014, 5, 1; 203-212
2300-0422
Pojawia się w:
Kultura-Społeczeństwo-Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czy istnieje norma językowa? Między snobizmem i modą a potrzebami języka
Is there a language standard? Between snobbery and fashion and the needs of language
Autorzy:
Szczyszek, Michał
Powiązania:
https://bibliotekanauki.pl/articles/39784888.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
language standard
language fashion
codification of the norm
standardisation of language
Opis:
In this article, I engage in a discussion of the approaches of the normativists postulating the absence of a linguistic norm and assuming the identification of the norm with usus. I have made an attempt to prove the existence of the norm as a level of internal organisation of language, based on linguistic and mathematical-computational considerations. I accept the need for separate models of language: linguistic and mathematical, which serve different purposes and have different properties. I ponder the dual nature of language manifested by its finite infinity, assuming that only the usus is infinite. I postulate the adoption of a theory (formulated by K. Kłosińska) assuming the existence of an invariant norm together with ‘allonorms’. I also propose the introduction of the probabilistic Gaussian model into the codification procedures of the linguistic norm as a method objectifying the procedure and removing the (qualitative and quantitative) arbitrariness of codifiers.
Źródło:
Slavia Occidentalis; 2023, 80/1; 159-167
0081-0002
Pojawia się w:
Slavia Occidentalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Moda w zakresie morfologii współczesnych emporionimów
Trend in Scope of Modern Emporionyms (Names of Retail and Service Facilities) Morphology
Autorzy:
Rutkiewicz-Hanczewska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/911063.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
onomastics
fashion in the language
innovation
continuation
morphology
neologisms
proper names
common names
names of retail and service
Opis:
The paper deals with news linguistic tendencies in the creation of modern names of retail and service. It is described not only transonymisation, onymisation, but also morphological constituents of modern names of retail and service. Units created by suffixes and references to another names are considered as a fashionable. The first are neologisms and one creates them by means of morphemes -nia (-ownia) oraz -arnia, -ernia, -eria, -teka. The latter are created for free form using of proper or common name that they allow for finding their initial structure (Szmatrix < Matrix).
Źródło:
Poznańskie Spotkania Językoznawcze; 2014, 27; 135-144
2082-9825
2450-0259
Pojawia się w:
Poznańskie Spotkania Językoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Prawo własności intelektualnej w modzie. Historyczny rozwój prawnej ochrony producentów mody
Intellectual property law in fashion industry: development of the legal protection of fashion manufacturers
Autorzy:
Raciniewska, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/693920.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
copyright
intellectual property
fashion law
piracy paradox
knock-off
counterfeit
prawo autorskie
własność intelektualna
prawo mody
paradoks piractwa
podróbki
fałszerstwo
Opis:
Since the beginning of modern fashion industry, fashion producers have been victims of unauthorized copying and unfair competition. However, with the rise of a fast fashion segment and the development of digital technology, the Internet and social media, this process is even more dynamic and fashion piracy is now a multi-billion dollar industry. The complexity of the problem, the specifics of the apparel industry as well as an ambivalent attitude of fashion manufacturers to copyright are reflected in frequent discussions among fashion professionals, lawyers, journalists and academics concerned about fashion piracy. However, while on the one hand fashion industry is getting closer to become subject to protection by vesting rights in designers and fashion designs, there are also voices suggesting positive effects of piracy in the apparel industry, which question the legitimacy of copyright law in fashion. The purpose of this article is to show the past process of building complex relationships between fashion and the law in modern societies and to discuss different perceptions of intellectual property in the industry.
Od początków istnienia nowoczesnej branży odzieżowej, producenci mody byli ofiarami nieautoryzowanego kopiowania i nieuczciwej konkurencji. Jednakże wraz z powstaniem segmentu szybkiej mody, rozwojem technologii cyfrowych, Internetu i mediów społecznościowych proces ten się nasilił, a piractwo modowe stanowi obecnie zorganizowany przemysł wart miliardy dolarów. Złożoność problemu, specyfika branży odzieżowej i ambiwalencja samych producentów mody w kwestii kopiowania powodują, że piractwo w modzie jest kwestią często dyskutowaną wśród modowych profesjonalistów, prawników, dziennikarzy i naukowców. Mimo nasilającego się trendu obejmowania prawem projektantów i wzornictwa modowego, obserwujemy również próby kwestionowania zasadności wprowadzania prawa autorskiego do mody i wskazywania pozytywnych skutków piractwa w specyficznej branży odzieżowej. Celem niniejszego artykułu jest ukazanie historycznego procesu budowania złożonych relacji między modą i prawem w społeczeństwach nowoczesnych oraz omówienie różnych sposób postrzegania kwestii prawa własności intelektualnej w tej branży.
Źródło:
Ruch Prawniczy, Ekonomiczny i Socjologiczny; 2015, 77, 2; 193-207
0035-9629
2543-9170
Pojawia się w:
Ruch Prawniczy, Ekonomiczny i Socjologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-11 z 11

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