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Wyświetlanie 1-15 z 18
Tytuł:
Iconology, visual culture and media aesthetics
Iconology, visual culture and media aestetics
Autorzy:
Mitchell, William John Thomas
Powiązania:
https://bibliotekanauki.pl/articles/1041744.pdf
Data publikacji:
2017-09-28
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
visual media
picture
image science
iconology
Opis:
The article contains fragments of three chapters form the book Image Science. Iconology, Visual Culture and Media Aesthetics (Chicago 2015), titled The are no Visual Media , Back to the Drawing Board  and Foundational Sites and Occupied Spaces . W. J. T. Mitchell created in his previous works the key concepts which imply an approach to images as true objects of investigation – an “image science”. Author, continuing with his influential line of thoughts, amplifies interdisciplinary studies of visual media. The chapters also delve into such topics as conections between new media and architecture or the occupation of space in contemporary popular uprisings. Image science  is a call for a method of studying images that overcomes the “two-culture split” between the natural and human sciences.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2017, 30; 341-364
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Israel in audio/visual culture: An (non-obvious) introduction
Autorzy:
Avisar, Ilan
Każmierczak, Marek
Powiązania:
https://bibliotekanauki.pl/articles/923288.pdf
Data publikacji:
2019-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2019, 25, 34; 5-12
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Layers of landscape—transdisciplinarity of contemporary landscape photography
Autorzy:
Michałowska, Marianna
Powiązania:
https://bibliotekanauki.pl/articles/914217.pdf
Data publikacji:
2019-01-28
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
landscape
photography
visual culture
Źródło:
Polish Journal of Landscape Studies; 2018, 1, 1; 65-75
2657-327X
Pojawia się w:
Polish Journal of Landscape Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Literatura do oglądania? Proza polska po 1989 roku pod naporem kultury wizualnej
Watching Literature? Polish Fiction after 1989 and Visual Culture
Autorzy:
Lachman, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1393537.pdf
Data publikacji:
2007-11-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
The article investigates the relationship between Polish fiction and a variety of aspects of visual culture. Contemporary culture has reached a stage in which images hołd central position. Consequently, word, as a medium of communication, is marginalised in favour of visual ways of conveying messages. Novels which have appeared after 1989 provide more than enough examples of close links between literature and visuality. Writers themselves are engaged in various projects which depart from traditional literature based on written text and engage in multi-media projects related to film, photography, advertisement or simply visual arts. Moreover, literary criticism accompanying new literature often falls back on visual imagery taken straight from visual arts; most literary reviewers find it handy to employ terms and concepts developed in the field of film criticism or used in writing about comic books and television. What is more, some writers take pride in creating literature designed to be watched rather than read. The inner mechanisms of literary market seem to promote visuality over textuality. Writers and critics want and love to occupy TV screens; they cultivate their public image and turn it into a marketable logo. Many PR strategies are involved to achieve fuli recognition of their name and work. The implied assumption behind these strategies is that literature alone is not attractive enough to be left outside of the reach of powerful media. This assumption can be seen not only in writers' public appearances but also in novels they write. Motifs, self-conscious comments, form and structure as well as typographic layout on the page are the basie means to emphasise that visuality remains at least as important as written text. The article presents the most significant devices used to visualise literature after 1989. Furthermore, it compares contemporary fiction with the modernist literature where most of these techniques originated from.
Źródło:
Przestrzenie Teorii; 2007, 7; 133-158
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Fotoobrazy”, „fotogłosy” i „fotonarracje” w badaniach pedagogicznych
“Photo-images”, “Photo-voices” and “Photo-narratives” in Pedagogical Studies
Autorzy:
Nowotniak, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/920131.pdf
Data publikacji:
2018-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
visual culture
visual research methodology
participatory photography
Opis:
The dynamic development of the visual culture requires a revised approach and thinking about its role in didactic process and its presence in scientific research. The key goals of the author’s scientific interest in the different aspects of the visual aspect are as follows: to join the discussion on if and how to utilize photography in research on education, to rework the selected imaging techniques and analytical methods in this very context, and to carry out an interpretation of the visual material. The article references the outcomes obtained so far by an author.
