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    Tytuł:
    Auschwitz i nowoczesność
    Auschwitz and modernity
    Autorzy:
    Krupa, Bartłomiej
    Powiązania:
    https://bibliotekanauki.pl/articles/1392101.pdf
    Data publikacji:
    2012-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Auschwitz
    nowoczesność
    holocaust
    ideologia
    nazizm
    Opis:
    The text examines the relationship between the two categories – Auschwitz and modernity, in recognition of Jean Améry and Zygmunt Bauman, taking also into account the voice of the latter polemicists. In the first place is reconstructed Améry’s positive view on modernity with respect for the truth of the victims of Auschwitz. Then Bauman's critical position is discussed, indicating the modern provenance of the Holocaust and risk of recurrence of the Holocaust. Next the voices of Bauman’s opponents are presented. Yehuda Bauer, Henryk Grynberg, Andrzej Szahaj and Stefan Morawski pointed to the key role of ideology and irrational aspects of Nazism. At the end the common ground of Améry and Bauman is indicated – both turn to take the perspective of the victims.
    Źródło:
    Przestrzenie Teorii; 2012, 18; 51-66
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Holocaust. Horyzont Nowego myślenia
    Holocaust. The Horizon of New Thinking
    Autorzy:
    Rogóż, Dominik
    Powiązania:
    https://bibliotekanauki.pl/articles/607432.pdf
    Data publikacji:
    2008
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Auschwitz
    Totalitarism
    Holocaust
    Shoah
    Cogito
    Dehumanization
    Opis:
    The twentieth century philosophy of dialog created by such eminent thinkers as Franz Rosenzweig, Martin Buber and Emmanuel Lévinas, has its roots not only in the dispute with the Cartesian concept of subjectivity, ego cogito, but also - and this is the fundamental thesis of this paper - in the horrendous experience of the Holocaust. Philosophy of dialog is not a fruit of pure and abstract speculation characteristic of university faculties; it is a fruit of an authentic experience of cruelty and hatred to The Other. The Holocaust - according to philosophers of dialog - was not only a terrible result of modem technocracy, but primarily a poisoned fruit of the European transcendental tradition o f thinking. Pioneering works o f philosophy of dialog that nowadays are recognized as classical, were written in the turmoil of The First World War - at war front and in Stalag. The transcendence of The Other, according to the philosophy of dialog, in the tradition of modem thinking was reduced to the immanence of subjectivity, Cartesian cogito. Consequently, this modem gesture of detranscendentalization repeated and reinforced in the age of philosophical idealism, has become one of the fundamental reasons for horrible and irrational expansion of cruelty in the twentieth century. The answer, unlike many others, to the Holocaust given by the philosophy of dialog was clear: the first vocation of philosophy is to guard the transcendence of The Other, who never can be reduced to the order o f thinking. The Other, understood as the other person, always exceeds any ideas and concepts, within which a subject tries to categorize him. Therefore New thinking inaugurated by philosophy of dialog, finds its foundation not in ego cogito, but in the unconditional recognition of the reality of the other person. New thinking begins with respect for the mystery of manhood.
    Źródło:
    Poznańskie Studia Teologiczne; 2008, 22; 287-298
    0209-3472
    Pojawia się w:
    Poznańskie Studia Teologiczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Krzysztof Ptak. Oczy i twarze: Kornblumenblau – 300 mil do nieba – Cynga
    Krzysztof Ptak. Eyes and faces. Kornblumenblau – 300 miles to heaven – Cynga
    Autorzy:
    Taras, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/1047288.pdf
    Data publikacji:
    2021-03-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    debut
    film camera
    lens
    Auschwitz
    Soviet camp
    emigration
    Opis:
    In this text, I analyze Krzysztof Ptak’s contribution to such films as Kornblumenblau and Cynga by Leszek Wosiewicz, and 300 miles to heaven by Maciej Dejczera. These films belong to a time that can be characterized as a period of “hot times”, when Krzysztof Ptak was interested in using cinematographic methods to the limits of their possibilities. As far as the history of Polish cinema is concerned, it was then that Polish directors were looking for a new language to talk about the Polish past. Wosiewicz and Dejczer avoided the accusation of “americanization” of Polish cinema, which was charged to Władysław Pasikowski. This may be because Krzysztof Ptak was the cinematographer of their films.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 249-271
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Balansując na krawędzi słowa: specyfika kobiecych świadectw obozowych (Delbo, Millu, Szmaglewska, Żywulska)
    Balancing on the edge of word: specificity of women’s accounts of concentration camp life (Delbo, Millu, Szmaglewska, Żywulska)
    Autorzy:
    Teklik, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/1534856.pdf
    Data publikacji:
    2010-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    trauma
    concentration camp
    Auschwitz-Birkenau
    feminine perception
    women narration
    Opis:
