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Wyświetlanie 1-2 z 2
Tytuł:
17 WRZEŚNIA 1939 ROKU NA KRESACH WSCHODNICH W PROPAGANDZIE RADZIECKIEJ ORAZ WE WSPÓŁCZESNYM SPOJRZENIU POLAKÓW I BIAŁORUSINÓW
SOVIET AGRESSION TO POLAND OF SEPTEMBER 17, 1939 IN A SOVIET PROPAGANDA AND IN THE CONTEMPORARY COUNCIOUSNESS OF POLES AND BELARUSIANS
Autorzy:
KULESZEWICZ, Anna
Powiązania:
https://bibliotekanauki.pl/articles/909325.pdf
Data publikacji:
2019-06-27
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Soviet Union
Belarus
Po land
Propaganda
Second World War
Sov i e t aggression
international relations
Opis:
On September 17, 1939, on the strength of the Ribbentrop-Molotov Pact established on August 23, 1939, Soviet troops carried out armed aggression on the Second Polish Republic without official declaration of war. As a result – Polish territories were divided between Germany and the USSR: the eastern territories of the country were influenced by the Kremlin and part of the eastern territories of the Second Polish Republic was incorporated into the Belorusian Soviet Socialist Republic. All war and aggressive activities required not only a deliberate military plan, but also the preparation of an appropriate propaganda ground: propaganda was a tool for creating the necessary background among the masses of the population and on the international arena. Propaganda was used by both the Polish and the Soviet sides: before, during and after the war. Before the war, Poles focused more on Nazi Germans, although some circles of the intelligentsia showed great interest in Soviet Russia. As for current awareness and official interpretation in relation to the events of September 17, 1939, they are considered an act of aggression. Propaganda has always been a strong weapon in the hands of the Soviets. Using this tool, they tried to create a ground and “justify” the aggression against Poland, a myth about the necessity of freeing the oppressed Ukrainians and Belarusians was invented, repeated until the collapse of the USSR. Currently, it is still possible to observe suchan interpretation in Belarus, although the situation is slowly changing, aiming at the recognition of historical truth.
Źródło:
Historia@Teoria; 2018, 1, 7; 149-165
2450-8047
Pojawia się w:
Historia@Teoria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Aleś Puszkin — czołowa postać białoruskiej awangardy?
Autorzy:
Kuleszewicz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/915772.pdf
Data publikacji:
2018-07-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
avant-garde
Ales Pushkin
Belarus
Vitebsk
performance
Belarusian modern art
Opis:
Avant-garde, a rebellious band of new trends and tendencies in art that appeared in the early 20th century, lasted for years being transformed, yielding the new forms of expression. It is also a trend of art most often associated with contemporaryBelarusian art (partially due to “school of Vitebsk”, Marc Chagall and Kazimir Malevich), still enjoying popularity in the country. One of the most recognizable Belarusian artistsis Ales Pushkin, born in 1965 in Bobr, associated with the Achremczuk’s National Schoolof Music and the Arts in Minsk and Vitebsk artistic environment. Pushkin is known for his indomitable, rebellious attitude towards the state regime. For many observers, art amateurs and even art critics, the character of his work immediately resembles avant-garde. However, as some researchers noted, Pushkins’ art enters a new dimension,paving the way towards new horizons of contemporary (avant-garde?) art of Belarus.
Źródło:
Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2017, 7; 87-98
2391-470X
Pojawia się w:
Kultury Wschodniosłowiańskie – Oblicza i Dialog
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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