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    Wyświetlanie 1-8 z 8
    Tytuł:
    Złoty kurz. O jednej metaforze Bolesława Leśmiana
    Golden dust. On one of Bolesław Leśmian’s metaphors
    Autorzy:
    Wojda, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/1597443.pdf
    Data publikacji:
    2016-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Bolesław Leśmian
    metaphor
    oxymoron
    performativity
    gnosticism
    alchemy
    metafora
    oksymoron
    performatywność
    gnostycyzm
    alchemia
    Opis:
    The topic of this paper is the golden dust metaphor in Bolesław Leśmian’s poems, fairy-tale prose, essays and plays. It is interpreted as one of many variations of the black sun trope, the gnostic and alchemical symbol for the unity of oppositions and for transformation. Analysis of Leśmian’s metaphor leads to the conclusion that his writing corresponds to gnosticism and alchemy. It takes up the concept of material concreteness, nudging the reader to combine oppositions and transmutation. Acting through words, through tropes, reflects the performative status of Leśmian’s creative work.
    Źródło:
    Przestrzenie Teorii; 2016, 25; 13-40
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Rewizje historii i dyskursu kryminologicznego: Kuśniewicz, Terlecki, Rymkiewicz
    Revisions of history and criminological discourse: Kuśniewicz, Terlecki, Rymkiewicz
    Autorzy:
    Wojda, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/1390992.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    A. Kuśniewicz
    W.L. Terlecki
    J.M. Rymkiewicz
    dyskurs kryminologiczny
    zbrodnia
    ofiara
    system penitencjarny
    literatura
    fikcja
    Opis:
    The article concerns texts which problematize such figures of criminological discourse as crime, perpetrator, victim, interrogator, or the penitentiary system. The works of A. Kuśniewicz, W.L. Terlecki and J.M. Rymkiewicz perform multidimensional revisions: they question traditional thinking about historical truth and the means of reaching it; they trespass the border between literature and fiction; they resist criminological discourse. The writers discussed formulate a diagnosis in many aspects close to that of M. Foucault’s and the new victimology, proving that representations of history as well as mechanisms of social control are discourses of restrictive authority. Korupcja [Corruption], Odpocznij po biegu [Rest after The Race], and Wielki książę [The Grand Duke] respond to such violence with revisions of history as well as the present, thanks to which literature becomes a form of radical hermeneuti
    Źródło:
    Przestrzenie Teorii; 2011, 15; 155-173
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Przyrządzanie wizerunku Murzyna w antologii „Niam niam” Edwarda Kozikowskiego i Emila Zegadłowicza
    Autorzy:
    Wojda, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/1391131.pdf
    Data publikacji:
    2013-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    mistyfikacja
    postkolonializm
    obraz Murzyna w literaturze
    symboliczna antropofagia
    performans
    Opis:
    The article presents an interpretation of texts published in 1923 as a collection of translated African poetry, which was in fact a literary mystification. The concepts of postcolonial criticism are used to analyze some racial stereotypes that have been updated by the authors of the performance and to demonstrate how they project their own ideas of regionalism and primitivism on the characters in their poems, thereby committing an act of symbolic anthropophagy
    Źródło:
    Przestrzenie Teorii; 2013, 19; 77-94
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Sprawy korzenne”. Fenomenologia Zuzanny Ginczanki
    “The questions of root”. Zuzanna Ginczanka’s phenomenology
    Autorzy:
    Wojda, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/1391491.pdf
    Data publikacji:
    2018-05-08
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Zuzanna Ginczanka
    phenomenology
    Maurice Merleau
    Ponty
    floristic motifs
    Opis:
    The paper concerns Zuzanna Ginczanka’s floristic signatures (trees, flowers and fruits), which are used by the poet to construct literary tropes. It shows how, by means of these signatures, the following oppositions are introduced: life/death, surface/depth, outside/inside, form/substance, phenomenon/essence. The crux of the argument is that in Ginczanka’s poetry there is a conflict concerning the value of phenomenology, i.e. what is really important: the phenomena (trees, flowers, fruits) or the hidden essences („the Questions of Root”)? I go on to argue that the poet’s thinking corresponds to Maurice Merleau-Ponty’s philosophy, in which the subject’s experience is considered to be related to his life environment and the philosophy of the body is identified with the phenomenology of perception. Emphasizing „the Questions of Root” in the very title of the paper indicates what is most problematic for Ginczanka and, at the same time, what determines her recognition of poetry as an expression of unattainable desires.
