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Tytuł:
Aristotle’s Topics in the Greek Neoplatonic Commentaries on the Categories
Autorzy:
Militello, Chiara
Powiązania:
https://bibliotekanauki.pl/articles/633482.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Categories
commentaries
dialectic
Neoplatonism
Topics
Opis:
This paper lists and examines the explicit references to Aristotle’s Topics in the Greek Neoplatonic commentaries on the Categories. The references to the Topics by Porphyry, Dexippus, Ammonius, Simplicius, Olympiodorus, Philoponus and David (Elias) are listed according the usual prolegomena to Aristotle’s works. In particular, the paper reconstructs David (Elias)’s original thesis about the proponents of the title Pre-Topics for the Categories and compares Ammonius’, Simplicius’ and Olympiodorus’ doxographies about the postpraedicamenta. Moreover, the study identifies two general trends. The first one is that all the commentators after Proclus share the same general view about: the authenticity of the Topics, Aristotle’s writing style in them, the part of philosophy to which they belong, their purpose, their usefulness and their place in the reading order. The second one is that whereas Porphyry, Dexippus and Simplicius use the Topics as an aid to understanding the Categories, Ammonius, Olympiodorus and David (Elias) do not.
Źródło:
Peitho. Examina Antiqua; 2014, 5, 1; 91-118
2082-7539
Pojawia się w:
Peitho. Examina Antiqua
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koinon and koinônia: A Particular Case of Participation in John Philoponus
Autorzy:
Granata, Daniele
Powiązania:
https://bibliotekanauki.pl/articles/633438.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Neoplatonism
Philoponus
Categories
participation
Plato
Aristotle
koinon
Opis:
The aim of this study is to discuss an original philosophical contribution made by Philoponus, who in In Cat. 18, 14–22 equates koinon in its most peculiar meaning with the concept of koinônia understood as a particular case of Platonic methexis. First, the paper analyzes the passages where the Neoplatonic commentators of the Categories distinguish four distinct meanings of the Aristotelian concept of koinon. Subsequently, this article emphasizes the differences between Philoponus’ hermeneutical suggestions and those of the other commentators. Philoponus clarifies that while every koinon is methekton, Aristotle’s koinon is characterized by the fact that the participation is ex isou and kata meros. Thus, koinônia, according to Philoponus, is a particular case of methexis, where everyone participating in something participates in it equally and singly. The example cited by Philoponus to explain Aristotle’s koinon is that of men participating equally and singly in human nature. The study concludes with a discussion of the relationship among the concepts of koinon, koinônia and methexis.
Źródło:
Peitho. Examina Antiqua; 2018, 9, 1; 101-120
2082-7539
Pojawia się w:
Peitho. Examina Antiqua
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Practice of ὀνοματοποιεῖν: Some Peculiar Statements in the Ancient Neoplatonic Commentators on Aristotle
Autorzy:
Granata, Daniele
Powiązania:
https://bibliotekanauki.pl/articles/633546.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Categories
Rethoric
actuality and potentiality
Neoplatonism
Aristotle
Opis:
This paper shows the role of ὀνοματοποιεῖν in Neoplatonism and how this practice is ruled by an onto-logical canon. While ὀνοματοποιεῖν itself means the making of a brand new name, its usage is manifold. As Aristotle explains in Rh. III 2, poets take advantage of ὀνοματοποιεῖν to catch the undefined and give it a recognisable image, by means of a metaphorical name. In science, this practice, codified by Aristotle, is twofold: ὀνοματοποιεῖν meant both to re-semanticize words wellknown and to create names ex novo for things not discovered or studied yet. After analysing ὀνοματοποιεῖν’s recurrence in Aristotle, I illustrate that, according to Neoplatonic Commentators, impositio can be, both natural and technical, only of things in actuality, having a solid consistency. Intermediates between contraries, presumed relatives and powers as qualities are nameless – as  Philoponus notices in his In Categorias – since they haven’t an independent status and aren’t  definable. This bond between the original rhetorical practice and the ontological perspective, sketched in Int. 1, was strengthened by Alexander, who filled Aristotle’s gaps, stating that names signify things’ being, i.e. the form acquired in actuality.
