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Wyświetlanie 1-8 z 8
Tytuł:
Zwi(ch)nięte koło radykalnohermeneutyczne
Twisted radical-hermeneutic circle
Autorzy:
Szaj, Patryk
Powiązania:
https://bibliotekanauki.pl/articles/1039518.pdf
Data publikacji:
2019-04-16
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
radical hermeneutics
deconstruction
hermeneutic circle
Opis:
The article is an interpretation of the traditional figure of the hermeneutic circle made from the perspective of John D. Caputo’s radical hermeneutics. It begins with a recapitulation of the most important modern positions on the hermeneutic circle, which postmodern hermeneutics radicalizes, noting the impossibility of its closure or fulfillment. Movement in the postmodern hermeneutic circle takes place not between the parts and the whole, but only between the different parts. Thus, one might say that this circle is twisted, and this has a dual meaning. It evokes Jacques Derrida’s interpretation of a phrase from Hamlet, “time is out of joint”, but it also plays with the meaning of the twist, which can be understood as a Verwindung: the impossibility of the transgression beyond modern hermeneutics.
Źródło:
Przestrzenie Teorii; 2018, 30; 231-245
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Review of the Psychoanalytic Approaches to the Holocaust, on the Example of the Ninth Circle Interpretation
Pregled psihoanalitičkih pristupa holokaustu uz primjer tumačenja Devetog kruga
Autorzy:
Matijašević, Željka
Powiązania:
https://bibliotekanauki.pl/articles/635685.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
psychoanalysis
Holocaust
authoritarianism
logotherapy
Ninth Circle
Opis:
The essay is an overview of the most notable psychoanalytic approaches to the trauma of the Holocaust, in the works of the Frankfurt school authors, and in the works of Shoshana Felman and Dori Laub. The last part of the article represents an attempt to interpret the film Ninth Circle by France Štiglic, and in this respect the article reviews and applies the concepts of Viktor Frankl’s school of logotherapy, while it also relies on Frankl’s autobiographical account of the Holocaust trauma.
Źródło:
Poznańskie Studia Slawistyczne; 2017, 12; 211-224
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Time and Temporality in Live-Action Role-Playing
Percepcja oraz systemy reprezentacji czasu i czasowości w larpach (live-action role-playing games)
Autorzy:
Harviainen, Tuomas
Powiązania:
https://bibliotekanauki.pl/articles/1367770.pdf
Data publikacji:
2019-02-12
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Live-action role-playing
Magic circle
Temporality
Opis:
This article examines perceptions and systems of time and temporality in live-action role-playing (larp). Taking cues from the work of management game scholar Timo Lainema, the article presents examples of the effects of game duration, asynchronicity, and boredom, and then offers a new option for viewing time at, and in, larp play.
Artykuł zajmuje się percepcją i systemami reprezentacji czasu i czasowości w larpach (live-action role-playing games). Na podstawie prac Timo Lainema, badacza gier menedżerskich, niniejszy artykuł przedstawia przykładowe efekty czasu trwania gry, asynchroniczności i nudy, a następnie proponuje nowe podejście do postrzegania czasu na - i w - larpach.
Źródło:
Homo Ludens; 2018, 1, 11; 14-24
2080-4555
Pojawia się w:
Homo Ludens
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Being a dancer is not only a passion” – dance forms in the prose works of Milan Kundera
Autorzy:
Cieliczko, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/908772.pdf
Data publikacji:
2018-08-29
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
homo saltans
dance
dancer
circle
erotica
waltz
moral judo
interpretation
Opis:
The author of this article analyses the way in which dance and the dancer function within the prose works of Milan Kundera. Preceded by an introduction which analyses the figure of homo saltans from a cultural perspective, this review of the topic of dance (understood phenomenologically) presents four literary aspects in which it reveals itself. These perspectives are not conflicting, but neither are they complementary. The first relates to ritual rites of dancing in a circle, and their (crooked) reflection can be seen in the socio-political experience of the 20th century. The second presents dance as a narrative element, which asks questions about its own nature, and therefore has an autotelic and universalising character. The third aspect presents a metaphorical understanding of dance movement, while the fourth relates to philosophies of the dance and the dancer, as proposed by one of the protagonists in Slowness, leading this persona away from aesthetics towards the experience of public life. According to the author of this article, dance is used by Kundera to discover more interesting layers of the human condition, but much here depends on the reader. 
