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Wyszukujesz frazę "Bruno Dumont" wg kryterium: Temat


Wyświetlanie 1-2 z 2
Tytuł:
The Life of Jesus by Bruno Dumont
Autorzy:
VON HORN, MAGNUS
Powiązania:
https://bibliotekanauki.pl/articles/920934.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
The Life Of Jesus
Bruno Dumont
analyse
actor
emotional conflict
Opis:
The thesis will focus on analysing what “ The Life Of Jesus” is about and how this is portrayed through the main character, Freddy. It will discuss the concept of the filmie character as a “common human being”, who does not have access to intellectual reflection and verbal articulation of emotional conflict and crisis, but who, at the same time, is capable of feeling a great deal. He feels the emotional conflict and crisis that make up the story. I will also attempt to step inside the same filmic character itself and analyse how to visualize the morals, ethics and emotions that the character cant verbalize or communicate in any direct or intellectual way. Bruno Dumont speaks about filming the inside of a person as his highest dream. I will discuss film directing using The Life Of Jesus as an example, but I will also draw on my own experiences as a filmmaker.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 300-330
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poświęcić niepewność – prolegomena do badań nad kinem postsekularnym
Sacrifcing uncertainty – prolegomena to the study of post-secular cinema
Autorzy:
Piskorska, Anna Maria
Powiązania:
https://bibliotekanauki.pl/articles/2135411.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
postsecularism
postsecular cinema
postmodernism
cultural analysis
Mieke Bal
religious flm
European cinema
Bruno Dumont
Hadewijch
John McDonagh
Calvary
Xavier Beauvois
Of Gods and Men
Opis:
This article undertakes the issue of defining film phenomena which put forward questions of a primary religious nature (about the meaning of life, source of evil, life after death, the existence of Absolute, etc.) in a way that is independent from major religious traditions. The author posits that describing this phenomenon in the case of European film culture is done best by employing the philosophical thought of postsecularism. Utilizing Mieke Bal’s method of cultural analysis, the author takes as an example the term “sacrifice” to point to the existence of different models by which religious topics are undertaken by the cinema. This leads to a preliminary typology of the phenomenon which differentiates between ‘apologetic’ and ‘critical’ films and, furthermore, between films that refer to particular religious traditions and those expressing a postsecular perspective.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 30, 39; 47-66
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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