Źródło:
Peitho. Examina Antiqua; 2016, 7, 1; 217-228
2082-7539
Pojawia się w:
Peitho. Examina Antiqua
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Płynność – od Heraklita do Baumana
Liquidity – from Heraklit to Bauman
Autorzy:
Błaszczak, Monika
Powiązania:
https://bibliotekanauki.pl/articles/1039334.pdf
Data publikacji:
2019-12-06
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
liquidity
transdisciplinarity
aesthetic categories
performance
variability
multiplicity
amorphism
Opis:
The text concerns liquidity understood as an extremely extensive category containing the aspect of changeability and blurring boundaries. It covers an extremely wide spectrum of phenomena. Liquidity is a physical category that refers to the element of water and the senses of touch and taste. It became extremely popular in sociology as an epistemological category thanks to Zygmunt Bauman. This category should be applied much more widely in analyzing phenomena in the field of literature, art, theater, performance, but also going beyond practical analytical use and transferring this concept to the level of theory. The term „liquid” refers to many associations, which in turn allow us to recall different orders and perspectives, at the same time incorporating the current argument into a broader discourse on the moving, fluid nature of the concepts of „wandering” between disciplines. These considerations are also part of the author’s concept of amorphous aesthetic categories, which include liquidity.
Źródło:
Przestrzenie Teorii; 2019, 31; 109-134
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Filozofia słowiańska w myśli filozoficznej słowackich romantyków – z polskimi śladami w tle
Slavic Philosophy in the Philosophical Thought of the Slovak Romantics - with Polish Traces in the Background
Autorzy:
Goszczyńska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/30148692.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
romanticism
polemics
German philosophy
cognitive categories
intuition
Slovak culture
Opis:
The author of the article focuses on introducing and interpreting the dispute over Slavic philosophy that took place in the 1840s in Slovak magazines (between J.M. Hurban, C. Zoch and P.Kellner-Hostinský). This dispute is an important testimony of the era, it concerned the fundamental issues of the time: the identity of Slovak culture, its philosophical background, its place and role in the Slavic world, its attitude to tradition. The author of the article focused primarily on two aspects of the “slovanská veda” project: the relation to German philosophy and the key cognitive category “viďeňja.” The author also points to the role that this dispute played in shaping the model of Slovak culture. Since the Slovak Romantic literary discourse has recently been enriched by many new revisions, the author also briefly refers, sometimes polemically, to the latest research.
Źródło:
Poznańskie Studia Slawistyczne; 2023, 25; 149-165
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Minglitan: chiński przekład i komentarz Kategorii Arystotelesa z XVII wieku
Minglitan: Chinese Translation and Commentary of Aristotle’s Categories from the 17th Century
Autorzy:
Rogacz, Dawid
Powiązania:
https://bibliotekanauki.pl/articles/938457.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Categories
Aristotle
Chinese and Greek philosophy
Jesuits
Ming dynasty
Opis:
This article puts forth the first Polish translation of fragments of Minglitan,„Investigation into the Meaning of Names”, that is Chinese translationand commentary of Aristotle’s Categories prepared by Chinesescholar, Li Zhizao and Portuguese Jesuit, Francisco Furtado, andpublished in 1631. Five pieces have been select for the translation:Li Tianjing’s preface to Minglitan; a groundbreaking essay on sourcesof philosophy, containing the very first Chinese transliteration of theterm φιλοσοφία; chapter on the category of substance; of quantity; andchapter on opposites. The translation has been furnished with footnoteselaborating on Chinese terms employed in the Minglitan, and hasbeen preceded by an introduction that delineates historical context ofMinglitan, its content and structure, along with a brief sketch of its mainlinguistic determinants.
Źródło:
Peitho. Examina Antiqua; 2016, 7, 1; 273-284
2082-7539
Pojawia się w:
Peitho. Examina Antiqua
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Selected grammatical categories in the Czech language as understood by non-Czech speaking students
Autorzy:
Žvaková, Kateřina
Powiązania:
https://bibliotekanauki.pl/articles/2193777.pdf
Data publikacji:
2023-03-24
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
grammatical categories
non-Czech speaking studentsnts
word formation processes
Opis:
Teaching elementary Czech to university students is a challenging task. Given the profound complexity and numerous exceptions found in the Czech language system, a balance between oversimplification on the one hand and overwhelming students on the other hand needs to be sought. The objective of this study is to find out whether and to what extent do beginner Czech learners understand how selected grammatical categories work in Czech. The results imply that more attention should be paid to word formation processes as insufficient understanding of them was identified not only in students who were new to Czech but also in the control group.