Źródło:
Studia Edukacyjne; 2018, 51; 53-82
1233-6688
Pojawia się w:
Studia Edukacyjne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Putting the boundary at the centre - a place where contemporary art meets politics
Autorzy:
Chwiejda, Ewelina
Powiązania:
https://bibliotekanauki.pl/articles/1011686.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
migration
border studies
visual culture
contemporary art
European Union
Opis:
This article focuses on the question of the involvement of contemporary artists in the public debate concerning boundary issues relating to migration and the treatment of immigrants. The aim of this essay is to take a closer look at some of their strategies for making the boundary issue more visible and their ability to draw our attention to the situation of excluded minorities, such as “clandestines” and refugees. The object of the study is, in particular, the way in which these artists address the question of the international migration process in the modern “open”, “ostensibly borderless” world, and the socio-political problems it generates. The effect of the border-crossing experience on the life of an immigrant, the image attached to him or her by the “host” society, as well as the artistic reflections on EU institutions and the hospitality of contemporary European societies are also included in the author’s analysis.
Źródło:
Praktyka Teoretyczna; 2014, 13, 3; 227-243
2081-8130
Pojawia się w:
Praktyka Teoretyczna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzeum niepokorności
Muzej nepokornosti
Autorzy:
Paić, Žarko
Powiązania:
https://bibliotekanauki.pl/articles/636040.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
totalitarianism
intellectual
visual culture
dissidents
totalitarian leaders
postmodern culture
Muzej nepokornosti
Opis:
-
Źródło:
Poznańskie Studia Slawistyczne; 2014, 6; 291-307
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obraz współczesnego społeczeństwa w utworach muzycznych Doroty Masłowskiej – Mister D.
The depiction of contemporary society in Dorota Masłowska’s music – Mister D.
Autorzy:
Wrzochul-Stawinoga, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/644826.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Generation Z
Mister D
music video
video
visual culture
Masłowska
Opis:
Changes resulting from the development of the Internet have a significant impact on the shape of popular culture. Music, particularly the message that it conveys, constitutes an important element of culture. Music, which is a part of a wider cultural context, has a significant influence on the shaping of the world view of contemporary people and serves as an important element of its description. According to Jacek Bernasiewicz, music often becomes the building block of the young generation. “It is primarily about music, and particularly its content, that always served as a generational bond and carried ideology – rock music for flower children, punk rock for neglected children, rap music for hip hoppers…” (Bernasiewicz, 2009: 4). Music always carries a message and combined with a music video, it becomes a story. This paper and deliberations contained herein are devoted to the works of Mr D, also known as Dorota Masłowska, which is a mirage – on the one hand of pop culture, entertainment and fun, and on the other, a depiction of the contemporary Polish society, in which the Generation Y plays a major role. The aim of the paper is to show how the Internet, being a place where narratives about the world play out, using the convergence of media, contributes to the construction of a certain reality, the elements of which, emphasised by Dorota Masłowska and elevated above the everyday life of the global teenager “Made in Poland,” make up the determinants of contemporary youth culture. Music videos by Mr D. and the content of songs from the album Społeczeństwo jest niemiłe will serve as the subject of this analysis. The narrative appearing in these songs will be examined, and the broader context of the meanings contained in the songs in relation to the entirety of popular culture and the way of functioning of society in it will be pointed out. Dorota Masłowska’s songs are not narratives of the author herself, but of protagonists presented in her music videos: the girl presented in the music video undergoes a kind of metamorphosis, and the viewer looks at the world through the eyes of her imagination. The protagonists in her music videos and songs are representatives of certain social groups with specific, clear characteristics that allow them to be individually identified. I assume that lyrics of songs listened to and music videos watched by youth and young adults are among the most important ways of learning and participating in culture by giving meaning to oneself, one’s life and the world. A musical work that is an “immature form” of culture, making use of the wide range of possibilities available to it for conveying messages, full of symbols and metaphors, demands its recipients to read and discover the meaning.