    The problem of presenting the traumatic experience of deportation and detention in a concentration camp is still painfully topical, the more so that hitherto existing methods and linguistic strategies provide no useful tools for its investigation, being either frustratingly ineffective, or altogether useless. Over time, a certain regularity in handling the problem has become noticeable, i.e. a distinctive separation of the available accounts of the experience into those provided by women and those evidenced by men. The answer to the question of how to narrate has to be then preceded by an appropriate question on social, cultural and gender identity of the narrator. On the basis of the exemplary accounts by four former inmates of the concentration camp at Auschwitz-Birkenau it is possible to understand the specificity and uniqueness of feminine perception of the camp’s reality. The accounts provided by Charlotte Delbo, Liana Millu, Seweryna Szmaglewska and Krystyna Żywulska — all easily identifiable by the different adopted form of message conveyance — share the specificity of women’s subjects raised, aspects closely related to the structure of a woman and her existence in responding to extreme conditions, often omitted in accounts provided by male witnesses. Camp pregnancies, dramatic deliveries, pseudo-scientific experiments, rapes and prostitution — all these constitute additional themes related to by women, victims to the above.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2010, 17; 249-262
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Zakrzyczą nas poeci, adwokaci, filozofowie, księża”. Najnowsza odsłona „sporu o Borowskiego”
    “We will be dismissed by poets, solicitors, philosophers and priests”. The latest stage of the “Borowski dispute”
    Autorzy:
    Krupa, Bartłomiej
    Powiązania:
    https://bibliotekanauki.pl/articles/1389473.pdf
    Data publikacji:
    2016-03-04
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Tadeusz Borowski
    Zofia Kossak
    literary criticism
    Auschwitz
    concentration camp memoirs
    opinion journalism
    Opis:
    In this article, I review the history of the “Borowski case” and place special emphasis on the latest dispute over the author of “Pożegnanie z Marią” which broke out between Andrzej Werner and archbishop Tadeusz Życiński. A recapitulation of the most significant features of the contradictory mental traditions of martyrdom literature and Borowski’s prose is followed by a discussion of the discourses from the 1940s. In the subsequent part of the article, I present the dispute over Borowski from the 1970s which accompanied the publication of Ucieczka z kamiennego świata by Tadeusz Drewnowski. Reference has also been made to the reviews from the 1980s by Jan Walec, Anna Łukowska and Małgorzata Dziewulska. A major part of the article has been devoted to the dispute over Tadeusz Borowski’s life choices and works published in 2007 in “Gazeta Wyborcza”. It was a dispute between Tadeusz Życiński who accused Borowski of “hatred of the differently minded” and Andrzej Werner who defended the writer. A moderate statement by Sławomir Buryła shed more light on the dispute; in his text entitled Katoliczka, patriotka, antysemitka (2008) he emphasized Borowski’s radical moralism. In this article, I provide the reason for Życiński’s ostentatious repetition of the seemingly out-of-date arguments against Borowski, I indicate the culture-related context of the archbishop’s opinion (the conservative Polish Catholic hierarchy). It was expressed at a time when a new list of required reading books was being created in 2007: Borowski’s stories from the Auschwitz concentration camp were to be replaced with a novel by Zofia Kossak-Szczucka.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Literacka; 2015, 26; 13-49
    1233-8680
    2450-4947
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Literacka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    From Report to Mythus. Jiří Kolář’s Plays as Creative Transformation of the Shoah Testimonies
    Autorzy:
    Firlej, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/951476.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Jiří Kolář
    Shoah
    Holocaust
    testimony
    narration
    theatre
    bystander
    Auschwitz
    collage
    ekphrasis
    mythus
    report
    Opis:
    Kolář’s plays Chléb náš vezdejší and Mor v Athénách, written at the turn of the fifties and the sixties, are the examples of aestheticization of testimonies and other texts about the Shoah. Kolář’s creative path is in a way pars pro toto of artistic and literary search of many authors reacting to the experience of Shoah and to many texts describing this hecatomb. Doubt in the previous aesthetics and in the polyphonic load of words is one of the most common experiences in the second half of the 20th century – until now. The author activates memory or cultural connotations of receiver and by eliminating a factual layer that could became a psychological safety valve that distracts, focuses a viewer (reader) on the most important and by it the most difficult to bear: to the event itself.
    Źródło:
    Poznańskie Studia Slawistyczne; 2017, 12; 79-91
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Hans Jonas and Vasily Grossman: Reflections on the Human Condition after Auschwitz
    Autorzy:
    Tibaldeo, Roberto Franzini
    Powiązania:
    https://bibliotekanauki.pl/articles/781219.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Hans Jonas
    Vasily Grossman
    Giorgio Agamben
    Auschwitz
    Shoah
    vulnerability
    immortality
    human nature
    human condition
    Opis:
    The article endeavours to compare the reflections on the Shoah of two of the most celebrated intellectuals of Jewish origin of the 20th century, namely the German philosopher Hans Jonas (1903-1993) and the Soviet writer Vasily Grossman (1905-1964). Both Jonas’ essay on The Concept of God after Auschwitz (1987) and Grossman’s novels and reports, such as The Hell of Treblinka (1944), Life and Fate (1980), and The Sistine Madonna (1989), are characterised by a thorough enquiry into the ambivalence of the human condition, that tries to shed some light on the disturbing abyss of Auschwitz and the Shoah. Although neither Jonas nor Grossman considered themselves as religious believers, thanks to the Shoah they recollected their Jewish roots and developed peculiar and innovative thoughts on the meaning and vulnerability of life, human freedom, immortality, and God. The article endeavours to highlight the main similarities and differences between these two authors, who tackled the issue of thinking after Auschwitz.