Źródło:
Bohemistyka; 2023, 1; 77-89
1642-9893
Pojawia się w:
Bohemistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z estetyką w tle
With aesthetics in the background
Autorzy:
Krajewska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1391493.pdf
Data publikacji:
2016-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
aesthetics
aesthetic categories
science
art
estetyka
kategorie estetyczne
nauka
sztuka
Opis:
This editorial discusses the functioning of aesthetics, which is shifting from an academic discipline to live discourse on the contemporary that forms our presence in the world and shapes the nature of art perception. Aesthetics is heading towards the field of post-disciplinary performance studies, allowing the creation of actions that blur the boundary between science and art in the humanities. From its function as guardian of the rules of decorum, aesthetics has become the creator of acts expressing reality in the categories of performance.
Źródło:
Przestrzenie Teorii; 2016, 25; 7-10
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Disponibilidad léxica en diferentes niveles de español/lengua extranjera
Lexical Availability in different levels of Spanish as a Foreign Language
Autorzy:
Šifrar Kalan, Marjana
Powiązania:
https://bibliotekanauki.pl/articles/1050948.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Spanish/FL
lexical availability
high-school Spanish students
university Spanish students
semantic categories
Opis:
The objective of this study is to present the lexical availability in Slovene students of Spanish FL through the application of lexico-statistical methodology. The lexical availability of eleven semantic categories is compared quantitatively and qualitatively in two different level groups of students of Spanish FL: 100 high-school students (with approximate level B1) and 100 university students (with approximate level B2+). The similarities and differences according to different levels of Spanish are presented.
Źródło:
Studia Romanica Posnaniensia; 2014, 41, 1; 63-85
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ody do wspólnoty – interpretacja porównawcza
Odes to the Community – comparative interpretation
Autorzy:
Wantuch, Wiesława
Powiązania:
https://bibliotekanauki.pl/articles/1110802.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
school methodology
comparative interpretation
categories of typographic analysis
community
interpretacja porównawcza
kategorie analizy typograficznej
wspólnota
Opis:
W artykule zaproponowano interpretację porównawczą dwóch typów tekstów: typograficznych w zestawieniu z literackim. Są to różne wersje napisu solidarność, w których wykorzystuje się fonty tzw. solidarycy oraz Oda do młodości Mickiewicza. Kategorie opisu oczywiste przy analizie graficznej (tło, kształt czcionki, kolor itp.) pozwalają z nowej perspektywy spojrzeć także na znany wiersz. Oba typy tekstów są zestawiane jako perswazyjne wypowiedzi o sensie, cechach i zależnościach wspólnoty oraz jednostki poszukującej w niej swego miejsca, w określonych kontekstach historyczno-społecznych.
This article proposes a comparative interpretation of two types of texts: typographic and literary, i.e. different versions of writing solidarność, which are written in three different fonts, so called Solidaryca and Ode to Youth by Adam Mickiewicz. Common categories of graphic analysis (background, form of the font, its colour etc) allow for a new perspective to look at the poem. Both types of text are compared as persuasive expressions of meaning, characteristics and mutual dependencies between the community and the individual in certain socio-historical contexts.