Źródło:
Kultura-Społeczeństwo-Edukacja; 2018, 13, 1; 254-273
2300-0422
Pojawia się w:
Kultura-Społeczeństwo-Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poverty and Wealth in the Polish Cinematography 1945-1989
Autorzy:
Skotarczak, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/1683562.pdf
Data publikacji:
2014-12-30
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poverty
wealth
Polish cinematography
Polish People’s Republic
visual culture
visual
history
Opis:
This article is devoted to poverty and wealth presented in fiction films - both cinema and television - directed in the times of the Polish People’s Republic. Poverty and wealth shown intentionally and unintentionally in these films manifest themselves in many ways. If we want to learn anything about wealth of the society shown in a given movie, a critical approach must be applied.
Źródło:
Studia Historiae Oeconomicae; 2014, 32; 69-76
0081-6485
Pojawia się w:
Studia Historiae Oeconomicae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Plakat polityczny w chorwackiej ikonosferze
Political Poster in the Croatian Iconosphere
Autorzy:
Darasz, Zdzisław
Powiązania:
https://bibliotekanauki.pl/articles/636088.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
art of margins
political poster
Croatian iconography
visual culture
anthropology of picture
montage of pictures
Opis:
The titular problem of Croatian political poster, regarded as an art of margins, is treated by the author, according to the order of chapters, in four main aspects: historical, aesthetic, socio-political, and cultural one. The development of poster art, correlated with national history in 19th and 20th century Croatia, is presented in the chapter “In the vapour of history”. In the next chapters some particular sections of the searching field are described. These sections are as follows: technique of montage of the pictures, modern iconoclastic practices, chaos vs. order, and the place (“From margin to centre”).
Źródło:
Poznańskie Studia Slawistyczne; 2020, 18; 283-289
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konceptualna mapa wizualności
A Conceptual Map of Visuality
Autorzy:
Kucner, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/16019445.pdf
Data publikacji:
2019-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ontology of visuality
semiotics of the picture
visual culture
philosophy of interpretation
photography
photo society
visual technology
Opis:
The analysis conducted in this paper focuses on the issue of visuality, seeking to determine its fundamental ontological and semiotic aspects. The map of visuality referred to in the title denotes the intention to systematize the condi-tions underlying a visual image and its significance as a product of technology and culture as well as a medium of communication.
Źródło:
Studia Europaea Gnesnensia; 2019, 19; 153-168
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Temptation, Resistance, and Art Objects: On the Lack of Material Theory within Art History before the Material Turn
Autorzy:
Krispinsson, Charolotta
Powiązania:
https://bibliotekanauki.pl/articles/909475.pdf
Data publikacji:
2019-05-07
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Niccolò di Pietro Gerini
the material turn
art historiography
connoisseurship
visual culture studies
new art history
fetishism
Opis:
Niccolò di Pietro Gerini's painting “The Temptation of Saint Anthony” (1390-1400) serves as a point of departure for this essay. It depicts Saint Anthony during a lapse of self-control as he attempts to resist an alluring mound of gold. Since the mound is in fact made of genuine gold leaves applied to the painting's surface, it works both as a representation of temptation as well as an object of desire affecting the beholder. The aim of this essay is to explore different approaches to materiality before the material turn within the art history discipline by examining two opposing directions within the writing and practice of art history:  the tradition of connoisseurship; and the critique of the fetish within the theoretical apparatus of new art history and visual culture studies of the 1980s and 90s. As an expression of positivism within art history, it is argued that connoisseurship be considered within the context of its empirical practices dealing with objects. What is commonly described as the connoisseur's “taste” or “love for art” would then be just another way to describe the intimate relationship formed between art historians and the very objects under their scrutiny. More than other humanist disciplines, art history is, with the possible exception of archaeology, an object-based discipline. It is empirically anchored in the unruly, deep sea of objects commonly known as the history of art. Still, there has been a lack of in-depth theoretical reflection on the materiality of artworks in the writings of art historians before the material turn. The question however, is not ifthis is so, but rather, why?In this essay, it is suggested that the art history discipline has been marked by a complicated love-hate relationship with the materiality of which the very objects of study, more often than not, are made of; like Saint Anthony who is both attracted to and repelled by the shapeless mass of gold that Lucifer tempts him with. While connoisseurship represents attraction, resistance to the allure of objects can be traced to the habitual critique of fetishism of the first generations of visual culture studies and new art history. It reflects a negative stance towards objects and the material aspect of artworks, which enhanced a conceived dichotomy between thinking critically and analytically in contrast to managing documents and objects in archives and museum depositories. However, juxtaposing the act of thinking with the practice of manual labour has a long tradition in Western intellectual history. Furthermore, it is argued that art history cannot easily be compared to the history of other disciplines because of the simple fact that artworks are typically quite expensive and unique commodities, and as such, they provoke not just aesthetic but also fetishist responses. Thus, this desire to separate art history as a scientific discipline from the fetishism of the art market has had the paradoxical effect of causing art historians to shy away from developing methodologies and theory about materiality as an act of resistance. 
