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    Wyświetlanie 1-5 z 5
    Tytuł:
    Teoria centrum – peryferii Immanuela Wallersteina i jej recepcja w archeologii
    Autorzy:
    Ciesielska, Adriana
    Powiązania:
    https://bibliotekanauki.pl/articles/1023945.pdf
    Data publikacji:
    2016-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Centre – Periphery model
    world-system economy
    Immanuel Wallerstein
    Bronze Age
    contacts
    Opis:
    This paper presents the World-System Theory, which is also called the Centre – Periphery Model, and its application and usefulness in archaeology. This article focuses only on the World-System theory; the World-System Analysis will be discussed elsewhere. In the current article I consider the background to the Theory, its emergence at the beginning of the 1970sand its influence on archaeological works, particularly on the scholarly activity of Kristian Kristiansen and Andrew Sherrat. As an example, I present some statements concerning the Bronze Age as an era that saw very sophisticated, multiple exchange relations connecting remote regions of Europe. I also present the criticism towards the World-System Theory and its application in archaeology by Anthony Harding.
    Źródło:
    Folia Praehistorica Posnaniensia; 2016, 21; 55-82
    0239-8524
    2450-5846
    Pojawia się w:
    Folia Praehistorica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Miłosz w dialogu z literackim centrum świata
    Miłosz’s Dialogue with the Literary Centre of the World
    Autorzy:
    Bill, Stanley S.
    Powiązania:
    https://bibliotekanauki.pl/articles/1533986.pdf
    Data publikacji:
    2012-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Czesław Miłosz
    France
    Pascale Casanova
    theory of “world republic of letters”
    centre and periphery
    Opis:
    In 1986 Bernard Pivot, a French journalist and literary critic, conducted an interview with Miłosz in the television feature called Apostrophes. The conversation was an archetypal example of an encounter between a representative of the “literary centre” and an envoy from what Pascale Casanova later called “une petite littérature”. The present article discusses Miłosz’s contradictory relations with France as a centre of “world’s republic of letters”, against the background of his difficult dialogue with Pivot, and the wider context of Casanova’s theory of inequalities in the literary world. On the one hand, Miłosz felt wiser than French litterateurs, and frequently pointed out to their political naiveness and ignorance of history and the cruel reality of the world. On the other hand, however, Miłosz’s sense of superiority over Western culture was always dialectically linked to the other side of the coin: the rage of a provincial poet at the headquarters of the cultural and economical power.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 20; 137-148
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Artysta na obrzeżach świata, czyli wszyscy jesteśmy Odyseuszami. Kilka refl eksji ogólnych w nawiązaniu do Cycerona, Owidiusza i Seneki
    Autorzy:
    Wesołowska, Elżbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/631198.pdf
    Data publikacji:
    2010
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Odysseus
    Cicero
    Ovid
    Seneca
    exile
    centre
    periphery
    Opis:
    Th e paper discusses three grand personalities of antiquity: Cicero, Ovid and Seneca in the circumstances of their exile, Th eir attitudes to the punishment received (whose severity varied) were diverse. Nevertheless, all they left a trace in the shape of literary works and letters. Upon reading, one discovers ambiguous attitudes towards their per-sonal misfortunes. Finally, the situation of the exiles and their return may be compared with the archetypal fi gure of Odysseus.