    Źródło:
    Przestrzenie Teorii; 2017, 28; 269-280
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Tekst jako „anastylos. Przedmiot i ciało w twórczości Jarosława Marka Rymkiewicza
    Text as Anastylos. Thing and Body in Jarosław Marek Rymkiewiczs Works
    Autorzy:
    Wojda, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/1392996.pdf
    Data publikacji:
    2007-02-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Opis:
    Text as Anastylos aims at reconstructing Jarosław Marek Rymkiewicz's poetics as well as his worldview. The present author sees them as inseparable orders. The category of anastylos, primarily describing a type of architectonic conservation is used here as a means of presenting the specificity of negative testimony given by Rymkiewicz to various forms of existence, inscribed by him into various genological forms and treated as the integrative factor in the entirety of his discourse. The author claims that the specificity of the negative testimony may be, in general terms, described as an effect of simultanuous identity and nonidentity between the text and the being it reconstructs as well as a presentation of its objects - a thing and a body - as related in an act of their mutual creation.
    Źródło:
    Przestrzenie Teorii; 2002, 1; 175-191
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ironia jako dekonstrukcja umierania w Listach Witolda Wirpszy
    Irony as Deconstruction of Dying in Witold Wirpsza’s Letters
    Autorzy:
    Wojda, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/2036684.pdf
    Data publikacji:
    2021-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Witold Wirpsza
    irony
    epistolary poetry
    deconstruction
    performativity
    Opis:
    This paper focuses on Witold Wirpsza’s Letters from the volume Second Resistance. Poems 1960–1964 (1965) and shows how irony becomes a deconstruction of dying, and at the same time of itself and of literary communication in general. The persiflage-oriented ars moriendi turns out to be a diagnosis directed against the discourses of thanatology, operating in institutions of power, medicine or religion (public letters) and family (private letters). Wirpsza designed it as a play of signs and communication noise in which meanings embedded in surface and deeper semantic levels intersect and contradict each other. This is accomplished by writing about death through epistolary, postal, philatelic tropes, concerning message, mediation and transmission. What are particularly important are the metaliterary parts, parabases intensifying the irony, which contain the vision of a postage  stamp robbery as reality transformed into signs. The interpretation of the Letters reveals that the deconstructive irony makes epistolary poetry a literary event – the letter, writing that is to be stolen, killed, read by the reader in her or his own way.
    Źródło:
    Przestrzenie Teorii; 2021, 35; 43-82
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Czemu Cię nie ma na odległość ręki”. Listy – zdarzenia literackie Adama Ziemianina
    „Why are you not in the reach of my hand?” Letters – Adam Ziemianin’s literary events
    Autorzy:
    Wojda, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/1039513.pdf
    Data publikacji:
    2019-04-16
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Adam Ziemianin
    letter
    epistolary poetry
    literary event
    performativity
    Opis:
    The article deals with Adam Ziemianin’s epistolary poetry (bringing both the subject of letters and imitating their formal qualities), which is discussed as a collection of literary events. Such an interpretation draws attention to the performativity of this writing, that is, its causative function, which results in the actualization of the text through the reader’s personal experience. Therefore, the interpretation here takes into account not only Ziemianin’s poems, but also their popularity as songs performed by the group Stare Dobre Małżeństwo. The most important conclusion presented in this paper focuses on the paradoxes of epistolary poetry: the evocation of both presence and absence, synchrony and asynchrony, combining private with public, as well as merging the literary dimension with real existence. Most of these paradoxes are motivated by the desire to rescue love and overcome death, as indicated by the symbolism of the letter and the well – serving as life-giving mediators.
    Źródło:
    Przestrzenie Teorii; 2018, 30; 205-230
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Serdeczne idiomy w listach Wisławy Szymborskiej i Kornela Filipowicza
    Heartfelt idioms in letters between Wisława Szymborska and Kornel Filipowicz
    Autorzy:
    Wojda, Dorota
    Powiązania:
    https://bibliotekanauki.pl/articles/32054479.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Wisława Szymborska
    Kornel Filipowicz
    letter
    performance
    list
    performans
    Opis:
    The correspondence between Wisława Szymborska and Kornel Filipowicz, which has been published in the book Listy. Najlepiej w życiu ma Twój kot (2016), is interpreted in this paper as a love discourse with the use of private idioms. This creates a poetics of the cryptogram, enigmatic to others, yet clear to the correspondents who combine epistolography, applied arts, literature, and life into one whole. The main means of this poetics is the recontextualization in which the writers perform  different roles and move between them. This is related to creating of the text as theatre, which characterizes Szymborska’s poetry in particular as a modern lyric of the mask and role. The violation of the borders between various fields of art and life is done in these letters through collages, stickers, and ready mades that engage not only mind but also body, allowing to hide feelings behind a masquerade, at the same time conveying what is inexpressible.
    Źródło:
    Przestrzenie Teorii; 2022, 38; 253-277
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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