    Źródło:
    Ethics in Progress; 2014, 5, 2; 215-245
    2084-9257
    Pojawia się w:
    Ethics in Progress
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Shoah in Poland in the Work of Jiří Weil: Translations and Literary Reference*
    Autorzy:
    Hříbková, Hana
    Powiązania:
    https://bibliotekanauki.pl/articles/951479.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Jiří Weil
    Polska
    Shoah
    poems
    short story
    Władysław Szlengel
    Warsaw Ghetto
    Łódź ghetto
    Auschwitz
    Opis:
    Jiří Weil (1900–1959) is currently associated in particular with novel-writing. His works Moskva- -hranice (Moscow to the Border), Život s hvězdou (Life with a Star) and Na střeše je Mendelssohn (Mendelssohn is on the Roof) has been translated into several world languages. Jiří Weil was also a journalist, a researcher at the Jewish Museum in Prague and a translator. This study The Shoah in Poland in the work of Jiří Weil focuses on his translations of Polish poets and his literary work dealing with the Shoah and set in postwar Poland, Warsaw, Łódź and Auschwitz.
    Źródło:
    Poznańskie Studia Slawistyczne; 2017, 12; 139-151
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    W poszukiwaniu śladów przeszłości – komiks jako medium małej i wielkiej historii (przykład powieści graficznych Nie pojedziemy zobaczyć Auschwitz Jérémiego Dresa i Zaduszki Rutu Modan)
    In Search of Traces of the Past: Comics as a Medium for History Great and Small
    Autorzy:
    Czaja, Justyna
    Powiązania:
    https://bibliotekanauki.pl/articles/920900.pdf
    Data publikacji:
    2015-06-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Rutu Modan
    The Property
    Jérémie Dres
    We Won’t See Auschwitz
    comics
    graphic novel
    history
    popular culture
    Opis:
    The analysis of the article’s author focuses on the graphic novels The Property by Rutu Modan and We Won’t See Auschwitz by Jérémy Dres. Th e comics discussed deal with similar issues. Both refer to the wartime and postwar fate of Polish Jews, show military history as a factor shaping the family history of multiple generations, and touch upon issues concerning identity, Polish-Jewish relations, and national stereotypes. Through the use of comics, both authors try to preserve pieces of family history while touching upon many far more general and universal issues. Comics prove in this case to be a handy tool in the telling of intertwining histories great and small.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 139-150
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Metaphorizing the Holocaust: The Ethics of Comparison
    Autorzy:
    Webber, Mark
    Powiązania:
    https://bibliotekanauki.pl/articles/919822.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Holocaust
    Jewish (1939–1945)
    Shoah
    Genocide
    Metaphor
    Rhetoric
    Metonymy
    Synechdoche
    Comparison
    Comparability
    Unique
    Singular
    Ethics
    Ethical
    Empathy
    Antisemitism
    Anty-semitism
    Bundesverfassungsgericht
    Oberster Gerichtshof
    PETA
    Auschwitz
    Animals
    Images
    Photographic
    Opis:
    Metaphorizing the Holocaust: The Ethics of Comparison  This paper focuses on the ethics of metaphor and other forms of comparison that invoke National Socialism and the Holocaust. It seeks to answer the question: Are there criteria on the basis of which we can judge whether metaphors and associated tropes “use” the Holocaust appropriately? In analyzing the thrust and workings of such comparisons, the paper also seeks to identify and clarify the terminology and concepts that allow productive discussion. In line with its conception of metaphor that is also rhetorical praxis, the paper focuses on specific controversies involving the metaphorization of the Holocaust, primarily in Germany and Austria. The paper develops its argument through the following process. First, it examines the rhetorical/political contexts in which claims of the Holocaust’s comparability (or incomparability) have been raised. Second, it presents a review (and view) of the nature of metaphor, metonymy, and synecdoche. It applies this framework to (a) comparisons of Saddam Hussein with Hitler in Germany in 1991; (b) the controversies surrounding the 2004 poster exhibition “The Holocaust on Your Plate” in Germany and Austria, with particular emphasis on the arguments and decisions in cases before the courts in those countries; and (c) the invocation of “Auschwitz” as metonym and synecdoche. These examples provide the basis for a discussion of the ethics of comparison. In its third and final section the paper argues that metaphor is by nature duplicitous, but that ethical practice involving Holocaust comparisons is possible if one is self-aware and sensitive to the necessity of seeing the “other” as oneself. The ethical framework proposed by the paper provides the basis for evaluationg the specific cases adduced.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 8, 15-16; 1-30
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-10 z 10

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