    Źródło:
    Studia Europaea Gnesnensia; 2010, 1-2; 141-147
    2082-5951
    Pojawia się w:
    Studia Europaea Gnesnensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Toward a New Concept of Progressive Art: Art History in the Service of Modernisation in the Late Socialist Period. An Estonian Case
    Autorzy:
    Kodres, Krista
    Powiązania:
    https://bibliotekanauki.pl/articles/909522.pdf
    Data publikacji:
    2019-12-20
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Socialist art history and historiography
    Soviet studies
    Thaw era and modernisation
    centre (Moscow) and periphery (Estonian SSR) relations
    art and ideology
    progressiveness in art
    Opis:
    The paper deals with renewal of socialist art history in the Post-Stalinist period in Soviet Union. The modernisation of art history is discussed based on the example of the Estonian Soviet Socialist Republic (Estonian SSR), where art historians were forced to accept the Soviets’ centrally constructed Marxist-Leninist aesthetic and approach to art and art history. In the art context, the idea of progressiveness began to be reconsidered. In previous discourse, progress was linked with the “realist” artistic method that sprang from a progressive social order. Now, however, art historians found new arguments for accepting different cultures of form, both historical and contemporary, and often these arguments were “discovered” in Marxism itself. As a result, from the middle of 1950’s Soviet art historians fell into two camps in interpreting Realism: the dogmatic and revisionist, and the latter was embraced in Estonia. In 1967, a work was published by the accomplished artist Ott Kangilaski and his nephew, the art historian Jaak Kangilaski: the Kunsti kukeaabits – Basic Art Primer – subtitled “Fundamental Knowledge of Art and Art History.” In its 200 pages, Jaak Kangilaski’s Primer laid out the art history of the world. Kangilaski also chimed in, publishing an article in 1965 entitled “Disputes in Marxist Aesthetics” in the leading Estonian SSR literary journal Looming (Creation). In this paper the Art Primer is under scrutiny and the deviations and shifts in Kangilaski’s approach from the existing socialist art history canon are introduced. For Kangilaski the defining element of art was not the economic base but the “Zeitgeist,” the spirit of the era, which, as he wrote, “does not mean anything mysterious or supernatural but is simply the sum of the social views that objectively existed and exist in each phase of the development of humankind.” Thus, he openly united the “hostile classes” of the social formations and laid a foundation for the rise of common art characteristics, denoted by the term “style.” As is evidenced by various passages in the text, art transforms pursuant to the “will-to-art” (Kunstwollen) characteristic of the entire human society. Thus, under conditions of a fragile discursive pluralism in Soviet Union, quite symbolic concepts and values from formalist Western art history were “smuggled in”: concepts and values that the professional reader certainly recognised, although no names of “bourgeois” authors were mentioned. Kangilaski relied on assistance in interpretation from two grand masters of the Vienna school of art history: Alois Riegl’s term Kunstwollen and the Zeitgeist concept from Max Dvořák (Zeitgeist, Geistesgeschichte). In particular, the declaration of art’s linear, teleological “self-development” can be considered to be inspiration from the two. But Kangilaski’s reading list obviously also included Principles of Art History by Heinrich Wölfflin, who was declared an exemplary formalist art historian in earlier official Soviet historiography. Thaw-era discursive cocktail in art historiography sometimes led Kangilaski to logical contradictions. In spite of it, the Primer was an attempt to modernise the Stalinist approach to art history. In the Primer, the litmus test of the engagement with change was the new narrative of 20th century art history and the illustrative material that depicted “formalist bourgeois” artworks; 150 of the 279 plates are reproductions of Modernist avant-garde works from the early 20th century on. Put into the wider context, one can claim that art history writing in the Estonian SSR was deeply engaged with the ambivalent aims of Late Socialist Soviet politics, politics that was feared and despised but that, beginning in the late 1950s, nevertheless had shown the desire to move on and change.
    Źródło:
    Artium Quaestiones; 2019, 30; 211-223
    0239-202X
    Pojawia się w:
    Artium Quaestiones
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Uciec, ale dokąd…
    Get away, but where to…
    Autorzy:
    Antonowicz, Dominik
    Powiązania:
    https://bibliotekanauki.pl/articles/1192856.pdf
    Data publikacji:
    2018-10-23
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    centre
    periphery
    gra peryferyjna
    social sciences
    centrum
    peryferia
    nauki społeczne
    Opis:
    Niniejszy artykuł stanowi jeden z głosów w dyskusji nad półperyferyjnym charakterem systemów rodukcji naukowej, dla której pretekstem była publikacja książki Gra peryferyjna Tomasza Warczoka i Tomasza Zaryckiego. Autor skupia się w nim na scenariuszach wyswobodzenia się przez polskie nauki społeczne z (pół)peryferii globalnej nauki, jednocześnie podejmując kwestię arunków możliwości zerwania z istniejącym stanem zależności polskiej nauki od systemów entralnych.
    This article is one of the voices in the discussion on the semi-peripheral nature of knowledge production systems, inspired by the publication of Gra Peryferyjna by Tomasz Warczok and Tomasz Zarycki. Author focuses on the scenarios of the liberation of Polish social sciences from the semi-periphery of global science, while addressing the conditions for the possibility of breaking with the existing state of dependence of Polish science on central systems of knowledge production.
    Źródło:
    Nauka i Szkolnictwo Wyższe; 2018, 1, 51; 175-181
    1231-0298
    Pojawia się w:
    Nauka i Szkolnictwo Wyższe
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-5 z 5

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