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Wyświetlanie 1-2 z 2
Tytuł:
Przestrzeń filmowa jako przestrzeń wiedzy. O filmach Ray i Charlesa Eamesów
The film environment as a sphere of knowledge. On Ray and Charles Eames films
Autorzy:
Świętochowska, Grażyna
Powiązania:
https://bibliotekanauki.pl/articles/1047194.pdf
Data publikacji:
2020-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
multiscreenings
cinema and design
cinema and architecture
world expo
Opis:
Through the whole period of their design output, Ray and Charles Eames used film as a tool. First, they referred to film when they tried to prove their artistic activity, then for the purposes of advertisement and finally, they got to large, highly-circulated global multimedia projects. Behind them were state and corporate subjects. In all film activities, they reveal an innovative attitude which negotiated the current techniques of production. Each time, they were able to create new value. They revolutionized advertising and educational films. In every attempt at this genre, they did not give up the humanistic approach. They presented scientific knowledge, offered in the form of standard high entertainment.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 27, 36; 93-116
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Marsjanie. Borowczyk i Lenica na Międzynarodowym Konkursie Filmu Eksperymentalnego w Brukseli
Martians. Borowczyk and Lenica on International Experimental Film Competition in Brussels
Autorzy:
Sitkiewicz, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/1047270.pdf
Data publikacji:
2020-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
animated film
experimental film
Jan Lenica
Walerian Borowczyk
The House
Polish School of Animation
Expo-58 in Brussels
Opis:
The text describes the backstage of the legendary International Experimental Film Competition in Brussels, which accompanied the Expo-58 Exhibition at a turning point of the political thaw in Eastern and Central Europe. The most important representatives of avant-garde cinema and auteur animation of three generations took part in this event. The Grand Prix was awarded to The House of Walerian Borowczyk and Jan Lenica. The prize became the ticket to a European career for these two young filmmakers. The competition was also remembered as a symbolic beginning of the “Polish school of animation” (or the so-called “Polish school of experimental film”) on the global film market. The author of the article also writes about a difficult return to Poland, about a cash prize that caused many problems, about the successes of Polish films in Brussels, and about the reception of The House in Poland and abroad. Finally, he tries to demonstrate why this bleak and difficult to understand film, which builds opposition to the optimism of Expo Exhibitions, won the main prize, beating over 300 competitors from around the world.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 27, 36; 289-301
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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