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    Wyświetlanie 1-3 z 3
    Tytuł:
    Próba artykulacji
    An Attempt at Articulation
    Autorzy:
    Sztaba, Wojciech
    Powiązania:
    https://bibliotekanauki.pl/articles/1392610.pdf
    Data publikacji:
    2010-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Witkiewicz
    Witkacy
    Czysta Forma
    uczucie matefizyczne
    jedność w wielości
    Opis:
    Witkacy’s Pure Form expresses the metaphysical essence of art. On the one side, it symbolizes the structure of the world, the unity in plurality (which is demonstrated in the picture’s composition) and, on the other, the notion deals with the processes of creating and perceiving an art work. The moment in which the self feels itself embedded in the wholeness of the world is the moment in which the metaphysical feeling arises, and in which the experience of art is fulfilled. Witkacy provides many examples for situations evoking this feeling. He describes them in his novels, he finds synonyms as suchness, curiosity of existence, mystery of being or unity of identity, he switches from scientific to poetic language. And he emphasizes that this feeling, while defying verbalization, is a real, not a supernatural one: a psychophysical phenomenon accessible to introspection, and inseparable from one's cultural and individual background.  
    Źródło:
    Przestrzenie Teorii; 2010, 14; 107-121
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Przestrzeń barwna Czystej Formy. Kolor w teorii i praktyce twórczej Stanisława Ignacego Witkiewicza
    The Colourful Space of Pure Form. The Problem of Colour in Theory and Practice in the Work of Stanisław Ignacy Witkiewicz
    Autorzy:
    Żakiewicz, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1392592.pdf
    Data publikacji:
    2010-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    S. I. Witkiewicz
    Witkacy
    teoria malarstwa
    Czysta Forma
    kolor
    przestrzeń
    Opis:
    Colour was a very important problem in the whole work of Stanisław Ignacy Witkiewicz. Not only a whole chapter of his basic theoretical work Nowe formy w malarstwie (New Forms in Painting, published 1919) was devoted to that but the artist also examined his theory in practice executing many paintings presenting his ideas (e.g. Self-portrait, 1913, Portrait of Feliks Lewiński, 1917, Portrait of Maria Witkiewiczowa, 1918 and many others). A base for that was a harmony of complementary colours: green and red, blue and orange, violet and yellow. Many theorists before Witkacy were interested in that: Wolfgang Goethe, Philip Otto Runge, Wassili Kandinsky. The artist didn’t mention them in his deliberations but a psychologist, Hermann Ebinghaus (Grundzüge der Psychologie, 1897) and other artists only: Paul Gauguin and Pablo Picasso. Witkacy even copied one of Gauguin’s paintings, Te Arii Vahine and described it in his writings as the best example of Pure Form. Witkacy enthusiastically described Picasso’s paintings in his first novel 622 upadki Bunga (622 Downfalls of Bungo, written ca. 1910, first published 1972) and mentioned many times in his theoretical works. The artist appreciated also Georges Seurat’s paintings and his thoughts on colours. Witkacy himself created a detailed system presenting the best colour schemes and described many compositions corresponding to that. In 1938 the artist wrote an article O istocie malarstwa (On the Essence of Painting), which was an opposition to his earlier thoughts. In the end of his life the artist decided that the most important was imagination instead of theoretical rules.
    Źródło:
    Przestrzenie Teorii; 2010, 14; 123-13
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Muzyka jako Sztuka Czysta. Stanisław Ignacy Witkiewicz i Konstanty Regamey
    Music as Pure Art. Stanisław Ignacy Witkiewicz and Konstanty Regamey
    Autorzy:
    Sokół, Lech
    Powiązania:
    https://bibliotekanauki.pl/articles/1392631.pdf
    Data publikacji:
    2010-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    S. I. Witkiewicz
    Witkacy
    K. Regamey
    estetyka
    teoria
    muzyka
    Czysta Forma
    Opis:
    In Witkacy’s aesthetics, the problem of the essence, function and status of music in the system of pure arts has never been finally resolved. Many important questions remained unanswered. In spite of numerous announcements, Witkacy never developed a theory of music. To an extent, this work was unexpectedly carried out by Konstanty Regamey (Constantin Regamey, 1907–1982), Polish-Swiss composer, critic, theorist of music, linguist and India specialist, who for some time was a friend of Witkacy and admitted to being associated with the latter’s aesthetics. In 1933 Regamey published a study Treść i forma w muzyce [Content and Form in Music] which on a number of points follows closely not only Witkacy’s ideas but even his stylistics. In my opinion, yet another essay by Regamey should be taken into consideration in sketching relations between his and Witkacy’s theories of music; it is Próba analizy ewolucji w sztuce [An Attempt at Analysis of Evolution in Art]. The inclusion of these and other issues relating to music in a more detailed discussion of Witkacy’s aesthetics allows us both to understand this aesthetics better, and to dispel some of the hastily made and still unanswered criticisms.
    Źródło:
    Przestrzenie Teorii; 2010, 14; 33-84
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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