Źródło:
Bohemistyka; 2018, 2; 151-174
1642-9893
Pojawia się w:
Bohemistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poveste din poveste sau despre cercurile narative ale vieţii şi ale morţii din „Cartea şoaptelor” de Varujan Vosganian
Circle-Stories or Upon the Narrative Circles of Life and Death in 'The Book of Whispers' by Varujan Vosganian
Autorzy:
Ivancu, Emilia
Powiązania:
https://bibliotekanauki.pl/articles/1050862.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
hermeneutics
double spiral
circle
memory
sepulchre
text the book of whispers
Opis:
The present article considers the symbolical values of the circle in the novel Cartea șoaptelor (The Book of Whispers) by Varujan Vosganian from a hermeneutical point of view (Gilbert Durand, Jean Chevalier and Alain Gheerbrant). Moreover, from a spatial perspective, the circles of death are regarded as a double spiral, negative and positive, and the passage of characters such as Yusuf through this double spiral is the equivalent of a symbolical death and a resurrection in a new form. Moreover, taking over Paul Ricoeur’s idea (Memory, History, Forgetting) of a text being considered a sepulchre for the absents of history (Michel de Certeau), the text of The Book of Whispers is regarded and analysed as a text of the voice of those who have disappeared and died without their story being known. The roundness of character and ultimately that of transcending sufferance that the novel incorporates is rendered exactly by these circle-stories and by their polyphony.
Źródło:
Studia Romanica Posnaniensia; 2014, 41, 2; 83-96
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wojciech Ryszard Rzepka na tle poznańskiej tradycji językoznawstwa historycznego
Wojciech Ryszard Rzepka on the Background of the Poznań Tradition of Historical Linguistics
Autorzy:
Walczak, Bogdan
Powiązania:
https://bibliotekanauki.pl/articles/1045195.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Poznań linguistic circle
Wojciech Ryszard Rzepka
historical linguistics
historical morphology and lexicology
scholarly editorship
lexicography
Opis:
The article is an attempt to establish the position of the scholarly achievements of Wojciech Ryszard Rzepka (almost exclusively in the field of the history of the Polish language) on the background of the scholarly activity of his predecessors. The author adopted the output of his teacher and scholarly master, Władysław Kuraszkiewicz, as the most important reference point. The author has examined more closely three currents in the research activity of Wojciech Rzepka: his lexical studies, his editorial and lexicographical output. Concluding the article, the author considered Rzepka most prominent historian of the Polish language in his generation – a researcher whose scholarly achievements are marked by originality and novelty as well as a harmonious combination of the dominating empiricism and understanding for the theory and methodology of historical linguistics.
Źródło:
Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2015, 22, 1; 269-280
1233-8672
2450-4939
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hippokratesa z Chios kwadratura księżyczków
Hippocrates of Chios and his Quadrature of Lunules
Autorzy:
Wesoły, Marian A.
Powiązania:
https://bibliotekanauki.pl/articles/1806823.pdf
Data publikacji:
2021-10-12
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Hippocrates of Chios
quadrature of the circle by means of lunules
diagrammatic notations
Polish translation
Opis:
I dedicate this article, in Memoriam, to Professor Sylwester Dworacki, my first guide in Greek texts, with whom I later had the distinguished privilege to frequently discuss diverse issues in philological exegesis. The little-known figure of Hippocrates of Chios has recently attracted strong interest of several scholars, though mainly by historians of mathematics. Aristotle mentioned critically his quadrature of the circle by means of segments or by means of lunules. Aristotle’s commentator Simplicius, citing Eudemus of Rhodos, quoted a longer paraphrase of Hippocrates’ arguments regarding the quadrature of the lunules. Appropriately selected parts from these arguments are given here in Greek, along with their faithful Polish translation. One should carefully understand the critical stance of Aristotle, who in his particular way understood quadrature as the finding of the geometrical mean and, therefore, accused Hippocrates of using false diagrams.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2021, 31, 1; 347-363
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dokumentarzyści i krytyk. Zygmunt Kałużyński a dokumentaliści „nowej zmiany”
The Documentarians and The Critic, Zygmunt Kałużyński and Documentary Filmmakers of „The New Change”
Autorzy:
Jazdon, Mikołaj
Powiązania:
https://bibliotekanauki.pl/articles/921330.pdf
Data publikacji:
2017-08-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Zygmunt Kałużyński
Krzysztof Kieślowski
Tadeusz Różewicz
Tomasz Zygadło
Polityka weekly magazine
censorship
film criticism
documentary film
Polish School of Documentary Film
film festival
‘Cracow Circle’ of documentary filmmaking
Opis:
The article offers the analysis of how Zygmunt Kałużyński, the film critic of Polityka weekly magazine, described and stigmatized documentary films by Krzysztof Kieślowski, Tomasz Zygadło, Grzegorz Królikiewicz and Krzysztof Gradowski presented at the Cracow short film festival in 1971. Kałużyński criticized and mocked the aesthetics of the Polish “new wave” documentary cinema in a series of articles published in Spring and Summer of 1971. He presented films by brave and talented directors, contradicting the current social and political situation, as the unreflective imitation of the banal television documentary style based on in-front-of-the-camera interviews. The author compares Kałużyński’s proceedings to actions of a British journalist Robert Pitmann described by Tadeusz Różewicz in his essay A Journalist and the Poet. Pitmann conducted a sneering interview with T.S. Eliot for Sunday Express in 1958 and Różewicz comments on the possible effects of his text for its readers.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 20, 29; 15-46
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-8 z 8

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