Źródło:
Artium Quaestiones; 2018, 29; 5-23
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Das Parlament der Dinge: Transmateriale und transmediale Dynamiken, Bild-Ding-Relationen und „Meta-Artefakt-Malerei“
Autorzy:
Schulz, Vera-Simone
Powiązania:
https://bibliotekanauki.pl/articles/909492.pdf
Data publikacji:
2019-05-07
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
transmediality
transmateriality
image-object-interrelations
intersections of visual and material culture
materiality of art
Opis:
Studies related to artifacts, to what has been traditionally categorized as ‘high’ and ‘minor’ or ‘applied arts’, and to the materiality of art in recent years have been among the core foci of art history. More scholarly attention has also been given to the intersections between visual and material culture, not least in transcultural contexts. This paper seeks to contribute to these issues. Investigating transmaterial and transmedial dynamics between the arts, image-object interrelations as well as phenomena wherein images themselves gave the impulse to the creation of artifacts, the paper analyzes transfer processes transgressing various media and materials, 15th- and 16th-century Italian and Portuguese paintings in their Mediterranean and global entanglements, as well as 19th - and 20th-century artistic and academic approaches to objects in paintings. 
Źródło:
Artium Quaestiones; 2018, 29; 25-62
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Elementy wizualne w kulturze eksperymentu w ujęciu psychologicznym
Visual elements in the culture of experiment in the psychological context
Autorzy:
Poczynok, Julia
Powiązania:
https://bibliotekanauki.pl/articles/916077.pdf
Data publikacji:
2019-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
intermediality
photography
liberature
comics
intallation
experimental music
intermedialność
fotografia
liberatura
komiks
instalacja
eksperymentalna muzyka
Opis:
In the article there is a whole range of the different examples related to the culture of experiment, especially in the context of the interrelations between literature and visual arts, music and photography. The paper touches upon the questions of mediality, intermediality, the relationship between word and picture, as well as sound and movement. The main aim of the article is to demonstrate the phenomenon of interweaving various types of arts worldwide.
Źródło:
Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2019, 9; 97-112
2391-470X
Pojawia się w:
Kultury Wschodniosłowiańskie – Oblicza i Dialog
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kultura informacji osób z niepełnosprawnością wzroku w refleksji tyflologiczno-informatologicznej
Information culture of persons with visual disabilities in typhlology and information science reflections
Autorzy:
Czerwińska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1368707.pdf
Data publikacji:
2018-09-09
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
information culture
person with visual disabilities
Braille system
tactile graphics
audio description
alternative materials
augmentative technologies
Opis:
The subject of this paper is the specificity of the information space of persons with visual disabilities as a component of their information culture, according to the concept proposed by M. Kisilowska. Based on systematic analysis of documents and long years of participative observations, the deliberations focus on legal solutions governing the access of persons with visual disabilities to information, the navigation and cognition spheres of a blind information user and the specificity of providing information, in particular the Braille system, tactile graphics, audio description, alternative materials and augmentative technologies. The deliberations highlight obstacles in accessing information by persons with visual disabilities and suggest both practical solutions and research proposals for a complex analysis of the information culture of persons with visual disabilities in Poland.
Źródło:
Interdyscyplinarne Konteksty Pedagogiki Specjalnej; 2017, 18; 33-57
2300-391X
Pojawia się w:
Interdyscyplinarne Konteksty Pedagogiki Specjalnej
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 18

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