Źródło:
Polonistyka. Innowacje; 2015, 2; 131-146
2450-6435
Pojawia się w:
Polonistyka. Innowacje
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Aldo Clementi musicus mathematicus
Autorzy:
Carapezza, Paolo Emilio
Powiązania:
https://bibliotekanauki.pl/articles/780335.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Aldo Clementi
Polydiatonic
Constitutional categories
Discourse construction
Modules
Canon
De-collage
Cassiodorus
Augustin
Leibniz
Opis:
Like that of Liszt and Stravinsky, the composers by whom he was attracted in his adolescence and early youth, Aldo dementi’s (Catania 1925-Rome 2011) musical production went through various phases, greatly changing on the surface and in appearance, though not in depth and substance. He himself suggests a division into five phases: 1. Preliminary (1944-1955), juvenile and apprenticeship works. 2. Structural (1956-1961). 3. Informal material (1961-1964). 4. Non-formal optical (1966-1970). 5. Polydiatonic (1970-2011): groups of letters indicating musical notes (for example: B-A-C H), or canti dati (modal or tonal - monodic or polyphonic - compositions of the western tradition, from the Stele of Sicilus to Stravinsky), but most often segments of melodic lines inferred from them. But - in the polyphonic counterpoint that derives from it - they are simultaneously intoned in the different voices in different tonalities: hence their superimposition restores the chromatic dodecaphonic total. Clementi himself proclaims the constitutional continuity of this development. The substance of his music consists in the direct transposition of a figurative project into a sonorous structure. Geometrie di musica: the title of the 2001 book by Gianluigi Mattietti refers first of all, as the subtitle says, to The diatonic period of Aldo Clementi, but it perfectly defines his whole musical production, all pervaded by dense polyphonic counterpoints. For Clementi construction is a goal, not a means to articulate discourse: indeed, he was even to do without discourse in his three central creative periods; and when in the fifth and latest one he has returned to it, he has enslaved it entirely to construction : he draws fragments from it, to be used as raw material, i.e. the diatonic subjects, of his dodecaphonic counterpoints. After the different phenomenology of the eruptions of sound matter of Varèse and Stravinsky, dementi’s music represents a further peak of pure construction in the sonorous space. His counterpoint however, like Webern’s, is limpid, subtly articulated, and dominated by reason: but here construction reigns supreme, and the composer in accordance with his requirements uses discursive melodic segments as raw material, as bricks (“modules” he says, and he describes them as mosaic tiles). “The idea of a construction achieved with the dovetailing of mirror-like images is also at the base of the figurative research of Escher, hinging on the concept of division of the plane, through repeated figures, mirror-like and congruent” (Mattietti). Indeed, dementi’s music is “disciplina quae de numeris loquitur” (discipline that speaks of numbers), according to the definition by Cassiodorus, rather than “scientia bene modulandi” (art of singing well), according to the definition by Augustine; and it is, more precisely, paraphrasing the famous definition by Leibniz, “exercitium arithmeticae manifestum coscientis se numerare animi” (evident arithmetical exercise of the mind aware of counting). Three compositions of dementi’s polydiatonic period are here thoroughly considered: two canons for string quartet, the very simple four-voiced Canone on a fragment by Platti (1997) and the very complex eight-voiced Tributo (1988) on “Happy birthday to you!”; and a de-collage, Blues and Blues 2, “fantasies on fragments by Thelonious Monk”, for piano (2001).
Źródło:
Interdisciplinary Studies in Musicology; 2013, 12; 57-72
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Matoša problematyzacje piękna. Tropem pewnego poszukiwania
Matoš’s Beauty Problematizations. Following Some Research
Autorzy:
Czapik-Lityńska, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/635454.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
modernism
aesthetic categories
literary construction
style
artistry
the sense of beauty
artistic value
aesthetic value
Opis:
The article describes the transformations of the traditional category of beauty in the Croatian modernist discourse. Based on the analysis of works of Matoš, we offer a study of modernist concepts of beauty, manifested in the relations between beauty, art and life. The discourse in question simultaneously transforms and explains the sense of beauty, introduces into the world of aesthetic and artistic values central to the culture of modernism.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Crime and Criminality – Problems of Definition, the Ability to Analyze this Issue in Conceptual and Structural Terms
Przestępstwo, przestępczość – problemy definicyjne, umiejętność analizy zjawiska w zakresie pojęciowym i strukturalnym
Autorzy:
Jarczewski, Waldemar
Bogdalski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/30147253.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
crime
offense
crime categories
security
statistics
studies
research
definitions
przestępczość
przestępstwo
kategorie przestępczości
bezpieczeństwo
statystyka
studia
badania
definicje
Opis:
This publication is addressed to students of security studies who attempt to define crime and describe criminogenic phenomena when working on their undergraduate or graduate theses. It is intended to help students decide which specific categories of crime to study and later describe. The main focus of the study is on specific categories of crime, including common crime, organized crime, drug-related crime, and juvenile crime. Students are presented with proposed definitions within selected criminological categories of crime as well as with suggestions on how to describe these phenomena in statistical terms. The hypothesis is that common crime remains the largest category in overall crime statistics, but it does not clearly prevail in terms of actual crime. The contents of this article are the product of the authors’ considerations, supported by many years of police experience, with reference to selected items of literature.
