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Wyświetlanie 1-3 z 3
Tytuł:
Ироническое начало в фельетоне Киев-город Михаила Булгакова
Irony in Mikhail Bulgakov’s feuilleton Kiev, the City
Autorzy:
Bortnowski, Antoni
Powiązania:
https://bibliotekanauki.pl/articles/1837566.pdf
Data publikacji:
2021-10-14
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Mikhail Bulgakov
Kiev
the city
irony
Bulgakov’s early works
Kiev in literature
Opis:
The subject of the article is the analysis of the image of Kiev, presented in Mikhail Bulgakov’s feuilleton Kiev, the City. This work has rarely been the subject of in-depth analysis, despite the fact that it is one of the few texts in which the writer presents the image of his hometown. A characteristic element of the description of Kiev’s past and present is the irony. It is noticeable in the title of the feuilleton, as well as in the names of its parts. The ironic image of Soviet Kiev stands in stark contrast to the vision of the city captured in the novel The White Guard. The analysis of the techniques used by the writer in the text of Kiev, the City (e.g. the naive narrator’s mask, a combination of pompous style and colloquial speech) is carried out in order to prove that the feuilleton, in its style and ideas expressed, also shows the author’s rejection of post-revolutionary reality and his attempt to overcome the trauma of the past through laughter. The ironic image of the Soviet reality on the background of eternal spiritual values makes Kiev, the City a harbinger of the problems covered inMikhail Bulgakov’s later works.
Źródło:
Studia Rossica Posnaniensia; 2021, 46, 2; 125-134
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Andrey Zvyagintsev’s Loveless as the remediation of Mikhail Bulgakov’s The heart of a dog. Towards the question of cultural memory
Autorzy:
Waligórska-Olejniczak, Beata
Powiązania:
https://bibliotekanauki.pl/articles/2135400.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Zvyagintsev
Bulgakov
Loveless
The heart of a dog
memory
Russian cinema
Opis:
The article aims to examine the relationship between two texts: Loveless (Нелюбовь, 2017), the latest of Andrey Zvyagintsev’s feature films, and The Heart of a Dog (Собачье сердце, 1925), one of Mikhail Bulgakov’s most popular short stories. The studies are focused on finding the parallels showing the work of cultural memory, which is understood – following Aleida Assmann’s and Astrid Erll’s findings – as the process of continuous remediation, retranscription and negotiation of essential ideas in the space of culture. Consequently, the author is not interested in treating Zvyagintsev’s text as the illustration of Bulgakov’s plot, but rather in discussing certain topics which are deposited in Russian literature and constantly reused and reinterpreted, creating the framework for communication across ‘the abyss of time’. The analogies between the selected texts are sought in the area of their structure, some thematic overlapping, the authors’ approach to the issue of the authoritarian ideology and the role of technology as well as in exploring the function of space as one of the narrative mechanisms, in particular in the context of the category of home and anti-home.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 30, 39; 183-199
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tożsamość Todda. Mózg między filozoficzną neurosferą a literacką (meta)fikcją
Todd’s Identity. The Brain Between Neurosphere and the Literary (Meta)Fiction
Autorzy:
Nowak, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1041377.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
brain
body/mind relation
hybrid identity
posthumanism
Kafka
Dürrenmatt
Bulgakov
Brown
Dukaj
phenomenology
Opis:
The paper explores hybrid identities of main characters in chosen contemporary authors as Kafka, Dürrenmatt, Bulgakov, Dukaj, and in particular Brown. They all contribute to the posthumanist literary genre and to better comprehension of condition posthumana as a leading utopia in the age of advanced technologies. The author argues for affinities between the human and the non-human brain, far beyond the anthropocentrism and anthropodenialism controversy.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 34; 63-86
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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