Niniejsza publikacja skierowana jest do studentów kierunków bezpieczeństwa, podejmujących w swoich pracach licencjackich czy magisterskich próby zdefiniowania przestępczości i opisu zjawisk kryminogennych. Ma ona ułatwić studentom podjęcie decyzji o wybraniu określonych kategorii przestępczości, które podlegać będą badaniom i późniejszemu opisowi. Głównym przedmiotem badań są określone kategorie przestępczości, między innymi kryminalna przestępczość pospolita, zorganizowana, przestępczość narkotykowa czy przestępczość nieletnich. Studentom przedstawiono propozycje definicji odnoszących się do wybranych kategorii kryminologicznych przestępczości, jak i sugestie odnoszące się do opisu zjawisk w ujęciu statystycznym. Hipoteza zakłada, że: kryminalna przestępczość pospolita jest wciąż najliczniejszą kategorią w odniesieniu do statystyk przestępczości w ogóle, jednak jej udział w przestępczości rzeczywistej nie ma już charakteru wyraźnej dominacji. Tekst publikacji przedstawia zapis rozważań własnych autorów, popartych wieloletnim doświadczeniem służby w Policji, w odniesieniu do wybranych pozycji literatury fachowej.
Źródło:
Przegląd Strategiczny; 2023, 16; 103-115
2084-6991
Pojawia się w:
Przegląd Strategiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przezroczysta lekkość bytu – od Calvina do Bieńczyka
The transparent lightness of being – from Calvino to Bieńczyk
Autorzy:
Błaszczak, Monika
Powiązania:
https://bibliotekanauki.pl/articles/1391510.pdf
Data publikacji:
2016-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
transparency
esthetic categories
lightness
speed
accuracy
multiplicity
mistiness
lucidity
glassiness
przezroczystość
kategorie estetyczne
lekkość
szybkość
dokładność
wielorakość
mglistość
świetlistość
szklistość
Opis:
Transparency is one of physical esthetic categories that are used to describe literature and other arts. The main aim of this paper is to show how those esthetic categories are used on three levels: esthetic, performatively dramatic and philosophical in modern literature, theater, film and fine arts. The starting point for those considerations are methods of Italo Calvino (“American lectures”) and Marek Bieńczyk (his collection of essays titled “Transparency”) . Calvino’s category of “transparency” (in his attempt to go beyond anthropocentric cognition with the author’s main question: “Is imagination an instrument of cognition?”) is contrasted with Marek Bieńczyk’s term of “transparency”, who has pointed out the positive aspects of paintings (which are not only giving a feeling of emptiness but also provide certainty of clarity and obviousness). In addition to these categories, lucidity and glassiness are featured and a crystal structure is summoned in the context of mistiness as its opposition.
Źródło:
Przestrzenie Teorii; 2016, 25; 170-210
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Da oder weil, daher oder deswegen? / Weil es nicht zielsprachenadäquat ist…? Deswegen! Zielsprachenadäquate Ausdrücke von Kausalität in L1- und L2-Texten im Deutschen
Autorzy:
Laurentzen, Chrissy
Jentges, Sabine
Powiązania:
https://bibliotekanauki.pl/articles/913296.pdf
Data publikacji:
2018-02-04
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
German as a foreign language (GFL)
causality
target language adequacy
grammar books
educational material
advanced L2-learners
functionality
grammatical categories
Netherlands
Opis:
Grammar books for L2-learners mostly follow grammatical themes, e.g. sentence – verb – conjunctions. However, when a L2-learner composes a text, he will probably focus more on the function he wants to express than the form he wants to use. In this article, functionality versus grammatical categories will be discussed in order to answer the question, whether and – if so – how German and Dutch students differ in their way of expressing causality in academic writing. An analysis of German Bachelor’s and Master’s theses written by German and Dutch students showed differences between these groups in their use of subcategories (word classes) and specific words for expressing causality. The absence of a functional structure and specific information about the use of causal connectives in grammar books can therefore be regarded asan important cause for these findings. Especially for advanced L2-learners of German it seems recommendable to organize grammar books to put a greater focus on function (rather than form).
Źródło:
Glottodidactica. An International Journal of Applied Linguistics; 2017, 44, 2; 41-57
0072-4769
Pojawia się w:
Glottodidactica. An International Journal of Applied Linguistics
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 21

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